This dataset contains Twitter JSON data for Tweets related to the fire at Notre Dame Cathedral in Paris, France. This dataset was created using the twarc (https://github.com/edsu/twarc) package that makes use of Twitter's search API. A total of 8,046,185 Tweets and 163,055 media files make up the combined dataset.

List of members and guests who attended the April 13, 2019 Sons of the American Revolution meeting.

Bhupender describes each picture of the Jackal and the Crow, a picture-based stimulus task. He tells the whole story, and then tells the story from the crow’s perspective. The recording was made at his home in Rakchham village.

Seema describes each picture of the Jackal and the Crow, a picture-based stimulus task. She tells the whole story, and then tells the story from the jackal’s perspective. Before being recorded, Seema mentioned that she was familiar with the story. The recording was made at her home at the very beginning of Rakchham village.

Madan describes the peaks that surround Chhitkul village, including their names. The recording was made in Amar Guest House.

Bupinder and Ayala describe how to make traditional carpets 'khyara' and related local items. They continue to have a natural conversation that goes beyond this subject. The recording was made at their home in Rakchham village after heavy snowfall.

Madan describes the weighing system formerly used in Chhitkul and Rakchham villages which is no longer commonly used. Dhian Singh Negi later made corrections to Madan's description, indicated in the transcription. The recording was made at Amar Guest House in Chhitkul village.

Ravinder Singh Mathus and Devi Chand describe the functions they perform at Rakchham’s main temple. They are the interpreter and oracle of the local deities, respectively. The recording was made next to Shiv's temple in Rakchham, during a ritual break.

Shudha Bhakti and Narayan Bhakti recite the lyrics of a song about Bhagwati, one of the local deities. The recording was made next to the main temple entrance, in Rakchham village.

Satender describes his experience as interpreter of the deities in Rakchham village. The recording was made at his second house in Dhangdhangshi, further down Rakchham village.

Bimla discusses snowfall in Rakchham over the past few years, saying that heavy snowfall was more frequent in earlier times. The recording was made at her and her husband's house in Rakchham, just after some heavy snowfall episodes when the village was still covered by thick snow. It was only a few days after the road from Reckong Peo to Sangla and Rakchham had reopened.

Rajesh describes a very peculiar event that marks the beginning of the Sazo festival during Maang. The festival takes place in Chhitkul during the month of January. The recording was made in front of Rajesh's home in Chhitkul village, on the path that leads towards Amar Guest House, at the back of the main temple.

Satender describes gunsaa, the traditional migration to lower (and warmer) places from Rakchham and Chhitkul village that takes place during winter. The recording was made at Satender's second residence in Dhangdhangshi, a place that belongs to Rakchham, down below the village.

Sarita and Narayan discuss the Sazi Festival, which takes place every year at the end of March in Rakchham village. The recording was made in the garden of Uma Homestay.

Nand and Sunder discuss the history of Rakchham village. The recording was made in Vinod Kumar's garden in Rakchham village.

Balbir and Hardev discuss whether pesticides should be used in agriculture. Balbir suggested the topic, since both participants are involved in agricultural work. The recording was made at Balbir's home in Rakchham village.

Bhajan Dass asks Bimla about her daily activities during the four seasons. The interview-like quality of this recording provides useful examples of interrogatives. The recording was made at their home in Rakchham village, right after a period of heavy snowfall.

Rajesh Kumar Thakur and Bhag Singh Negi discuss the Dumti road, which was being built at the time. The road will connect Chhitkul to Dumti, located closer to the border with China (Tibet). Dumti will serve as a military post. The road is the result of recurring tensions between India and China. The recording was made in front of Rajesh's house in Chhitkul village.

Meena and Seema complete set-up 1 of the Family Story Task, a picture-based stimulus task. They describe the 16 pictures and then rearrange them in whatever order they think is right. Then, they tell the whole story from start to finish. In this case, the final step of re-telling the story from another perspective was skipped because there was no third participant. The recording was made at Uma Homestay in Rakchham village.

Amir and Kahan complete set-up 1 of the Family Story Task, a picture-based stimulus task. Amir and Kahan complete set-up 1 of the Family Story Task, a picture-based stimulus task. This is the final part of the task where they tell the whole story from start to finish, from the man's perspective. The recording was made at Amir's home, Amar Guest House, in Chhitkul village.

Arvind and Kahan discuss the Panchayat, the village leadership that runs government programs in Chhitkul village, and what it has achieved. Arvind is a current member of the Panchayat, while Kahan is a former member. The recording was made at Amar Guest House in Chhitkul.

Bhupender and Ayala discuss how they have experienced climate change over the past few years in Rakchham village. The recording was made at their home in Rakchham village, following a period of heavy snowfall.

Jagdish Chander describes each picture of the Jackal and the Crow, a picture-based stimulus task. He tells the whole story, and then tells the story from the fox’s perspective. Before being recorded, Jagdish mentioned that he was already familiar with the story. The recording was made at Jagdish's home in Chhitkul village, with a splendid view of Thola peak.

Madan Singh Negi describes each picture of the Jackal and the Crow, a picture-based stimulus task. He tells the whole story, and then tells the story from the jackal’s perspective. The recording was made at Amar Guest House in Chhitkul village.