Photograph of a man standing outside a building in Chihuahua, Mexico. The man carries a large object in one hand and is dressed in a hat, long-sleeved shirt, and overalls. The building behind the man has a row of arched openings along its side and faces a set of train tracks. Blue handwritten text, including the words "Seccion de Meza," occupy the back of the photograph.

Photograph of men standing along train tracks in the Chihuahua division of Mexico. The men are wearing hats, long-sleeved shirts, and pants or overalls and stand in front of a fence or atop a cart placed on the train tracks. Behind the men is a long brick building with archways along its side and trees planted nearby. Blue handwriting, including the words "Seccion de la Cruz," occupies the back of the photograph.

Photograph of a damaged building in Saucillo, Chihuahua in Mexico. Three men dressed in hats, long-sleeved shirts, and pants stand on and around a cart set atop a railroad. The building sits beyond the men and has multiple circles containing words marked on its outer walls. Blue handwriting occupies the back of the photograph.

Photograph of three men standing in front of a burned bridge in the Chihuahua division of Mexico. The men wear hats, long-sleeved shirts, and overalls and face towards the viewer. In the background, a railroad runs parallel to the burnt bridge, which two men with a cart are positioned on top of. Blue handwriting occupies the back of the photo.

Photograph of the side of a train bridge in Chihuahua, Mexico. The bridge rises above sparse vegetation and extends from the right side of the image towards the left, disappearing into the distance. The text "Puente Ortiz Mayo 1929" and "Div Chihuahua Nacionales" are handwritten on the back of the photo, in blue ink.

Photograph of five men standing on train tracks next to a building labeled the "Santa Rosalia." One man stands on a cart sitting on the tracks while another man sits on a curb and the other three men stand. In the background, a man leans out of one of the Santa Rosalia's windows to talk to a man standing outside. Blue handwriting occupies the back of the photo.

Print of a photograph of Pedro J. Gonzalez and his band, Los Madrugadores. The photo depicts five people in long-sleeved shirts and loose pants, three of whom are seated on a couch while the other two stand. Two of the people sitting on the couch hold string instruments upright while three other instruments lay on the ground.

A postcard with a love message on one side and an image of a woman on the other. The woman's image is tinted pink and has been printed over with additional colors in multiple spots. "Feliz Recuardo" is written in gold above the woman. The love message on the postcard's back is printed in red and is positioned between handwritten words and numbers.

Funeral announcement for General Pascual Orozco, Crisoforo Caballero, Jose F. Delgado, Andres Sandoval and Jesus M. Terrazas. Eight photos are arranged around a sheet of paper that has a cross icon printed above lines of text that alternate between fonts.

Photograph of La Prieta Caldera holding a hat and the skirt of her dress. Her hair is curling and pinned at the top of her head while jewelry hangs from her ears and around her neck. Caldera's dress is sleeveless and has a leaf and flower design across her dress's top and the lower half of her skirt. She is also wearing open-toed shoes and stands in front of a dark background.

Photograph of La Prieta Caldera smiling and holding a hat, close-up. Her hair is curling and pinned atop her head while jewelry hangs from her ears. Caldera's dress had a dark body with white decorative elements and pale sleeves with dark embellishments. The hat she holds is dark and has pale decorative stitching on and next to its brim. "La Prieta Caldera" is printed in dark lettering at the bottom of the page.

Photograph of Photograph of La Prieta Caldera, arms raised and bent at the elbow. he has a short, round hairstyle and wears a dark jacket over a pale shirt that has a striped bow tied at the neck. A long strip of fabric is tied around Caldera's waist, hanging over a skirt that has stitched decorations on it. She also wears dark heeled boots. "La Prieta Caldera" is printed in dark lettering at the bottom of the page.

Photograph of La Prieta Caldera with her hands on her hips and smiling. She has a short, round hairstyle and wears a sleeveless dress with a decorated collar under a floor-length skirt patterned with flowers. "La Prieta Caldera" is printed in dark lettering at the bottom of the page.

Photograph of La Prieta Caldera holding her skirt and smiling at the camera. She has a short, round hairstyle and wears a sleeveless dress with a decorated collar under a floor-length skirt patterned with flowers. "La Prieta Caldera" is printed in dark lettering at the bottom of the page.

Photograph of, from left to right, Paul Espinoza, Pedro J. Gonzalez, Lorena Parlee, and Isaac Artenstein. Espinoza rests an arm on Gonzalez's shoulder and looks away from the viewer while the rest of the group faces the viewer directly. Gonzalez rests on hand on the inside of Parlee's right arm as Artenstein poses with his hands on his hips. The group is dressed casually and smiles at they are photographed.

Photograph of large buildings along a busy street. The nearest building has a tower at one corner and is enclosed by a fence while the building next to it has a clock above its corner. Two rows of cars crowd the street next to the structures while pedestrians walk down its sidewalks.

Photograph of a wide street and a large building. Pedestrians move across the street, passing by cars and streetlights. The building sits next to another large structure and has a parapet adorned by sculptures on its roof.

Photograph of a building with a "Disco-Hit' sign. The building has windows and doors framed by sculpted forms and is nestled between two other structures. Two cars sit near the pedestrian-occupied sidewalk that extends past the buildings.

Photograph of stacks of newspapers on the ground. The newspapers are arranged into two rows and include monochrome and multi-color publications.

Photograph of people and a statue at the National Museum of Anthropology. The sculpture sits atop a platform with the museum's name across its front. Large plants grow behind the platform while the crowd of people stands in front of it.

Photograph of a row of structures along a railroad track. Clotheslines sit in front of multiple structures while trees and utility poles sit behind them. Two children stand to the left of the railroad tracks.

Photograph of a town street covered by trash. A portion of the trash groups around and falls into a puddle while the rest stretches out across the street, which leads between rows of white buildings.

Photograph of a street view of the Palacio de Bellas Artes (Palace of Fine Arts). Vehicles travel down roads surrounding the building while pedestrians stand at a street corner. One of the Statues of Pegasus sits on a stone plinth before the building.

Photograph of greenery before a large building. The plants grow around narrow paths occupied by pedestrians and partially block the building from view.