First (1st) clarinet part for music intended to accompany a silent film. "Nos. 1 and 2 are familiar church songs. No. 1 is the lighter number and is good for Salvation army scenes or as a church hymn when pathos are not apparent. No. 2 suggests the pathetic. No. 3 is used as a benediction at end of services. No. 4 can be used as processional or recessional when pauses are omitted and to give organ impressions when required."

Second (2nd) violin part for music intended to accompany a silent film. "Nos. 1 and 2 are familiar church songs. No. 1 is the lighter number and is good for Salvation army scenes or as a church hymn when pathos are not apparent. No. 2 suggests the pathetic. No. 3 is used as a benediction at end of services. No. 4 can be used as processional or recessional when pauses are omitted and to give organ impressions when required."

Cornet part for music intended to accompany a silent film. "Nos. 1 and 2 are familiar church songs. No. 1 is the lighter number and is good for Salvation army scenes or as a church hymn when pathos are not apparent. No. 2 suggests the pathetic. No. 3 is used as a benediction at end of services. No. 4 can be used as processional or recessional when pauses are omitted and to give organ impressions when required."

Horns in F part for music intended to accompany a silent film. "Nos. 1 and 2 are familiar church songs. No. 1 is the lighter number and is good for Salvation army scenes or as a church hymn when pathos are not apparent. No. 2 suggests the pathetic. No. 3 is used as a benediction at end of services. No. 4 can be used as processional or recessional when pauses are omitted and to give organ impressions when required."

Oboe part for music intended to accompany a silent film. "Nos. 1 and 2 are familiar church songs. No. 1 is the lighter number and is good for Salvation army scenes or as a church hymn when pathos are not apparent. No. 2 suggests the pathetic. No. 3 is used as a benediction at end of services. No. 4 can be used as processional or recessional when pauses are omitted and to give organ impressions when required."

Organ part for music intended to accompany a silent film. "Nos. 1 and 2 are familiar church songs. No. 1 is the lighter number and is good for Salvation army scenes or as a church hymn when pathos are not apparent. No. 2 suggests the pathetic. No. 3 is used as a benediction at end of services. No. 4 can be used as processional or recessional when pauses are omitted and to give organ impressions when required."

Bassoon part for music intended to accompany a silent film. "Nos. 1 and 2 are familiar church songs. No. 1 is the lighter number and is good for Salvation army scenes or as a church hymn when pathos are not apparent. No. 2 suggests the pathetic. No. 3 is used as a benediction at end of services. No. 4 can be used as processional or recessional when pauses are omitted and to give organ impressions when required."

Cello part for music intended to accompany a silent film. "Nos. 1 and 2 are familiar church songs. No. 1 is the lighter number and is good for Salvation army scenes or as a church hymn when pathos are not apparent. No. 2 suggests the pathetic. No. 3 is used as a benediction at end of services. No. 4 can be used as processional or recessional when pauses are omitted and to give organ impressions when required."

Flute part for music intended to accompany a silent film. "Nos. 1 and 2 are familiar church songs. No. 1 is the lighter number and is good for Salvation army scenes or as a church hymn when pathos are not apparent. No. 2 suggests the pathetic. No. 3 is used as a benediction at end of services. No. 4 can be used as processional or recessional when pauses are omitted and to give organ impressions when required."

Second (2nd) clarinet part for music intended to accompany a silent film. "Nos. 1 and 2 are familiar church songs. No. 1 is the lighter number and is good for Salvation army scenes or as a church hymn when pathos are not apparent. No. 2 suggests the pathetic. No. 3 is used as a benediction at end of services. No. 4 can be used as processional or recessional when pauses are omitted and to give organ impressions when required."

Bass part for music intended to accompany a silent film. "Nos. 1 and 2 are familiar church songs. No. 1 is the lighter number and is good for Salvation army scenes or as a church hymn when pathos are not apparent. No. 2 suggests the pathetic. No. 3 is used as a benediction at end of services. No. 4 can be used as processional or recessional when pauses are omitted and to give organ impressions when required."

Piano part for music intended to accompany a silent film. "Nos. 1 and 2 are familiar church songs. No. 1 is the lighter number and is good for Salvation army scenes or as a church hymn when pathos are not apparent. No. 2 suggests the pathetic. No. 3 is used as a benediction at end of services. No. 4 can be used as processional or recessional when pauses are omitted and to give organ impressions when required."

Timpani (F & C; F & Bb) part for music intended to accompany a silent film. "Nos. 1 and 2 are familiar church songs. No. 1 is the lighter number and is good for Salvation army scenes or as a church hymn when pathos are not apparent. No. 2 suggests the pathetic. No. 3 is used as a benediction at end of services. No. 4 can be used as processional or recessional when pauses are omitted and to give organ impressions when required."

Trombone part for music intended to accompany a silent film. "Nos. 1 and 2 are familiar church songs. No. 1 is the lighter number and is good for Salvation army scenes or as a church hymn when pathos are not apparent. No. 2 suggests the pathetic. No. 3 is used as a benediction at end of services. No. 4 can be used as processional or recessional when pauses are omitted and to give organ impressions when required."

Viola part for music intended to accompany a silent film. "Nos. 1 and 2 are familiar church songs. No. 1 is the lighter number and is good for Salvation army scenes or as a church hymn when pathos are not apparent. No. 2 suggests the pathetic. No. 3 is used as a benediction at end of services. No. 4 can be used as processional or recessional when pauses are omitted and to give organ impressions when required."

First (1st) violin part for music intended to accompany a silent film. "Nos. 1 and 2 are familiar church songs. No. 1 is the lighter number and is good for Salvation army scenes or as a church hymn when pathos are not apparent. No. 2 suggests the pathetic. No. 3 is used as a benediction at end of services. No. 4 can be used as processional or recessional when pauses are omitted and to give organ impressions when required."

Double bass part for music intended to accompany a silent film, "To be used when mental or other agitation apparent on screen and the situations developed are not melo-dramatic. Serious appeals are continued with this number."

Bassoon part for music intended to accompany a silent film, "To be used when mental or other agitation apparent on screen and the situations developed are not melo-dramatic. Serious appeals are continued with this number."

Cello part for music intended to accompany a silent film, "To be used when mental or other agitation apparent on screen and the situations developed are not melo-dramatic. Serious appeals are continued with this number."

Cornet part for music intended to accompany a silent film, "To be used when mental or other agitation apparent on screen and the situations developed are not melo-dramatic. Serious appeals are continued with this number."

Percussion part for music intended to accompany a silent film, "To be used when mental or other agitation apparent on screen and the situations developed are not melo-dramatic. Serious appeals are continued with this number."

Flute part for music intended to accompany a silent film, "To be used when mental or other agitation apparent on screen and the situations developed are not melo-dramatic. Serious appeals are continued with this number."

Horn part for music intended to accompany a silent film, "To be used when mental or other agitation apparent on screen and the situations developed are not melo-dramatic. Serious appeals are continued with this number."

Oboe part for music intended to accompany a silent film, "To be used when mental or other agitation apparent on screen and the situations developed are not melo-dramatic. Serious appeals are continued with this number."