Photograph of an unknown young man with a dark beard. He is dressed in a dark suit jacket, waistcoat and a light color shirt.

Photograph of a woman standing facing left with her right hand resting on the top of a tapestry chair that has a white crocheted blanket draped across it while her left arm is by her side and holding a hand fan. In this studio portrait, the woman is wearing a dark dress with pleats along the bottom and a bow on the side and a long-sleeved, fitted jacket with buttons from the waste to the neck. White ruffles at her cuffs extend from the dark jacket and she is wearing black crocheted gloves. A watch chain hangs around her neck and down to a pocket watch in a small pocket on the front of her jacket. She is wearing dangle earrings and a dark hat with flowers on the left side sits atop her dark, curly hair. The backdrop is of a room with a fireplace on the right side. A table with books on it sits behind and to the left of the chair. Attached to a cardboard substrate. On bottom of matte, photographer's mark: "BARR & WRIGHT HOUSTON, TEX".

Photograph of Jacob Bickler as a young man, who is only visible from the chest up and is wearing a suit.

Photograph of Longview, Texas railroad workers posing next to Engine Number 154. From left to right, the men pictured are: J. W. Kinney, Switchman; Dee Moore, Longview Switch Engine; B. C. Todd, Sr., Fireman; W. J. Padon, Engineer; and Joe Still, Engine Foreman.

Photograph of Lewis Peavler, William Henry Peavler, and Cathern Head, c. 1870. Copy photo by O.J. Doan, Brookfield, MO, c. 1890-1895.

Portrait is a full body shot of an unidentified woman. She has her left arm leaning on a column. She is wearing a dark colored dress with a light collar and a necklace with a cross. It is matted on a light mat. The photograph company's address is printed on the back. Also "Mai 1870" is handwritten under the address.

Photograph of J. B. Foreman, a Cherokee Indian. Photo by J. H. Fitzgibbon, St. Louis, MO, c. 1870-1872.

Photograph of a young Dolly Richards posing for a portrait. She wears her hair down and in large ringlets.

Photograph of John Lynn Bennett. He sits on a chair covered in a patterned blanket, and one arm is placed on the back of the chair. He looks to the side, open-mouthed, and wears a white gown.

Photo of an undentified man taken at the Naschke Studio, Galveston Texas. Back of photo reads: "1870 - came to Palestine 1885"

Photograph of Mr. Richard Fields. Photo by W.L. Oerman, Philadelphia, PA, c. 1870-1874.

Portrait of a bearded man in Knights Templar regalia.

Photograph of Little Big Mouth (Little Shield), an Arapaho, and his lodge. Photo by William Stinson Soule. Copy Neg. by Barney Hillerman, early 1870s.

Photograph of the Alamo Plaza (located at Alamo Plaza Historic District) in San Antonio, Texas.

Photograph of a sketch portrait of Charles Dickens by Leslie Ward in 1870.

Portrait of a man with a long, dark beard. A handwritten note on the back of the photo says "J. W. Walker who is the father of Louisa Hill Walker Lawrence."

Photograph of an Arapaho Camp, near Fort Sill, Indian Territory. Photo by William Stinson Soule, Fort Sill, Indian Territory, c.1870.

Photograph of Lone Wolf, a Kiowa. Photo by William Stinson Soule, Fort Sill, Indian Territory, c.1870-1875.

Photograph of several people possibly drinking alcohol during prohibition from what appears to be a gasoline can.

Photograph of Albert Lamar George. He is seated wearing a dark three piece suit, with the jacket and vest unbuttoned. Underneath is a white shirt. He is wearing a light colored hat that is slightly tipped to his right side. He has a long goatee. Attached to a cardboard substrate.

Photograph of Albert Lamar George. He is wearing a light colored jacket, dark vest and white shirt. His hair is parted on his left side. He has a small mustache. Attached to a cardboard substrate.

Tintype photograph of Annie Belle Emery Bright as a young girl. She is seated on a chair with fringe along the bottom of the seat. She has one leg crossed under the other and her left arm resting on the chair back to her side. She wears a light color kneed length dress with a large white lace collar, a wide black sash across her body, and horizontally stripped tights and boots. A plant is partially visible behind her. A white piece of paper with handwritten inscription is taped to the back of the photograph. The inscription reads, "Daughter J. W. Emery / Annie Belle Emery / (Mrs. J. W. Bright)."

Photograph of an Arapaho camp near Fort Supply Indian Territory, 1870.

Photograph of Barton Creek Bridge looking east.