Stonemasons exhibit their techniques to each other.

A surveyor and his workers are depicted in this illuminated manuscript folio.

Two men are depicted marking off a piece of land.

This portion of the mural panel shows a detail of one side of the banquet table.

Print of the Waller family coat of arms. Painted by Odine Mhoon. Odine was married to Sam Rayburn's nephew Morris Lightfoot in 1956. They divorced and Morris eventually remarried. The ivory colored paper displays the Waller coat of arms in shades of brown, black, gold, gray, white, blue, green and red. A shield at center shows three gold walnut leaves between two silver bands. At the top is a walnut tree with a pendant shoing three fleurs de lis (the arms of France) with the motto above, "HIC FRUCTUS VIRTUTIS" which is Latin for "This is the reward of integrity." The word "Waller" is below the coat of arms and is written in cursive.

Colored lithograph by John James Audubon; plate XXXI from “The Viviparous Quadrupeds of North America”

Colored lithograph by John James Audubon; No. 15, Plate LXXI from Audubon’s “The Viviparous Quadrupeds of North America”.

Map shows birdseye Venice-like view of Mexico City surrounded by Lake Texcoco. Includes key to points on the map. Relief shown pictorially. Scale not given.

Engraved portrait of German Catholic Archbishop Johann Von Schonenburgh, circa 1500-1600. The plate has the portrait framed by ornate scroll work including the face of a cherub, pears and ribbons. The description directly under the portrait reads "Religion and Wisdom".

French religious etching and engraving titled "Puer Parvulus Minabiteos" (The Boy Threatened Them), which depictsa woman and three children in a field with a herd of wolfs, lions, and tigers among sheep and cattle. The main child, the baby Jesus, appears with a shepherds crook leading the flock.

Engraving print for the title page of a printing of the classical Iconies Variae circa 1675. The plate was designed, engraved and published by Flemish printer Jan Galle (1600-1675). Text includes both Greek and Latin.

Etching and engraving of the Italian noble family Odeschalcos burial shrine printed circa 1800. The print is attributed to designer Leopoldo Buzi and printmaker Giovannia Acquaroni. The print show a line etching of the shrine with Latin text on its front at the top of a stone platform with stairs flanked by two statues of Roman muses. The image is paired with descriptive Italian text below the printed image.