The humorous illustration depicts people behaving poorly at dinner. There is dialogue written above the heads of the diners.

Greeting card from Bianca to Sterling Houston, prominent San Antonio playwright. She thanks him for sending over his plays, but regrets to inform him that she has been unable to read them yet. She hopes to see him again in the future.

Greeting card from Louis Leroy, founder of The Association of American Cultures (TAAC), to Sterling Houston, prominent San Antonio playwright. Inside the card, Louis has written a personal note thanking Sterling for being the report editor for "Theaters of Color: Conversations on American Pluralism and Identity," a project by TAAC.

A political cartoon by David Brady depicting the Colorado state as a baseball player who missed the Constitution with his Amendment Two baseball bat. The second panel features the U.S. Constitution ship defeating the Colorado Amendment Two ship and a caricature saying "The Constitution wins again!"

A political cartoon by David Brady depicting the Colorado state as a baseball player who missed the Constitution with his Amendment Two baseball bat. The second panel features the U.S. Constitution ship defeating the Colorado Amendment Two ship and a caricature saying "The Constitution wins again!"

Work of art in porcelain shown in the exhibition "Concurrencies," by artist Hanna Pettyjohn.

Static Bustle is a gradute work that explores relationships between visual art and sound through experiments with new and traditional media, including sound, video, digital images prints and fibers. Through strategic processes of layering and repetition, the researcher seamlessly unifies this remarkable range of media into an accessible and cohesive vision. Overall, this research shows visual and sonic pattern achieved through repetitive processes.

Six clergy are seen in profile behind the silhouettes of nine geese.

Painting of a log cabin in Waxahachie that was the home of Joseph Norman Whittenburg and his wife Malvina Cunningham Whittenburg. The painting includes handwritten information about the cabin on the back.

A humorous drawing, with text, of a steer by artist Oscar Strobel.

I have impulses to make things, sometimes the idea happens prior to its construction, sometimes it happens after. I doubt the presumption of art's ability to save or better people, which creates for me, a conflicted relationship with art-making. I think in most cases, the best it can do is attract people's interest for a moment or so, to the extent that they feel compelled to see it again. Upon those sentiments I make things that provoke a thought or pleasure in myself that I hope other people can relate to. That seems to me to be the bitch of subjective activities. You do what you feel but are never quite sure how it's felt.

Brachaid is a collection of photographs that explore the blindness of our perspective that is informed by images. By photographing peripheral landscapes like wastewater processing facilities, the edges of temporary streams, and stormwater basins, the project uses the landscape and its perceived neutrality to foreground how the production of images constructs our perception. The work in Brachaid emphasizes the production of images, from subject and framing choices to the use of imaging software, to demonstrate that such production is regularly and radically obscured in most of the images we consume, and that this same structure exists in our lived reality.

With this work, I investigate the mental and physical toll of the past and the dissonance that often occurs as we age through the use of experimental cameraless techniques. By placing photographic materials directly against my skin during performative acts of self-care, I document my body as I reflect on the damage it suffered as a result of my childhood as a competitive gymnast, which is being exacerbated by the effects of age and time. The resulting photographs are a poetic self-reflection on my physical form that embodies my struggle to understand and accept my deteriorating body.

Print from Harper's Weekly, May 2, 1874. "The Texas Cattle Trade" ,9 images on two pages of the Harpers Weekly

Photograph of the blueprint of Denton Civic Center building's ground floor, as well as some of the landscaping and sidewalks. The circular building design includes several rooms. Designed by O'Neil Ford.

Photograph of a blueprint for Denton Civic Center building's basement. The circular design includes room for storage and a serving kitchen. Designed by O'Neil Ford.