UNT Beginner and Advanced Afro-Cuban Ensemble, UNT Brazilian Ensemble, and UNT Latin Jazz Lab Band performed at the UNT College of Music Voertman Hall.

Ensemble concert presented at the UNT College of Music Concert Hall.

Women's Chorus performance at UNT College of Music Concert Hall.

UNT Global Rhythms: Drums Around the World concert presented at the Morton H. Meyerson Symphony Center in Dallas, Texas.

Ensemble concert performed at the UNT College of Music Concert Hall.

Faculty and Guest Artist Recital presented during Festival Brasileiro 2013 featuring Brazilian Chamber Music, given at Voertman Hall

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

A concert performed at the UNT College of Music Voertman Hall.

Brazilian Chamber music concert performed at the UNT College of Music Voertman Hall.

Chamber concert performed at the UNT College of Music Voertman Hall.

Ensemble concert performed at the UNT College of Music Kenton Hall.

Choral concert performed at the UNT College of Music Winspear Hall.

Latin Jazz concert performed at the UNT College of Music Voertman Hall.

Recital presented at the UNT College of Music Recital Hall.

Recording of Beatriz Ferreyra's "Echos" with vocals by Mercedes Cornu. The piece was made from the "destructuration" of four Latin American songs: two Argentinian and two Brazilian. Cornu uses a variety of vocal sounds (long and short sounds, breaths, coughs, etc.).

Recording of Bruno D'Auzon's Solipsismo. This work combines a finished text (in Portuguese) and its relation to a musical context. The composer has tried to combine the movement between sounds and speech, a poetic language without concern for meaning and in which sound objects or musical phrases may more easily support a concept or an image than words. The piece is divided into five parts, with the middle part playing a relaxing role where the theme is no longer human language.

Cello Choir concert performed at the UNT College of Music Concert Hall.

A senior recital presented at the UNT College of Music Kenton Hall.

Beginner and Advanced Afro-Cuban Ensembles, Brazilian Ensemble, and Latin Jazz Lab Band concert performed at the UNT College of Music Voertman Hall.

Recording of Eduardos Reck Miranda's The Turning of the Tide. The sounds of the piece can be divided into two main groups: continuous sounds and discrete sounds. Continuity is given by the vowel-like sounds, which were digitally synthesized using three synthesis techniques: frequency modulation, wave shaping and formant synthesis. Articulation, on the other hand, is produced by noise-like sounds generated by the violin, samples of the composer's speech, and amplitude modulation using an analogue synthesizer. The two computer programs used are CAMUS and a format Synthesizer.

Recording of Sergio Rojas de Carvalmo's 5 microinfinitos. A constellation of 27 micro-songs exploring new flirtations between poetry and music. Built-in, forgotten electro-acoustic design; music free of any adjective, without any fear or melodies or even rhythmic pulsations where the eroticism of the body is expressed. Poetic language at the limits of conciseness, flirting with prose, far from any domestication of literary genres. Dialogues of contrasting cultural spaces, dialogues of dimensions and above all dialogues where reason and concepts are silent and where everything is mystery.

Recital performed at the UNT College of Music Voertman Hall.

Recording of alcides lanza's Voo. The lyrics of this composition are primarily in Portuguese, but the composer specifically chose to play with the source material, basing lyrics on poems which appear in NO OUVIDO DO TEMPO/NO OLVIDO DO TEMPO, a remarkable book of poetry by the Brazilian poet and composer Gil Nuno Vaz. Special acknowledgement is given to the Brazilian poet Raul de Leoni (1895-1926), since Gil Nuno Vaz integrated into his own poems some lines from an unpublished book by de Leoni, No Ouvido do Tempo. As a result, the Portuguese blends into Spanish and Italian intentionally, acting as a catalyst joining the notions of Columbus, Italian explorer, departing from Spain to explore the unknown sea; Columbus, whose writings in Spanish showed strong traces of Portuguese and Italian; and the fact that Portuguese and Spanish are the prevalent languages from Mexico to Tierra del Fuego. In addition, by looking at the text in a kaleidoscopic way, "other" words and sentences, in existing or imaginary languages could be encountered. With all these elements, the composer "tells" the story of the opening up of a new world - struggles and religion as icons on the way to modern civilization. Voo is …

Senior recital presented at the UNT College of Music Kenton Hall in partial fulfillment of the Bachelor of Music (BM) in Performance degree.