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Fermata via Media

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A shower of grains with an average duration of 80 milliseconds but perceived as a continuous sound produces shifts of changing timbres. The sound source for this granulation made in real time comes from samples whose mathematical data are recorded on a hard disk (it is quanta whose frequency modulation (FM) and the spectral envelope (formants) have been predetermined. ). The reading mode of these data is controlled in a way (as if read stuttering) to perceive as a musical gesture what could otherwise be a succession of brief and irreducible sound events. The piece is a psychological poem that explores aspects of pitch and interval, temporal perception, and timbre in a context of selective listening (auditory streaming). "Fermata via media" was produced (1990) at Simon Fraser University's Electroacoustic Music Laboratory with the help of GSAMX sampling programs for granular synthesis and compositional PDFILX developed by Barry Truax.
Date: 1990?
Creator: Ablenas, Robert, 1959-
Object Type: Sound
System: The UNT Digital Library

Si tan solo fueramos libres...

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Recording of Rodolfo Acosta's Si tan solo fueramos libres. This work is for guitar and electronics. This work explores the possibilities of electronically manipulated guitar and a wide variety of traditional electroacoustic technique.
Date: 1993
Creator: Acosta R., Rodolfo, 1970-
Object Type: Sound
System: The UNT Digital Library

Jazz Faculty Recital: 1997-09-10 - John Adams, Dan Haerle, Fred Hamilton, Ed Soph, Mike Steinel

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A jazz faculty and guest artist recital performed at the UNT College of Music Kenton Hall.
Date: September 10, 1997
Creator: Adams, John; Haerle, Dan; Hamilton, Fred (Guitarist); Soph, Ed & Steinel, Mike
Object Type: Sound
System: The UNT Digital Library

A Scent of lilac drifts the bank of county 282

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Recording of Scott Adamson's A Scent of lilac drifts the bank of county 282. For electronics and electronic instruments.
Date: 1997
Creator: Adamson, Scott (Composer)
Object Type: Sound
System: The UNT Digital Library

Tincanchant

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Recording of Milan Adamciak's Tincanchant. For electronics, manipulated pre-recorded sound, and samples from varying sources. Created using traditional electro-acoustic technique.
Date: 1995
Creator: Adamčiak, Milan
Object Type: Sound
System: The UNT Digital Library

Sitar

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The small bodied instrument has a long neck and twenty strings. The instrument is decorated with ivory along the length and relief carving on the body.
Date: 1997
Creator: Adhikari, Murari
Object Type: Physical Object
System: The UNT Digital Library

Guest Artist Recital: 1995-08-29 - Adkins String Ensemble

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A Guest Artist Recital performed in the UNT College of Music Concert Hall.
Date: August 29, 1995
Creator: Adkins String Enemble
Object Type: Sound
System: The UNT Digital Library

Senior Recital: 1998-04-06 - Madeline Adkins, violin

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A senior recital presented at the UNT College of Music Recital Hall.
Date: April 6, 1998
Creator: Adkins, Madeline
Object Type: Sound
System: The UNT Digital Library

Clothed in the Soft Horizon

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Recording of Mathew Adkins' Clothed in the Soft Horizon. The work presents a communitive interaction between electronically built sounds and the original unprocessed sounds, which are modelled after water droplets and the motion of a wave that builds, crashes, and breaks. This use of processed and unprocessed sound is the overall bas of the work and also the Spectro morphological design of many of the individual sounds. Overall, the work is both a physical representation of the flow and motion of the water and a personal response to it.
Date: 1994
Creator: Adkins, Mathew, 1972-
Object Type: Sound
System: The UNT Digital Library

Melt

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Recording of Mathew Adkin's Melt. Melt is the description of a train journey. The work is based on the mediation between: regular movement and impulse, and raw sounds or computerized sounds. The basis of the work is live recordings of trains, metro announcements, crowds, synthesized sounds with characteristics of natural sources, and synthesized sounds. Throughout the work, the sounds of the real world mix with the synthetic equivalents of the dream world, like a traveler falling back in and out of a dream day.
Date: 1994
Creator: Adkins, Mathew, 1972-
Object Type: Sound
System: The UNT Digital Library

Noumena

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Recording of Mathew Adkin's Noumena. "Noumena" was a term used by Kant referring to the things that underline our experience both of the physical world and of our own mental state. This work is a number of short discrete sections that play continuously, with the sections alternating between "inner" and "outer" senses.
Date: 1999/2000
Creator: Adkins, Mathew, 1972-
Object Type: Sound
System: The UNT Digital Library

Pagan Circus

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Recording of Mathew Adkin's Pagan Circus. For electronics, manipulated voice, and pre-recorded sound. This work is based upon two sources: the poem Pagan Circus by Rose Dodd and the circus paintings of Frantisek Tichy (1896-1961).
Date: 1996/1997
Creator: Adkins, Mathew, 1972-
Object Type: Sound
System: The UNT Digital Library

Silent red

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Recording of Mathew Adkins' Silent red. This work was written as part of a multimedia performance. For three dancers, three video projections and electroacoustic sound. This work was inspired by the triptych paintings of Francis Bacon. The sound was created from recording of the dancers during improvisation sessions. This current version is a shortened concert version of the original dance presentation.
Date: 1997
Creator: Adkins, Mathew, 1972-
Object Type: Sound
System: The UNT Digital Library

Breaking

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Recording of Mathew Adkins' Breaking. This work mixes electronic sounds with those of classic R&B music.
Date: 1999
Creator: Adkins, Monty
Object Type: Sound
System: The UNT Digital Library

Mapping

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Recording of Mathew Adkins' Mapping. According to the composer, this work depicts the slow evolution of a landscape and brings the listener through unknown territory as sounds from the real world are transformed. The piece deals with the notion of "beginning" and the perception of objects over time.
Date: 1997/1998
Creator: Adkins, Monty
Object Type: Sound
System: The UNT Digital Library

Neutrotransmission

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Recording of Mathew Adkins' Neutrotransmission. This is a work for electronics.
Date: 1998
Creator: Adkins, Monty
Object Type: Sound
System: The UNT Digital Library

The Circle of Existence

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Recording of Mihail Afanasiev's The Circle of Existence. This is an opening of the new way of the author's expression. The syntheses of instrumental and studio thinking and the use of synthetic instruments. The fragment of the quartette of the composer V.Belyaev, with whom the composer studied with in conservatory, is used in composition.
Date: 1996
Creator: Afanasiev, Mihail
Object Type: Sound
System: The UNT Digital Library

Ni le rêve, ni lumière, ni la tristesse…

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Recording of Mihail Afanasiev's Ni le rêve, ni lumière, ni la tristesse…. This is a work for electronics and is the continuation of the new sound space mastering.
Date: 1998
Creator: Afanasiev, Mihail
Object Type: Sound
System: The UNT Digital Library

Secas las pilas de todos los timbre

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Recording of Coriun Aharonian's Secas las pilas de todos los timbre. This piece comes from sound documents of different places and times connected one way or another to the composer. With one exception, all pitches have been left un-modified and while there are no electronic sounds, the piece has been composed with a computer using various software programs. The title partially quotes two lines from the lyrics of a well known tango composed by Enrique Santos DiscŽpolo in 1930, and are untranslatable. It makes reference to the idea of a society in which solidarity is scarce or difficult to find. The composer thanks the generous support of the Studio directors Georg Katzer, Georg Morawietz, and Gerd Rische, and the hospitality of the Akademie der KŸnste, Berlin.
Date: 1995
Creator: Aharonián, Coriún, 1940-2017
Object Type: Sound
System: The UNT Digital Library

Hyper mix : sent to analyze lifeforms

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Recording of James Aikman's Hyper mix: sent to analyze lifeforms. The work combines digital sampling/editing of non-musical sound sources, including stationary exercise bicycles, rowing machines, clangorous weights, and a basketball scrimmage, with digitally sampled and edited musical source material (harp, flute, trumpet, voice, saxophone, drums, and full orchestra). Frequency modulation synthesis and digital effects processing are also used in this work. This piece refers not only to various activities of physical education, but also to the hectic stereo mixing procedure.
Date: 1991
Creator: Aikman, James
Object Type: Sound
System: The UNT Digital Library

Dreaming hills

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Recording of Marc Ainger's Dreaming hills. This work uses Javanese music to guide the temporal and spectral musical unfolding. Technique and instruments include a Super Phase Vocoder, and C-sound (granular synthesis and various combinations of additive and FM synthesis).
Date: 1995
Creator: Ainger, Marc
Object Type: Sound
System: The UNT Digital Library

Lament

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Recording of Marc Ainger's Lament. This piece uses acoustic instruments, electronically built sounds, pre-recorded audio, and traditional electronic techniques.
Date: 1991
Creator: Ainger, Marc
Object Type: Sound
System: The UNT Digital Library

Shatter

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Recording of Marc Ainger's Shatter. This composition focuses on sounds of machinery and breaking materials.
Date: 1998/2000
Creator: Ainger, Marc
Object Type: Sound
System: The UNT Digital Library

Mural

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Recording of Judith Akoschky's Mural. This piece gives homage to Pierre Schaeffer. The "Sound Paintings" are works of Evocación Sonoras that the composer has created with children and with teachers; the sounds are produced with everyday objects that called "Cotidiafonos".
Date: 1996
Creator: Akoschly, Judith
Object Type: Sound
System: The UNT Digital Library