Postcard of artillery at a mounted drill exercise at Camp MacArthur, Waco. Artillery batteries on wheels are pulled by horses mounted by soldiers, riding on a plain dirt field and picking up dust behind them. Other cavalry riders follow.

Postcard of a football team from the 127th Infantry Regiment, Company B. They mostly wear light-colored striped shirts, standing in two rows. A man at center, along the bottom row, holds a ball; a goalie with a dark shirt is seated at second from right with a helmet. One of the seated men, first from left, holds a white dog. The men stand in front of the encampments at Camp MacArthur.

Postcard of a company street at Camp MacArthur, with encampments alongside a dirt road. Two buildings are specified in pen: a bath house, a low rectangular building at center left, and a space between two camps at right, which shows where the stove is.

Postcard of Wallace Carvell, a World War I soldier, in uniform. He stands straight with his chin raised in front of an Alamo backdrop.

Postcard depicting a flood on the Brazos River, with the Waco Suspension Bridge in the background. The floodwaters nearly reach the bridge's deck and lap onto its side. Multiple buildings are visible on the left side of the river.

Postcard of a flood and damage on Elm Street in East Waco. The floodwater appears to be knee-high, and houses are upturned and pushed aside, with fences felled, power lines tipping, and debris floating in the water. A carriage pulled by a horse pulls a handful of people eastwards, towards the photographer. Numerous intact buildings are behind the damaged structures, and in the far background, the silhouette of the ALICO building is visible.

Postcard of soldiers sawing logs of wood on a saw horse. Two workers hold a bow saw, while another holds it down on the saw horse. To the left are piles of uncut wood.

Postcard of the 32nd Division headquarters at Camp MacArthur, Waco. Structures visible along the dirt road are triangular, tent-like buildings with power poles and signs nearby. A large thermometer, possibly indicating the amount of liberty bonds purchased, is at center left. Cars are parked besides the road at right.

Photograph of Wallace Carvell, seated on a platform with his foot on a stool and a hat in his hand. A note on the back states that Carvell was "raised by Grandpa Maddox".

Postcard of a World War I soldier, dressed in a military uniform with a hat. He stands in front of a painted background and looks to the right.

Postcard of Company K of the 128th Infantry Regiment exercising at Camp MacArthur, Waco. The uniformed soldiers stand in lines and practice with their rifles. A sergeant at far right oversees the exercises.

Postcard of Aunt "Sis" Harthcock, dressed in a dark-colored coat. Hr hair is pulled back and she looks forward.

Postcard from Julia Estes Rankin in Midland to Velma Snelson in Stone Mountain, Georgia, discussing a parade held in May 1908 where she was crowned "queen" of the May parade. The front of the postcard shows a parade in procession, with cars and small parade floats riding down a dirt road lined with storefronts, with pedestrians, horseback riders, and parked horse-drawn wagons along the sides of the road.

Postcard from Charles in Midland to George J. McClintic in Covington, Virginia, writing about going to a show that night with friends and some money concerns. The front of the postcard depicts the Midland library.

Postcard of Eliza Rankin (wife of Finis Ewing Rankin) holding a rifle, aiming it straight at a rattlesnake outside a pen.

Postcard of Finis Ewing Rankin, kneeling next to a rattlesnake with a small knife in his hand outside a pen.

Postcard from Midland addressed to Miss Eddie Handy[?] in Maverick, Texas. The front of the postcard depicts a Fourth of July parade in downtown Midland, going down Main Street with the Llano Hotel at left and several pedestrians and parked carriages watching horse-drawn parade floats and decorated cars.

Postcard to E. D. Merrill in Big Spring discussing visiting an unspecified female friend. The front of the postcard portraits a lively scene with two men dancing with each other, a band of musicians with two fiddlers and a guitarist (identified as Paul), another crowd of men watching from behind the musicians, and a woman holding a baby (Nellie holding Henley).