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8,898 Matching Results
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Transits élémentaires
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Recording of Francis Dhomont's "Transits élémentaires" ("Elementary Transits"). The piece is a question of a crossing that could be compared - very modestly - to that of Dante's Virgil. From fire through air, from central magma to the high layers of the atmosphere, the traveler crosses through then Alice's looking glass. The perception then becomes mental. At the formal level, the piece has five concave movements, all of unequal duration articulated by a constantly varied pattern, a sort of hinge. The piece was realized in Dhomont's personal studio as well of the GMEM (Centre National de Création Musicale) in Marseille for the synthesizer sound materials.
Date:
1982/1983
Creator:
Dhomont, Francis, 1926-
System:
The UNT Digital Library
Beyond the Clouds
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Recording of Keiki Okasako's Beyond the Clouds.
Date:
1976
Creator:
Okasako, Keiki
System:
The UNT Digital Library
Studio per due sorgenti
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Recording of Francesco Galante's "Studio per die sorgenti" ("Study for Two Sources"). The musical form is a comtinuum and the music is a passage from a low to high complexity of sound materials, of the shape of textures and the succession of the events in the acceleration of time. It was realized in the electronic music studios at the Experimental Music Center in Rome in 1978.
Date:
1978
Creator:
Galante, Francesco
System:
The UNT Digital Library
Fabulas
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Recording of Ricardo Mandolini's Fabulas. It is a piece that creates a soundscape of fantasy, reminiscent of stories from childhood. Uses electronic and instrumental sound material.
Date:
1979
Creator:
Mandolini, Ricardo, 1950-
System:
The UNT Digital Library
Eq
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Recording of Jonty Harrison's Eq for live saxophone and tape. It is the third in a series of works that features saxophones. This piece like the others, is also concerned with 'cu' (here made manifest by the interaction of live saxophone and recorded sounds on tape), 'Q' (a filter is used to sweet the producing melodic material out of static harmony) and spatial articulation. 'EQ' is studio slang for 'equalization - a more sophisticated version of the treble and bass controls on a domestic hi-fi system and a fundamental device for sound modification in the studio. EQ was commissioned by John Harle with funds made available by the arts Council of Great Britain. It received it's first performance in the Purcell Room, London in November 1980. The tape was produced in the Electronic Music Studios of the University of New York and the City University, London.
Date:
1980
Creator:
Harrison, Jonty, 1952-
System:
The UNT Digital Library
Klangbild
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Recording of Klaus Röder's Klangbild. The basis of this piece was a guitar improvisation. The tape with the recorded guitar sounds was cut at suitable points. The cut pieces were sorted and classified. So there were several small musical motifs which were instrumented afterwards by electronic means.
Date:
1979/1980
Creator:
Röder, Klaus, 1948-
System:
The UNT Digital Library
Extraits de Ballet
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Recording of Leo Nilsson's Extraits de Ballet
Date:
unknown
Creator:
Nilsson, Leo
System:
The UNT Digital Library
Phases - Events
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Recording of Enström's Phases - Events
Date:
1976
Creator:
Enström, Rolf, 1951-
System:
The UNT Digital Library
November settting
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Recording of Gottfried Martin's November setting.
Date:
1974
Creator:
Martin, Gottfried
System:
The UNT Digital Library
Como un suspiro caido del cielo
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Recording of Eduardo Kusnir's "Como un suspiro caido del cielo" ("Like a sigh dropped from the sky").
Date:
1976
Creator:
Kusnir, Eduardowordre
System:
The UNT Digital Library
Alidvoty "Les harmoniques"
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Recording of Tadeáš Salva's Alidvoty "Les harmoniques."
Date:
unknown
Creator:
Salva, Tadeáš, 1937-1995
System:
The UNT Digital Library
Inspiravit aeolus
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Recording of Pierre Barbaud's Inspiravit Aeolus. During the months of July - August 1979, Barbaud did his holiday homework on the island of Panarea, which is part of the eight Aeolian Islands in southern Italy. The title refers to the character Aeolus from Homer's Odyssey who is the Keeper of the Winds. In the hours of siesta, he blows with great gentleness on the bougainvillea; this is the inspiration for all of the algorithms in the piece. After returning to Paris, Barbaud asked Frank Brown and Geneviève Klein to provide the sound sampling program in data that did not provoke violent attacks. A poor telephone transmission during a first experiment, was the cause of a crash that did not lack beauty. The following communications were normal, and everything from those transmissions were kept in the piece.
Date:
1980
Creator:
Barbaud, Pierre
System:
The UNT Digital Library
A pocketful of posies
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Recording of Jonathan Berger's "A pocketful of posies." The title refers to the Black Death of the 14th century, a time when people dealt with impending doom in much the same way as people do today. It was premiered at Stanford University in March 1984.
Date:
1984
Creator:
Berger, Jonathan, 1954-
System:
The UNT Digital Library
Strephanade
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Recording of Loretta Jankowski's Strephanade. The piece makes extensive use of voltage-controlled equipment. It was entirely electronically generated and produced. Strephanade was realized at the Electronic Music Studio at the University of Michigan.
Date:
1974
Creator:
Jankowski, Loretta, 1950-
System:
The UNT Digital Library
Genesis
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Recording of Barton MacLean's Genesis.
Date:
1974
Creator:
MacLean, Barton
System:
The UNT Digital Library
Soft Song
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Recording of Ton Bruynèl's Soft Song.
Date:
1974
Creator:
Bruynèl, Ton
System:
The UNT Digital Library
Of time and nostalgia
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Recording of Douglas Lilburn's Of time and nostalgia.
Date:
1977
Creator:
Lilburn, Douglas, 1915-2001
System:
The UNT Digital Library
Overfall
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Recording of Lelio Camilleri's Overfall. Transformed piano sounds and sound structures realized by means of voltage control make up the sound material of the piece.
Date:
1983
Creator:
Camilleri, Lelio
System:
The UNT Digital Library
Jabara
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Recording of Martin Brinkerhoff's Jabara. Sound material consists of percussion sounds that have been manipulated by concrete methods: pitch and duration transposition, inversion, and mixing. The work is dedicated to percussionist Martin Jabara, who provided the basic sounds. The piece was realized at the Center for Music Experiment at California San Diego University.
Date:
1979
Creator:
Brinkerhoff, Martin (Composer)
System:
The UNT Digital Library
Suiana Wanka
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Recording of Fernando Condon-Garcia's Suiana Wanka for tape. This work collects and develops independently the materials of a music scene for Peter Shafer work "The Royal Hunt of the Sun". It is based exclusively on sound recordings of various Latin American instruments such as the Indian flute, pincuyos, sicus, tarkas, mohecenos, various kinds of percussion, etc., to which are added, during some passages, instruments from European culture (organ, flute, bass). The original sound was made in a professional studio, and the final realization was made in ELAC, a small Montevideo studio, with the technical assistance of Carlos Da Silveira.
Date:
1981
Creator:
Condon, Fernando, 1955-
System:
The UNT Digital Library
Le mythe de la machine
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Recording of Wilfried Jentzsch's "Le mythe de la machine" for piano and tape. The design is based on various calculations of chance. The tape was made in collaboration between the electroacoustic studio of the Hochschule für Musik Köln and the Center for Studies of Mathematics and Musical Automatics (C E M A M u) in Paris.
Date:
1975/1978
Creator:
Jentzsch, Wilfried
System:
The UNT Digital Library
Troisième doxologie Saint Sébastien
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Recording of Frank Royon Le Mée's "Troisième doxologie Saint Sébastien" ("Third Doxology Saint Sebastian"). The piece is an electronic postlude in three stanzas.
Date:
1981
Creator:
Royon Le Mée, Frank, 1953-1993
System:
The UNT Digital Library
Poliritmica
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Recording of Peter Kolman's Poliritmica. The framework of the work - the beginning and the end - form multi-layered rhythmic structures that complement each other to produce a regular pulsating movement. The whole composition represents a correlation between rhythmically regular, rhythmically irregular and rhythmically not articulated (thus continuously fluid) structures.
Date:
1974
Creator:
Kolman, Peter
System:
The UNT Digital Library
Humanofonia
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Recording of Joaquin Orellana's Humanofonia
Date:
1971
Creator:
Orellana, Joaquín, 1937-
System:
The UNT Digital Library