Postcard showing the Brazos River flood on Elm Street in East Waco. Buildings and power lines can be seen above the water.

Postcard of the historic Anson Mills Building located at 303 North Oregon Street in El Paso, Texas. Please also see duplicate postcard WH-PC-186-022.

Postcard of the Anson Mills Building. The Anson Mills Building is a historic building located at 303 North Oregon Street in El Paso, Texas. The building stands on the original site of the 1832 Ponce de León ranch. Anson Mills hired Henry C. Trost of the Trost and Trost architectural firm to design and construct the building. At the time, Henry C. Trost was the area's foremost pioneer in the use of reinforced concrete in building design. Built in 1910-1911, the building was only the second concrete-frame skyscraper in the United States, and one of the largest all-concrete buildings. At 145 feet (44 m), the 12-story Mills Building was the tallest building in El Paso when it was completed. The architectural firm of Trost and Trost moved its offices to the building upon completion, where they remained until 1920. The Mills family sold the building in 1965. The building stands on a corner site opposite San Jacinto Plaza, with a gracefully curved street façade that wraps around the south and east sides. Like many of Trost's designs, the Anson Mills Building's overall form and strong verticality, as well as details of the ornamentation and cornice, are reminiscent of the Chicago …

Postcard from Ellen to Miss Harthausen, promising to write a letter when she has time. The front of the postcard features an illustration of three buildings lining a street - one two-story building and two one-story buildings. The building on the far right has a sign for a bakery. Two automobiles and a small buggy are parked along the street.

Postcard from L. & A. to Mr. Lon Hale, discussing their home, which they say is near the scene depicted on the postcard. The front of the postcard features a photograph of a small, sloped mountain covered with trees at the top and base of the mountain, and dotted with trees around the middle. At the base of the largest part of the slope are three buildings - two barns and one two-story house with columns.

Postercard from Lillian G. to Junia Roberts Osterhout. On the back, Lillian wrote some brief news about San Antonio, TX and that she found the postcard in a Japanese store. The front of the card has gold embossed images of huts by a lake, birds, and a boat. The background consists of a mountain with a white top and clouds.

Postcard of Waco's Central Fire Department, a two-story brick building with a garage on the first floor.

Postcard of a colorized photograph of several rows of cotton bales and men with horses and carriages in a cotton yard in Waco; there are factories and other buildings featuring advertisements and some trees in the background. Printed on the front of the postcard: "Waco, Texas. Cotton Yard." There is a handwritten letter on the back of the postcard.

Postcard from Clarence W. Conor to George Pendexter regarding different collections of photographs. The photograph on the backside of the card shows a view of a fireman sitting in an old fire engine belonging to the Stratford Fire Department in Stratford, Connecticut. This vehicle has a ladder attached to its side, a basket with a water hose on top, and an alarm bell on the far back.

Postcard of an illustration of a man sitting next to a table with two empty mugs. Printed text on the postcard says: "Three empty mugs." Handwritten note on the front of the card adds: "You can't drink it all, so no use of making a hog of yourself." Postcard is addressed to Abner Rayburn.

Postcard of a bird body with a clown head smoking a cigar. Part of the postcard is missing, but the text that is left on the front of the card says, "If you're a bird - chirp!" Most of the handwritten note on the back of the postcard is missing as well, but it is addressed to Abner Rayburn.

Postcard of a cowboy sitting on a horse and firing a pistol. Handwritten message on the back of the postcard inquires about Abner Rayburn's well-being.

Postcard of an illustration of a man putting a letter into a mailbox. Handwritten note on the back of the postcard is addressed to Abner Rayburn.

Postcard of a cartoon of four people in an old-fashioned car. The text on the front of the postcard says: "How can you do it on 13.50 per ?" Handwritten note on the back of the postcard asks Abner Rayburn about his business.

Postcard of a woman sketched with charcoal wearing a hat. The note below the woman's picture reads, "Mamie, Note I put another color to her hair. If I don't know who Jack is, I certainly know a rich joke on a certain somebody. Hugh. 10-07-11." The note continues on the back of the postcard with, "Who is Jack? H.H. 10-7-11." The postcard is addressed to "Miss Mamie McFaddin Washington D.C. Gunston Hall."

Postcard of a letter with a gold and turquoise "M" emblazoned near the edge. The letter is illegible. The postcard is addressed to "Miss Mamie McFaddin Washington D. C. 90 Gunston Hall."

Postcard of an illegible letter, addressed to "Miss Mamie McFadden Gunston Hall Washington, D. C."

Postcard image of I. Siegal seated in front of a winter background, wearing a dark-colored suit and holding a hat in his lap. Handwritten text below the image says "Waco, Tex. Januarie [sic] 7th 1911." and additional text addressed to Mr. M. Weidenfeld of New York City says, "Best regards to all. Your friend, I. Siegal."