Postcard of Hotel Quitandinha in Petropolis Brazil. The 7 story complex is white with gray scaled tiled roofs. Sidewalks cut the courtyard into rounded shapes of grass with few bushes and no flowers to decorate the grounds.

Postcard of an aerial view of Rio de Janeiro where multiple storied buildings are painted hues of festive colors, the sidewalk is full of pedestrians, and the focus of the picture is the park lined with trees. Several yellow buses are parked on the road.

Postcard of the Hotel Quitandinha at the foot of a tree covered hill. A dock with three boats stretches into the lake in front of the hotel. In the foreground, orange and red flowers bloom.

Postcard of the Hotel Quitandinha at the foot of a mountain. Across the grounds, a tranquil pool of water sits with three swans and one white duck. One man is feeding the swans, and a group of people are watching.

Postcard of the coast of Rio de Janeiro. The blue waves fall onto white sand, hundreds of beach-goers scattered across. Pedestrians walk on a white and black decorated sidewalk on either side of a black asphalt road leading out of the city.

Postcard of a painting of the Hotel Quitandinha. The 7 story white building with dark gray tiled roof rests behind its courtyards cut into loops by the stone walkways. 6 people wander the grounds.

Postcard of the large Hotel Quitandinha with dark tiled roofing and white walls against a stormy sky.

Postcard of the 7 story Hotel Quintandinah in front of the rolling hills of Brazil. Down the courtyard to the dock on the lake, where four tables are shaded by umbrellas and four more are unshaded. Five tables are being used by patrons while two children play in the water, four adults stand, one rides a bike and another does a handstand.

Postcard of a blue and pink color tinted picture of a stone carved statue of Jesus Christ with arms held open. A man stands beside the statue for scale, only reaching his ankles. A stairway leads to the statue.

Postcard of a painting of the Hotel Quitandinha. The white 7 story building sits at the end of a winding road, while five cars are parked at the side of the cobblestone road - one purple, two blue, one red, and one white. To the right of the road is a lake, with a rectangular pier where 8 children play and four boats are tied.

Postcard of the Hotel Quitandinha, a 7 story compound at the base of a hill. To the right, a cobblestone road winds around the side. A telephone pole follows the road and two cars are parked on the side of the road.

Postcard of the Hotel Quitandinha at the foot of a mountain. Across the grounds, a tranquil pool of water sits with three swans and one white duck. One man is feeding the swans, and a group of people are watching.

Postcard of O Pao De Assucar, also known as Sugarloaf mountain. The large rounded mountain holds several cables and a cable car is moving on one of the lines. At the foot of the mountain, a thick forest rests. Beyond Sugarloaf mountain, the coast crashes against similar mountains in the distance.

Postcard of the city of Rio de Janeiro lit only by its own streetlights at night.

Postcard of the Hotel Quitandinha at the base of a mountain with two tennis courts in the foreground.

Postcard of Rio de Janeiro in black and white. Buildings line the coast in the middle-ground while rolling hills fade into the background.

Postcard of a painting of the Hotel Quitandinha. The 7 story white building with dark gray tiled roof rests behind its courtyards cut into loops by the stone walkways. 6 people wander the grounds.

Postcard of the 7 story Hotel Quintandinah in front of the rolling hills of Brazil. Down the courtyard to the dock on the lake, where four tables are shaded by umbrellas and four more are unshaded. Five tables are being used by patrons while two children play in the water, four adults stand, one rides a bike and another does a handstand.

Postcard of a blue and pink color tinted picture of a stone carved statue of Jesus Christ with arms held open. A man stands beside the statue for scale, only reaching his ankles. A stairway leads to the statue.