Pair of ladies' gloves. The "hands" are of pale brown with white fabric, possibly a silk/cotton blend. Seamed on inside, they have 3 darts on back of each hand done with dark brown stitching. At wrist on each side is a v-shaped extension which joins to the "cuff", which is of light brown cotton with yellow tones. The scalloped edges of the "cuff" and semi-circular sections on the back of each are piped in dark brown fabric. The "cuffs" are styled as a wrap dress, with an overlap at back of wrist. The overlap has a single cylindrical button of black plastic designed to appear carved with three notches in the side revealing pale green/yellow below and at ends. Manufacturer's tag inside gloves: "Kayser, 52 * Reg / Made in Germany / 6"; Stamped in lining by tag: "Kayser 52". The gloves are accompanied by the original paper care tag: "WASH / GLOVES / ON HANDS / Use almost cool / water and a pure / mild soap. We re- / commend PALM- / OLIVE BEADS. Do / not rub. After wash- / ing take gloves off / rinse thoroughly in / cold water. Pull / lengthwise wrap / and …

Dress of blue, green, pink, and black taffeta and satin in horizontal woven bands. The full-length dress has a sweetheart neckline which gathers at bust to simulate a bow. The fitted bodice has short raglan-style sleeves with gathers at the shoulder seams. The long skirt is gathered at the natural waist. The dress is unlined, and has hook-and-eye closures on left side along bodice.

Dress of black and purple diagonal woven stripe taffeta. It has a V- neckline in front and back, and has a fitted bodice with balloon peplum which gathers into the waist. Sleeveless, the dress has black velvet straps with striped flounces on each side and has black velvet petals attached to the straps. The long, straight skirt has a front slit. Dress has a center back zipper closure, and is unlined. No labels.

The view is of the length of the bridge.

The view is of the length of the bridge. Details of one end are clearly visible.

The view is from the bridge and cars as well as pedestrians are shown. One of the vertical towers is clearly shown as are the many suspension cables running the length of the bridge.

The view is perpendicular to the length of the bridge and is but a detail of the cables and one of the towers. Beyond the bridge, in the background, the city of San Francisco is seen.

The view is of one of the lamps that lights the pedestrian walkway along the length of the bridge.

The view is of the pedestrian walkway and two of the lights running alongside the railing.

The view is of one of the lights running along the roadway of the suspension bridge.

The wall relief depicts dancers and a guiding force or choreographer.

A horse, Pegasus, an eagle and a woman are depicted in this wall decoration above one of the doors.

The view is of a decorative set of panels installed above an entryway. The view here is a close detail of the relief carving and the colors.

The view is of a decorative panel installed above one of the entries. The style is Art Deco and the colors are pink, yellow and blue. The carved stone is in low relief and the figures depict industriousness.

The low relief depicts the silhouette of a ship on stylized waves with stars in the sky. The colors are black, yellow and green.

The low relief decoration depicts four men of different nationalities. The colors are green, gold and a deep rose pink.

The close view of the decorative panel shows a stylized eagle and a native wearing headdress. The colors are bold and the lines are angular.

The detail of the decorative panel depicts a lion and an African man in profile. The designs are angular and boldly colored with pink, blue and gold with pierced stone gives the appearance of a black background.

The view is into the plaza from an angled view. The green rooftops are visible.

The view is raking skyward and shows the spire, transmission lines and antennae.

The view is of people on the observation deck at the eighty-fifth floor and detail of the exterior facade.

The carved design above an entryway depicts the winged god Mercury and is painted gold.

One facade is shown with its large gold relief decoration and the additional sculpted piece above the door. At the top of the building also seen is etched into the surface of the facade more decoration in the Art Deco style.

The door sculpted in relief depicts Paris and New York above the figures of Poetry, Beauty and Elegance.