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8,898 Matching Results
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A 1
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Recording of Daniel Schachter's A 1. This piece uses traditional electronic technique and emphasizes on musical gestures. The sounds are mostly synthetically constructed and are heard throughout the piece.
Date:
1992
Creator:
Schachter, Daniel, 1953-
System:
The UNT Digital Library
1...789
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Haris XANTHOUDAKIS: 1 ... 789 It is the setting to music (of the "setting in rhythm", more precisely) of two Greek texts talking about the French revolution and illustrating two opposite aspects of its impact in Greece, still occupied by the Turks, of the end of the seventeenth century: a "Patriarchal letter" (sort of circular of the Patriarch of Constantinople, to read in the Orthodox churches), condemning the French who "practiced the fraticide, killed their king and lost their faith in God" (in this order) and, on the other hand, a poem by Antonios Martelaos (1754-1818), congratulating the French for having shed blood for the freedom of the people. The first text is played at the beginning and end of the song (phonetically reversed and in a normal voice, respectively). The other forms slowly, parallel to a rhythmic accompaniment, of "disco" nature. This double reconstitution will be done in steps of proportion 1: 2: 3: ...: 7: 8: 9. A portion of this proportion, namely 1: 7: 8: 9, serves to generate an interval pattern (semitone, fifth, sixth minor, sixth major) that appears in both its sequential and simultaneous forms. Repetitive music, "disco" music, serial music, for a piece that …
Date:
1989
Creator:
Xanthoudakēs, Charēs
System:
The UNT Digital Library
2 pièces + 2 exemples
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Recording of John Chowning's 2 pièces + 2 exemples.
Date:
unknown
Creator:
Chowning, John M.
System:
The UNT Digital Library
2, rue Charles Dubois
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Recording of Etienne Saur's 2, rue Charles Dubois. The title of this piece is the address of the house where Jules Verne lived in Amiens. This work is comprised of 3 movements inspired by one of Verne's novels and was created as part of the open work project for the Synthèse Festival. The composer wrote this piece to explore Verne's fascination with the speed of means of communication.
Date:
2005
Creator:
Saur, Etienne
System:
The UNT Digital Library
3 divertissements numériques (1 franchir le rubicon, 2 fission, 3 mange ta télévision)
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Recording of Jean-François Cavro's 3 divertissements numériques (1 franchir le rubicon, 2 fission, 3 mange ta télévision). This work is created with electronics and uses traditional electronic technique. There is present noise elements within this work's texture, which establish a good balance within the orchestration of sound. By working with electronic sound effects and pre-recorded sounds of many qualities or frequencies, balance is found.
Date:
1989/1993
Creator:
Cavro, Jean-François
System:
The UNT Digital Library
3 for 5
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Recording of Richard Zvonar's 3 for 5 for percussion, performed by Daryl Pratt. The piece is divided into three movements, with a different set of instruments for each. These are set up in three locations, which form an arc left to right across the performance area. Four playback speakers are situated beside and between the three playing locations. The tape sounds are entirely derived from recorded sounds of the percussion instruments. Throughout the piece, the live and recorded sounds continuously diverge as the piece progresses until at the end, the original sounds have been greatly expanded and enriched through speed transposition, mixing, filtering, etc.
Date:
1979
Creator:
Zvonar, Richard
System:
The UNT Digital Library
3 pièces pour double basse et bande
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Recording of Orlando Jacinto Garcia's 3 pièces pour double basse et bande. Was written for bassist Robert Black and completed in the summer of 1990. The tape part was made using the bass player's recordings of brief musical pieces (i.e. tremolos, harmonics...) which were then digitized by the composer, sometimes transforming and mixing the material in layers of sound. The second of the three pieces is characteristic of a genre of glissandos, register changes, and also long holds both on tape and for the live double bass part. Great care as to the correctness of tone and the control of timbre is necessary on the part of the double bass player.
Date:
1990
Creator:
García, Orlando Jacinto
System:
The UNT Digital Library
4 in 1
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Recording of Herbert Mitschke's 4 in 1. This piece uses traditional electro-acoustic technique to alter recording sounds and explore musical possibilities.
Date:
1993
Creator:
Mitschke, Herbert A., 1954-
System:
The UNT Digital Library
4 Piezas Instrumentales
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For being the round world, who walks away in the East looking for new landscapes, after many trips and adventures he will return to the starting point from the West ... perhaps without wanting to or looking for it. By listening to these 4 instrumental pieces, you will think that they consist of an interpretation made for traditional music instruments. However, for me, the composer is nothing but a new experience in the field of technological music. In this case the experimentation consists of a program that improvises, plays, exchanges in many different ways an initial succession of tones giving rise to very different sound tissues. It is an experiment of the same complexity and quality as others that I have used in the past and that have given me totally different sound results. In this case the experimentation uses shades of defined and adjustable height, creating clear intervalic, acordic, polyphonic organizations, etc. In this domain, a similarity with instrumental music is inevitably obtained. I did not want to avoid this reality using bands of noise or continuous changes of harmonicity, but, on the contrary, I highlight the winter using homogeneous sounds that parody some known acoustic instrument. The four …
Date:
1989
Creator:
Asuar, José Vicente, 1933-
System:
The UNT Digital Library
4 Poèmes
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Recording of Eugeniusz Rudnik's 4 Poèmes made in a technique for a recording studio of hand-held electronic music. The sound material is based on electronic effects, rustling, instrumental and vocal sounds. Each part is integral, allowing them to present in the order of choice.
Date:
1976
Creator:
Rudnik, Eugeniusz
System:
The UNT Digital Library
5 Cookie jars and a broomstick
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Recording of Paul Geladi's 5 Cookie jars and a broomstick. The piece is based on percussive sound. These come from 5 cookie jars and a broken aluminum broomstick found in a garbage container. All the sound were recorded with a SONY ECM 979 stereo microphone.
Date:
1996
Creator:
Geladi, Paul
System:
The UNT Digital Library
5 Cookies
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Recording of Paul Geladi's 5 Cookies. This piece is based on percussive sounds that come mainly from 5 cookie jars and a broken aluminum broomstick. It is a reworked version of "5 cookie jars and a broomstick" from 1995.
Date:
1998
Creator:
Geladi, Paul
System:
The UNT Digital Library
5 Interazioni cicliche alle differenze sensibili
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Recording of Scipio di Agostino's 5 Interazioni cicliche alle differenze sensibili. This work consists of 5 untitled movements. This composition was written for string quartet and computer processing. The string instrumentals are not meant to sound like their traditional timbre and instead have become something that is algorithmically conceived and interactively regulated.
Date:
1998
Creator:
di Scipio, Agostino
System:
The UNT Digital Library
5 little things mother taught me
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Recording of Jeffrey Faustman's 5 little things mother taught me. This work is a collection of five miniatures composed from three sound sources: the soprano voice from Edgar Varese's "Poem Electrique", the composer's voice, and a radio broadcast. The movements are titled: 1. Cantare, 2. Tedium, 3. Traumen, 4. Distance, and 5. Escape/Hallucination.
Date:
1998
Creator:
Faustman, Jeffrey
System:
The UNT Digital Library
5 little things mother taught me
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Recording of Jeffrey Faustman's 5 little things mother taught me. This work is a collection of five miniatures composed from three sounds. Most of the material was generated from a single sample of an analog recording of a soprano voice - the soprano voice from Edgar Varese's POEM ELECTRIQUE "to be exact. The other two sound sources are the composer's voice and a radio broadcast.
Date:
1998
Creator:
Faustman, Jeffrey
System:
The UNT Digital Library
5 Minut pred
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Recording of Vlastislav Matoušek's 5 Minut pred. For pre-recorded sound and saxophone. This work used digital sound effects to enhance the listener's experience.
Date:
unknown
Creator:
Matoušek, Vlastislav, 1948-
System:
The UNT Digital Library
6 electronic preludes
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Recording of Bohdan Mazurek's 6 electronic preludes for tape.
Date:
1981
Creator:
Mazurek, Bohdan
System:
The UNT Digital Library
6 regards sur L.
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Recording of Xavier Garcia's 6 regards sur L. This piece uses voice and manipulates the sound to create unsettling and technical passages. There is a wide use of the music technique of spatialisation.
Date:
1991
Creator:
Garcia, Xavier, 1959-
System:
The UNT Digital Library
Los 7 Espejos
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Recording of Gonzalo Biffarella's Los 7 Espejos. This work was composed for 6 instruments and electronics. This work is based on the idea of the computer "mirroring" each of the instruments presented in the piece. The composer purposefully makes the instrumental material stray from their traditional sounds, creating a confusing listening experience for the audience.
Date:
1999
Creator:
Biffarela, Gonzalo, 1961-
System:
The UNT Digital Library
7 excerpts from "visual haïku"
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Recording of Warren Burt's 7 excerpts from "visual haïku". "Visual Haiku" was a set of 16 computer pieces made for Robert Randall's "Visual Haiku" project in 1994. All the music was made on various computer systems using software such as Band-in-a-Box, Sound Globs, M, Cool Edit and so on. Each of the "Visual Haiku" used algorithmic processes to assemble music which loudly and proudly proclaimed bad taste and slavish obeisance to commercial musical models, in keeping with the neo-Warholian aesthetic of Randall's work. "Visual Haiku" appear on the 2 CD set "Randelli's Selection" - on Scarlet Aardvark CD No. 47 A and B, available from www.warrenburt.com.
Date:
1994
Creator:
Burt, Warren, 1949-
System:
The UNT Digital Library
8 Deustche Tänze
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Recording of Peter Wessing's 8 Deutsche Tanze.
Date:
1981/1982
Creator:
Wessing, Peter
System:
The UNT Digital Library
8 variations sur une polska de Hammerdal
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Recording of Sten Hanson's 8 variations sur une polska de Hammerdal. This work is part of a series called "recycling" where material from traditional music is brought into the world of electroacoustics and made to fit into that genre of music. This piece specifically uses material from a polka and is played with a willow flute. The recording of the willow flute was made 40 years ago and is the only one of its existence.
Date:
1999
Creator:
Hanson, Sten, 1936-2013
System:
The UNT Digital Library
12 haiku pour la paix céleste
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Recording of Bernard Fort's 12 haiku pour la paix céleste. This piece is for 12 haikus for celestial peace. Haikus are very short Japanese poems which with reading, demonstrate the way of photography, as moments, sensations and feelings. There is a wide variety of both synthesized sounds and manipulated samples.
Date:
1989/1992
Creator:
Fort, Bernard
System:
The UNT Digital Library
E 15
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Recording of Peter Kolman's E 15.
Date:
1974
Creator:
Kolman, Peter
System:
The UNT Digital Library