Original mounted print on cardboard. Students at Richmond Public School. On the front row there are six girls seated on the left and there are five boys (one sitting and the rest kneeling) to the right of the photo. Students of Richmond Public School (about 1887) are identified as: Back Row: 1. Fanny Lamar 2. Mary Preister 3. ? 4. Mattie Bell 5. Reg. Dyer 6. ? 7. Cecil Dyer 8. ? 9. ? 10. Albert George 11. Bassett Blakely Second Row: 1. Minnie Preister 2. ? 3. Bell Dyer 4. Julia Norwood 5. ? Norwood 6. Professor Norwood 7. Tony Wessendorff 8. John Baker 9. ? 10. George Baker Third Row: 1. Bessie McCloy 2. Lillie Winston 3. ? 4. Nina Bell 5. Kate Eckman 6. Heard Dyer 7. ? 8. ? Fourth Row: Lizzie McGee 2. Pearl Winston 3. Jennie Jones 4. Annie Somerville 5. Lyda Baker 6. Bertie Winston 7. Lola Jones 8. Alex Davis 9. Charlie Andrews 10. Will Robinson Fifth Row: 1. Maybell Davis 2. Winnie McGee 3. Lilly Rambolt 4. Mamie Davis 5. Minnie Waffles 6. Allie Ogilby 7. Freddie Kochan 8. Earl McFarlane 9. Bush Pleasants 10. Len McFarlane 11. ?

Tintype image of six boys identified (from copy in George Family Archives) as: Charlie Anders, Joe Anders, John Baker, George Baker, Albert George, and Earl McFarland. Three boys in the front row are seated (the two on the left are wearing dark jackets and hats, all three are not wearing shoes.) The three boys in back row are standing (boy in center is wearing a dark vest, striped shirt, light hat).

Photograph of Charlien McNabb, daughter of Carry Nation. Charlien is wearing a dark dress with buttons down the front. The dress has a high collar with white inset. Her long wavy hair is draped down her sides and reaches to her knees when seated. She is seated in a chair and has her elbows resting on the arm of the chair. Her hands are brought up to her face. A length of floral patterned fabric is draped across the arm of the chair to the left of the photo. Portrait ends at the knee. The photograph is mounted on a tan cardboard substrate. Bottom of cardboard reads: DEANE. 306 PRESTON STREET, HOUSTON, TEXAS. Back of photo in pencil is written: Your loving Charlie to Uncle and Aunt Love (?).

Copy of a hand painted photograph in a frame of Mildred Ryon Wheat Booth. Booth, who has long, red-blonde wavy hair, is wearing a dark colored blouse with white with ruffled black trim collar. A blue-green scarf at her neck has tasseled ends. A black with gold trimmed cross pin is in the center of the tied scarf. A gold chain is hanging around the collar, also. The original painting was in an oval frame with gold trim. Scanned image is of the copy.

Original print of J.E.Dyer Store on Morton Street in Richmond, Texas. Two story building. Men are standing in the foreground. A boy is sitting on the hitching post. These men were possibly jurors in Fort Bend County.

Photographic portrait of T.B. Wessendorff as a teenager. Wessendorff is wearing a dark suit jacket and vest, pinstriped necktie, and white high-collar shirt. Mounted on tan cardboard substrate with scalloped edges.

Photograph of Whitten Home, Richmond. Home was originally located on the 300 block of Jackson St., now is located at 500 Houston Street as the Long-Smith Cottage. One story wood home, double chimneys, central front porch. Four people are standing on the front porch. White fence encloses yard. Large, bare tree in yard at left. Image is mounted on a tan cardboard matte. Image dimensions are 21.3 cm x 15.0 cm. Image is very faded and yellow. Matte is damaged as follows: lower right corner broken off; missing piece along upper edge, 7.5-12.5 cm from left corner.

Photograph of large two story home identified on back in Red pen as "Ryon Home." Identified by Michael Moore as J.H.P. Davis House before it was renovated in 1889. Home was located at site of present day Polly Ryon Hospital until it was moved to the George Ranch Historical Park (1977?). Yard is enclosed by a white picket fence with arched entryway. There are many young trees in the area outside the yard. Windmill is visible over the roof of the house. See 1972.093.117 for another view of the home. Image is mounted on a tan cardboard matte. Upper left corner of matte is broken off.

Photograph of house identified on back in red pen as "Ryon House." Identified by Michael Moore as the J.H.P. Davis House before renovations in 1889. Large two story wooden house. Unidentified man and woman are standing on the upper porch. Three women grouped together on lower porch in front of main door. Man and woman sitting on sills of bay window on first floor at right. African American man is standing behind a hedge in front of the right side entrance to the house. Image is mounted on a tan cardboard substrate. Image has a vertical break which begins 6 cm from the upper left corner and extends all the way through the image. There is a diagonal bend extending across the upper right corner beginning 9.5 cm from the upper right corner.

Photographic portrait of T.B. Wessendorff as a boy about 12 or 13 years old. Writing on reverse of image dates photo to 1885 or 1886. 3/4 body portrait cuts off just below knees. Wessendorff is pictured in a dark 3-piece suit with woven check pattern. His right hand is resting on the back of a fringed chair.

Photographic portrait of Richmond School Children , ca. 1883-1885. Photo shows man, two women, and 46 children. Photo is darkened and yellowed. It is mounted on a tan cardboard matte. Matte has all four corners broken off, with break at bottom left cutting across the image. Image is also torn along right edge near the bottom. Identifications were originally written in pencil on back of matte. Those that were dark enough to decipher were copied over in blue pen. Identifications are as follows, left to right, top to bottom: Fannie Lamar, Mary Kohan, Carrol Bar___, Mattie Bull, P_____ Dyer, Phil McGee, See Dyer, Walter McGowan, Jimmy Dyer, B_____ Davis, Bassett Blakely, Mary Kochan, __allie Ryon, Bille Dyan (Ryon?), Miss Julie Norwood, Mrs. Norwood, Mr. _______, Tonie Wessendorff, John Baker, Joe _______, _______,________, _______, ________, Nettie ________ [Laurie Winston], Kate _________, Howard Dyer, Will Andrus, Lizzie McGee, Pearlie Winston, Jennie Jones, Annie Sommerville, Lida Beker, Birdie Winston, Leila ________, Alex Davis, Charlie ______, Mildred ______, Mildred Davis, Minnie Mahue, Lillie Rambeau, Mamie Davis, Winnie Warford, Alli________, ________, ________, _______, _______, ______.

Portrait of Wiley Powell Jones, brother of Laura Jones and son of Henry Jones. He is posed standing, with his left arm propped up and he is wearing a dark-colored suit. The border around the photograph creates an arch shape. Back of photo states: "Mamas favorite brother of Richmond, TX"

Photo of a white two story house with small central upper and lower porches, dark 'shutters, Brick chimney on right end, white picket fence around yard. Five African Americans standing among trees to the left of house. Three boys and a dog standing on and next to steps to front gate. Man, woman, girl standing in front of bottom porch. Five people (three men, two women?) standing on upper porch. Several outbuildings visible behind the house. Image is faded and yellow. Image is mounted on thin cardboard matte. Matte is missing lower right corner and upper right corner. Image dimensions: 24.2 cm x 19.1 cm. Photo is often referred to as "Old Prairie Home" of the Jones/Ryon family (George Ranch). Digital enhancement (performed 12/1999) of back side of matte revealed "Mr. Walter Jones, Richmond, Tex." written faintly in pencil.

Photograph of a one story frame with pitch roof, deep eaves with stick style brackets. The framing is slightly peaked over all openings and windows are 9/9. This station is one of the most intact railroad stations in the county. This was the line to Galveston to carry sugar and cotton, later produce. Mr. Thompson was a man who lived in the community for a short period and negotiated with the railroad company to run the line through the community. The company identified the station as Thompsons' switch and the name stuck.

Photograph of a one story frame with pitch roof, deep eaves with stick style brackets. The framing is slightly peaked over all openings and windows are 9/9. This station is one of the most intact railroad stations in the county. This was the line to Galveston to carry sugar and cotton, later produce. Mr. Thompson was a man who lived in the community for a short period and negotiated with the railroad company to run the line through the community. The company identified the station as Thompsons' switch and the name stuck.

Photograph of a one story frame with pitch roof, deep eaves with stick style brackets. The framing is slightly peaked over all openings and windows are 9/9. This station is one of the most intact railroad stations in the county. This was the line to Galveston to carry sugar and cotton, later produce. Mr. Thompson was a man who lived in the community for a short period and negotiated with the railroad company to run the line through the community. The company identified the station as Thompsons' switch and the name stuck.

Photograph (not the original) of the Old Fort Bend County Courthouse where "Jaybirds and Woodpeckers fought in front of it in 1889." Photo has people on front steps, people on second story balcony, and a man on the roof top. A woman in a black dress can be seen to far, bottom, right of photo. Ink written numbers on bottom.

Mamie Davis George and T.W. "Bud" Davis in studio portrait, hand tinted watercolor. Frame is shadow box style with frame on frame appearance; inner frame dark finish with white floral etching; middle frame of dark gold; outer frame medium wood tone. 1882 Old Object Term: Photograph and Frame

Photograph of a group of six boys. The boys are identified on the back of the photograph as: "Charlie Anders, Joe Anders, John Baker, George Baker, Albert George, Earl McFarland." Also written "about 1883 Taken." The front row has three boys seated on a trunk; back row has three boys standing.

Photograph of Albert Peyton George. George, who is seated in an upholstered chair, is wearing a dark three piece suit (top button buttoned). George has his right arm across the arm rest of the chair. His left arm is resting on his left thigh. Portrait ends just above the knees. The photograph is mounted on a cardboard substrate. The cardboard has a red trim around the perimeter. Back of portrait in black print: "Louis Rice Photographer Texas." The words are written inside of drawn banners. A camera and paint palette image are drawn between drawings of two women in round frames.

Photograph of Albert Peyton George. In the photograph, George is wearing a military style jacket and short pants. There is a watch chain across his jacket front. A white collar is visible above the top of his jacket. George has a tablet and pencil in his left jacket pocket. George is holding a book under his right arm. His left leg is across his right. He is leaning on a table that is to his left. On the table is a book and a hat. The photograph is mounted on a cardboard substrate. Written on the back of the portrait in pencil: "Albert Peyton George". Also in black print: "D. H. Swartz, Photographer, Columbus, Texas. Copying and Enlarging a Specialty. Dealer in Frames, Albums, Etc. Duplicates can be had cheap. Order soon." To the left of the photographer information is a drawing of a man sitting under a tree and fishing in a body of water, boats in water, buildings in background.

Tintype image of Albert Peyton George. In the photograph, George is wearing a dark military style outfit. A white collar is visible above the neckline of the jacket. A watch chain hangs across the front of the jacket. George has his left hand on a book that is on top of a table to his left. There is a hat and another book on the table. He has a tablet and a pencil in the right pocket of the jacket. The tintype has a paper frame with gold trim.

Photograph of "Charlien Gloyd McNabb. Born September 27, 1868 and died June 10, 1929. Her maiden name was Charlien Clara Annie Gloyd. She was the only child of Carry A. Nation. This picture is a reproduction from the original picture made about 1886, estimated" as written on paper stapled to the inside of the folder. McNabb has long dark wavy hair that is loose and flowing down her sides. She is leaning against an ornate wooden structure that has printed fabric folded across it on the left. McNabb has her hands clasped and at her face. She is wearing a dark, long sleeved dress with high collar. A strip of white can be seen at the top of her collar. Photograph is enclosed in a gray folder and was placed in a framed matte.

Studio bust portrait of Albert Peyton George. George, who has his hair parted on the side and combed back, is wearing a dark three piece suit, white shirt, and dark colored bow tie. He has a leaf pin on his left lapel. The photograph is mounted on tan cardboard substrate.