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Beyond the Clouds
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Recording of Keiki Okasako's Beyond the Clouds.
Date:
1976
Creator:
Okasako, Keiki
System:
The UNT Digital Library
Studio per due sorgenti
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Recording of Francesco Galante's "Studio per die sorgenti" ("Study for Two Sources"). The musical form is a comtinuum and the music is a passage from a low to high complexity of sound materials, of the shape of textures and the succession of the events in the acceleration of time. It was realized in the electronic music studios at the Experimental Music Center in Rome in 1978.
Date:
1978
Creator:
Galante, Francesco
System:
The UNT Digital Library
Fabulas
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Recording of Ricardo Mandolini's Fabulas. It is a piece that creates a soundscape of fantasy, reminiscent of stories from childhood. Uses electronic and instrumental sound material.
Date:
1979
Creator:
Mandolini, Ricardo, 1950-
System:
The UNT Digital Library
Klangbild
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Recording of Klaus Röder's Klangbild. The basis of this piece was a guitar improvisation. The tape with the recorded guitar sounds was cut at suitable points. The cut pieces were sorted and classified. So there were several small musical motifs which were instrumented afterwards by electronic means.
Date:
1979/1980
Creator:
Röder, Klaus, 1948-
System:
The UNT Digital Library
Phases - Events
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Recording of Enström's Phases - Events
Date:
1976
Creator:
Enström, Rolf, 1951-
System:
The UNT Digital Library
November settting
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Recording of Gottfried Martin's November setting.
Date:
1974
Creator:
Martin, Gottfried
System:
The UNT Digital Library
Como un suspiro caido del cielo
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Recording of Eduardo Kusnir's "Como un suspiro caido del cielo" ("Like a sigh dropped from the sky").
Date:
1976
Creator:
Kusnir, Eduardowordre
System:
The UNT Digital Library
Strephanade
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Recording of Loretta Jankowski's Strephanade. The piece makes extensive use of voltage-controlled equipment. It was entirely electronically generated and produced. Strephanade was realized at the Electronic Music Studio at the University of Michigan.
Date:
1974
Creator:
Jankowski, Loretta, 1950-
System:
The UNT Digital Library
Genesis
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Recording of Barton MacLean's Genesis.
Date:
1974
Creator:
MacLean, Barton
System:
The UNT Digital Library
Soft Song
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Recording of Ton Bruynèl's Soft Song.
Date:
1974
Creator:
Bruynèl, Ton
System:
The UNT Digital Library
Of time and nostalgia
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Recording of Douglas Lilburn's Of time and nostalgia.
Date:
1977
Creator:
Lilburn, Douglas, 1915-2001
System:
The UNT Digital Library
Jabara
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Recording of Martin Brinkerhoff's Jabara. Sound material consists of percussion sounds that have been manipulated by concrete methods: pitch and duration transposition, inversion, and mixing. The work is dedicated to percussionist Martin Jabara, who provided the basic sounds. The piece was realized at the Center for Music Experiment at California San Diego University.
Date:
1979
Creator:
Brinkerhoff, Martin (Composer)
System:
The UNT Digital Library
Le mythe de la machine
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Recording of Wilfried Jentzsch's "Le mythe de la machine" for piano and tape. The design is based on various calculations of chance. The tape was made in collaboration between the electroacoustic studio of the Hochschule für Musik Köln and the Center for Studies of Mathematics and Musical Automatics (C E M A M u) in Paris.
Date:
1975/1978
Creator:
Jentzsch, Wilfried
System:
The UNT Digital Library
Poliritmica
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Recording of Peter Kolman's Poliritmica. The framework of the work - the beginning and the end - form multi-layered rhythmic structures that complement each other to produce a regular pulsating movement. The whole composition represents a correlation between rhythmically regular, rhythmically irregular and rhythmically not articulated (thus continuously fluid) structures.
Date:
1974
Creator:
Kolman, Peter
System:
The UNT Digital Library
Humanofonia
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Recording of Joaquin Orellana's Humanofonia
Date:
1971
Creator:
Orellana, Joaquín, 1937-
System:
The UNT Digital Library
Sch No. 2
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Recording of György Kurtág's Sch No. 2. The title applies to a series of works written for the electronic guitar. Second in the series, this piece uses very simple technical means: fuzz, wah-wah, feedback on the bass guitar. Kurtag's intention is to exploit the acoustic possibilities of the bass guitar. Recording made in the electronic studios of Radio Hungarian (1977).
Date:
1977
Creator:
Kurtág, György
System:
The UNT Digital Library
Austera
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Recording of Oscar Bazán's Austera.
Date:
1973
Creator:
Bazán, Oscar, 1936-2005
System:
The UNT Digital Library
The pulses of time
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Recording of Denis Smalley's The pulses of time. The piece reflects the varied behavior of pulses: the regular pulses of meter, the much slower pulses which pace sections of music, and pulses which form the interior character of sounds - the accelerating pulses of a bouncing sound, and the fast pulses creating the "grain" in sound textures. The different atmospheres in the work are generated by the major sound sources: the electronic bounced family of sounds, metallic harmonies which expand the resonances of dramatic gong-like attacks, noise contours, drums and percussion both real and synthetic, and the clavichord which provides a rich reservoir of sounds - deep clusters, sighing pitches, resonances truck on the soundboard, strings plucked and stroked. The clavichord sounds remain raw and untreated.
Date:
1979/1980
Creator:
Smalley, Denis, 1946-
System:
The UNT Digital Library
Parier sur huit chevaux n°1
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Recording of Karel Goeyvaerts's Parier sur huit chevaux n°1.
Date:
1973
Creator:
Goeyvaerts, Karel
System:
The UNT Digital Library
Diastasis
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Recording of Claude Colon's Diastasis. Diastasis means separation. Separation between an instrumental play and a set of sounds obtained with a generator. Dialogue. Osmosis. Separation.
Date:
1973
Creator:
Colon, Claude
System:
The UNT Digital Library
Ekphonesis IV
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Recording of Alcides Lanza's Ekphonesis IV.
Date:
1971
Creator:
Lanza, Alcides
System:
The UNT Digital Library
Pashanti (Les 9 Milliards de Noms de Dieu)
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Recording of David Evan Jones's "Pashanti (Les 9 Milliards de Noms de Dieu)." "Pashanti" is a Sanskrit word that refers to the level of thought that immediately predicts the recognition of speech as sound. This composition uses a hybrid computer musical system to filter vowel sound sources and vowel-like sounds. The text consists of the vowels i / a / u / e / i in sequence with particular transition velocities form the word "Yaweh" (the name of the Hebrew god). This series of vowels is continuously permuted to form the text of Pashanti through the composition.
Date:
1979
Creator:
Jones, David Evan
System:
The UNT Digital Library
Générique (Σ)
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Recording of Denis Lorrain's Générique (Σ)
Date:
1974
Creator:
Lorrain, Denis
System:
The UNT Digital Library
Un-X-2
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Recording of José Maria Neves's Un-X-2. This piece proposes formal breaks and shows rich expressive possibilities in a non-Eurocentric posture through the use of all natural sounds.
Date:
1971
Creator:
Neves, José Maria
System:
The UNT Digital Library