Professional photograph of Port Arthur Queen, identified as Mary Donaldson Wade. She is wearing a crown and a white dress with a long train draped in front of her. Her hands are by her side and she is looking towards the camera. The back of the photograph is dated 11/11/34 and reads, "Daughter of Dr. & Mrs. Murff F. Bledese. Mary Donaldson Wade."

Photograph of a band playing at the Crash Through Express exhibit in the Mexic-Arte Museum in Austin, Texas. Eleven people stand in front of a large artwork, which features graffiti lettering and pink, purple, yellow, and orange tones. All are wearing purple shirts. Two women and one man are poised at microphones. In the foreground, one male figure faces is turned away from the camera. Four men are poised at drums. The Crash Through Express exhibit ran from June 11th, 1993 to July 10th, 1993.

Photograph of a group of five Hispanic women sitting at a table in front of a stage. The wooden table in front of them has several objects on top of it, such as a bowl, a book, and a bell. There is a man standing on the far right-hand side of the image in between two of the women. The stage behind the group has steps leading up to it. There is a chalk board on the far left-hand side of the image with writing on it. There is also a piano, a couple of plants, and chairs on the stage. The handwritten note on the back of the image reads, "WACO Women of the Church- Officers. June 11, 1950 Pastor, (standing) Rev. Ismael Maldonado."

Photograph of women standing outside at an unidentified conference. They are wearing either dresses or skirts and blouses. One small girl stands in front on the right. Trees are visible in the distant background. The day appears to be windy.

Photograph of women standing outside at an unidentified conference. They are wearing either dresses or skirts and blouses. Several are holding purses. One small girl is standing in front on the right. Trees are visible in the distant background. The day appears to be windy.

Black and white photograph of a newlywed couple posed for a portrait together. The groom, Harold A. Hansen is seated to the left and the bride, Ella Olsen Hansen, is seated to the right, although she is slightly more elevated than Harold. Harold is wearing a dark suit jacket; underneath, he is wearing a round-collared shirt and a white tie with a tiny pin attached to it. Ella is wearing a white blouse that may be part of a dress; the collar on it is made of lace and has a pin at its center. Their bodies from the torso down are not visible due to a deep vignetting at the bottom of the photograph.

Photograph of a group of people standing outdoors near what appears to be a single-story structure. Two older men are walking towards a white car on the left, while others are heading towards a black truck closest to the house. Though mostly cropped out of the picture on the right side, the house is in different stages of repair. The roof and the walls have been covered with different construction underlayments, but the patio's entire wood framework can still be seen. In the distance, a few trees and telephone poles are visible.

Photograph of a single-story home taken a short distance away from the front door. The house has horizontal, white siding and dark shingles covering a gable roof. A wooden set of steps and railing leads to a single gray door on the right wall. There are no visible windows. In the distance, an empty plot of land and some trees can be seen. Accompanying information states this is the Hansen Shed, perhaps referring to the owner.

Photograph of a man and a woman standing outside next to a house. The woman, identified as Elsie Christensen, looks to her left while resting her right arm inside a window ledge. She wears a blue print top and a dark, pleated skirt. To her right, the man, identified as Pastor Fred Toerne, stands on the grass smiling at the camera. Accompanying information states they are at Pioneer House before repairs were made. The house appears to be a two-story structure. Door and window holes have been made, but no permanent structures have been installed. A small scaffold is in the background, a short distance away from Pastor Toerne.

Photograph of a group of older men and women standing outside of a two-story house. Although names have been provided through accompanying information, they have not been matched properly to the photograph. They stand in a line in front of a patio and a small scaffold. The patio is covered by a sloping roof surface supported by slender wooden columns. The left part of the house appears to be older than the right, judging by the aged look of the siding that covers that part of the house. The right side, on the other hand, looks to be an add-on to the house. Much of its walls have been covered by construction underlayment. The roofs, additionally, have been covered in tar paper.

Photograph of a group of older men and women standing outdoors in front of a two-story house. Although names have been provided by accompanying information, they have not been matched properly to the people in the picture. They stand in front of a small scaffold that touches the edge of a sloping roof that covers the patio. The overhang created by the roof is supported by two wooden columns. Construction underlayment covers the part of the house that is closest to them. The rest of the house, on the other hand, appears to be much older; the siding, for instance, looks aged and weathered. Tar paper covers intersecting gable roofs on all sides.

Photograph of an older man, identified as Carl Larsen standing outdoors in front of a two-story house. He wears a white shirt tucked into gray pants. The house behind him has two doorways, a roof covered by tar paper, and siding that looks aged and weathered. The man stands next to a sign with red lettering. It states, "Future home of Danevang Heritage Society Museum." An address appears to be listed in the bottom, but it is too small and the photograph too out-of-focus to be read with certainty.

Photograph of a group of adult men standing in front of a parked automobile. They have been identified from left to right as Christian Brodsgaard, Jimmy Sones, George Adams, J. E. Sones, and Albert Treadwell. They are dressed in casual attire. The man on the far right has an injured left arm and is held close to his chest by a cast. A black stamp on the back of the photograph reads, "This is a Kodacolor Print made by Eastman Kodak Company T. M. Regis. U. S. Pat. OFf. Week Ending June 11, 1955 I R 3."