Photograph of the exterior of the Mt. Horeb Baptist Church building that was located at Bluitt and Hooper Streets in Dallas. It is a multi-story brick building with a large number of windows and flights of stairs leading to three main entrances along the front, and a v-shaped flight of stairs leading to an entrance on the end of the building. A car is parked on the road in front of the building and part of the street sign is visible on the far right of the image.

Photograph of an unidentified man with slicked-back hair and a plaid suit and vest. He wears a dark tie with a small charm at the top.

Photograph of four women in long-sleeved dresses and hats sitting for a portrait. They rest their arms on one another, with the two women in the center looking toward the camera and the two women on the sides looking to the left of the photographer.

Photograph of the choir at Mount Horeb Baptist Church, wearing light-colored robes with dark-colored stoles, posing in a semi-circle around a piano and several wooden chairs. One choir member is standing in the front, with her right hand on the piano and a man wearing a dark-colored suit, identified as Rev. Paul Castle is seated in the front on the right side of the image. A lectern is partially visible on the far left side of the image and a portion of a religious painting depicting the baptism of Jesus is partially visible on the wall behind the choir.

Photograph of an unidentified young boy in a suit and a bowtie posing for a portrait. He is pictured from the chest up.

A stereographic image of a man standing in a cotton field with a plow and a mule. Another man, also with a plow and a mule, is visible in the distance.

Photograph of Roger Boykin (left) posing next to Herman Samples (right) in front of an exhibit wall labeled "Jazz LegendsFestival: A Tribute to Red Garland." They are visible from the chest up, facing the camera, and various framed collages are partially visible behind them, including photos, newspaper clippings, and album covers.

Photograph of an unidentified man posing for a portrait in a suit and tie. He smiles with a closed mouth and looks to the left of the photographer.

Photograph of the interior of an Orthodox church in Dallas. A chandelier descends from a vaulted ceiling over an altar. Wooden pews line the aisle leading up to the altar.

Photograph of an unidentified woman posing for a portrait. Her hair is pulled back tightly, excluding her curled bangs. She wears a dark-colored dress with a brooch at the collar. The image of an unidentified man in a suit is visible on the back of the photograph.

Photograph of an unidentified child sitting on the arm of a wicker chair for a portrait. The child holds a cookie in their right hand and a paper bag that says "Grocers 298 Elm St., Dallas, Tex." A hat with a wide brim sits in the seat of the chair.

Photograph of an unidentified young boy standing and posing for a portrait in a formal outfit with lace details on the shirt and a large plaid bow tied around the neck. The child is wearing a hat and boots and stands with his hands behind his back.

Photograph of artist Alonzo Davis (right) posing with an unidentified woman next to the title wall at the entrance to his exhibit. Text on the wall says: "Sky Ladders & Power Poles recent works by Alonzo Davis. March 15, through April 28, 2[001]. The Visual Arts Series is made possible by a generous donati[on...]." An open booklet on a black stand is in front of the wall, to the left of the couple and a portion of the exhibit room is visible in the background at right. Handwritten on back: "Visual Arts."

Photograph of Alonzo Davis standing near the corner of two white walls at his exhibit, "Sky Ladders & Power Poles," gesturing toward the right side of the image. He is wearing brown slacks with a dark-colored shirt that has a plaid pattern and a black baseball cap, as well as a brace on his right wrist. Two square artworks are on the wall behind him and he is gesturing toward two decorated wooden poles that are leaning against the wall at right, on either side of a third square artwork. Handwritten on back: "Visual Arts."

Photograph of Alonzo Davis standing in front of a part of his art exhibit, "Sky Ladders & Power Poles," holding a long wooden pole with decorative designs diagonally across his body. Behind him, there are two square artworks mounted on a white wall and two additional wooden poles leaning against the wall on either side of him, as well as a third pole partially visible at the far left. An orange wall with brick columns is visible in the background, above the exhibit wall. Handwritten on back: "Visual Arts."

Photograph of Alonzo Davis at his exhibit, "Sky Ladders & Power Poles," looking at a partially-visible artwork constructed of poles and other components propped against a white wall at left. Davis is visible from the waist up, wearing a dark-colored shirt with a plaid pattern and a black baseball hat. Handwritten on back: "Visual Arts."

Photograph of Arthello Beck (left) and an unidentified man seated at a small round table covered in a dark tablecloth during an art exhibit at the South Dallas Cultural Center. Beck is drinking from a cup and the other man is leaning on the table, which has plates and papers on top of it. Other tables and hung artworks are partially visible in the background.

Photograph of Arthello Beck (right) facing two unidentified men who are standing together during an art exhibit at the South Dallas Cultural Center. The men are visible from the waist up and the man in the center is facing the camera while the man on the far left is facing away. An artwork appears to be partially visible behind them. Handwritten on back: "Art."

Photograph of an artwork leaning against a white wall at the exhibit "Sky Ladders & Power Poles." It appears to be constructed of two wooden poles that are connected by small posts, with a decorative woven fiber design in between. Handwritten on back "Visual Arts."

Photograph of an artwork mounted on a white wall during the exhibit "Sky Ladders & Power Poles." It appears to be made of three pieces of bamboo or wood with etched designs and grips on some of the ends.

Photograph of a group of people standing in a loose line in the middle of an art exhibit at South Dallas Cultural Center. They are looking toward the left side of the image and appear to be listening to a presentation. Sculptures are visible in the lower-left corner of the photo and also behind the attendees, near several white walls arranged to create right angles that have framed artworks hung near eye level. Handwritten on back: "Art."

Photograph of people attending an event at the South Dallas Cultural Center, including Sam Baker and an unidentified woman visible in the center of the image, facing one another. Several walls are arranged to create corners and there are artworks or announcements posted on them. Handwritten on back: "Art."

Photograph of seated audience members facing the left side of the image, during a lecture by musician Poncho Sanchez. Windows with maroon and white curtains are partially visible behind them.

Photograph of the "first family" at Mt. Horeb Baptist Church, posing in front of bookcases in an office or library. Reverend B. J. Johnson, Jr. (left) is holding an infant in his left arm, a woman is standing in the center of the group, and at right, an older gentleman is standing with his hands on the shoulders of a boy in front, at right. The men are all weary suits and boutonnieres pinned to the left breast.