Print of the Waller family coat of arms. Painted by Odine Mhoon. Odine was married to Sam Rayburn's nephew Morris Lightfoot in 1956. They divorced and Morris eventually remarried. The ivory colored paper displays the Waller coat of arms in shades of brown, black, gold, gray, white, blue, green and red. A shield at center shows three gold walnut leaves between two silver bands. At the top is a walnut tree with a pendant shoing three fleurs de lis (the arms of France) with the motto above, "HIC FRUCTUS VIRTUTIS" which is Latin for "This is the reward of integrity." The word "Waller" is below the coat of arms and is written in cursive.

Print of Sam Rayburn based on an original painting by Douglas Chandor. Sam Rayburn sits at a desk. He is wearing a dark, three piece suit with a blue striped tie and white shirt. He sits in a green leather desk chair. His left arm rests on the desk. He holds a book in his lap with his right hand. Chandor created three of these paintings. One was given to the East Texas State University (Now known as Texas A&M--Commerce), the Capitol in Austin, Texas and one hung in Sam Rayburn's private office in Washington, D.C.

Print of quote by Side Richardson. The quote is in black ink and is printed upon ivory colored paper. A map of Texas is in the middle and is surrounded by Texas-themed artwork. Blue bonnets decorate the lower right corner, a cowboy riding a "bucking bronc" with cacti in the background can be seen in the upper right corner. In the upper left corner is a long horn skull. The lower left corner is dominated by the images of oil derricks. An airplane is featured near the south part of the Texas map and is headed east as if towards St. Joseph (San Jose Island), which is the only location denoted on the map, where Richardson lived for several months out of each year. The colors of the print include brown, yellow, black, green, purple, blue, red and white.

Watercolor print of a woman. The woman wears her dark hair piled upon her head. She wears a red dress. The print is oval shaped. The signature in the lower right corner appears to be Wiley. The image appears to be in the "Gibson Girl" style. Probably dates between 1890 and 1920.

Hand-colored stone lithograph of a West Lipan Apache warrior sitting astride a horse and carrying a rifle; from Emory's United States and Mexican Boundary Survey, Washington, 1857

Photographic reproduction of a landscape drawing by Hermann Lungwitz of a man looking over a landscape, with a forest between a field of cattle and a town. Note on the back reads. "Panoramic view of the City of Friederichsburg [sic] Texas presented to Texas State Archives by Ralph Bickler. Hermann Lungkwitz, grandfather (maternal) of Ralph Bickler. This was a pencil sketch made at the request of the Dresden Museum of Germany. It was made 1853-54-55 or 1856, the date is not known for sure. The museum made a litho plate (probably stone) and sent lithograph copies back to Friederichburg."

A woman holds a young female child on her lap and another young female child to the side holds a doll. The setting is an interior domestic scene and next to the seated woman is a knitting basket.

The photograph depicts a woman reclining against two large pillows. She wears a long skirt and appears to be asleep. The tones of the photograph are brownish black and cream.

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A painting depicting a steamboat on a river.

A painting of a boatman smoking a pipe while sitting on a shipping container.

A landscape view of Lake Lucerne and the surrounding mountains and countryside.

Landscape view of a lake and the surrounding mountains.

Portrait of George Washington, visible from the chest up. Washington is wearing a dark-colored military uniform with gold trim and is posed looking to his right. There is an oval-shaped frame around the portrait.

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A landscape painting of a town below geese in flight.

Steel engraving on a book leaf titled "A Western Lake by Sunset" depicting a vast landscape surrounding a distant lake and small rivers. On the verso side of the leaf are penciled notes about its missing companion page, page numbers and the collectors' information.

A woman wearing a polka-dotted kimono rests her head on her hand and gazes into the distance. Behind her is a scene of men pulling many fish from the sea. Insets include Japanese text.

A woman wearing a striped and flowered kimono is in front of a scene of a man weaving. Japanese text is included in insets in the upper right corner of the print.

A woman wearing a highly patterned kimono looks out a window or door at a man climbing a tree. There are several insets with Japanese text.

A woman in a green cloak looks back over her right shoulder. She wears a loose white scarf and a landscape is beyond.