Work of art of Inkjet Print by artist Chris Wright Evans, as part of a 2020 MFA Exhibition, entitled "Brachaid". Wrapped in Plastic.

Work of art of Inkjet Print by artist Chris Wright Evans, as part of a 2020 MFA Exhibition, entitled "Brachaid". Wrapped in Plastic.

Work of art of Inkjet Print by artist Chris Wright Evans, as part of a 2020 MFA Exhibition, entitled "Brachaid".

Work of art of Inkjet Print by artist Chris Wright Evans, as part of a 2020 MFA Exhibition, entitled "Brachaid".

Notes to accompany a presentation on the life and career of Willis Conover for the Willis Conover Centennial Symposium held virtually on December 11, 2020.

Notes to accompany a presentation on the friendship and collaboration between Willis Conover and Duke Ellington for the 26th International Duke Ellington Study Group Conference. Due to the Covid pandemic, this conference was cancelled early in the morning before it was set to begin.

Presentation for a workshop on OpenRefine for the Music OCLC Users Group meeting in Norfolk, VA held on February 25-26, 2020.

Notes accompanying a presentation on the interviews present in the John Gilliland Collection, and how they can inform rock music historiography. It was presented at the joint Texas Chapter of the Music Library Association and the Southwest Chapter of the American Musicology Society meeting held on September 24-26, 2020.

Book is a biography of Texas Ranger Lee Hall, born in North Carolina in 1849 and died in Texas in 1911. His career ranged all over Texas but mainly in South Texas and the Panhandle.

Born in Ponca City, Oklahoma, Bob Camblin (1928-2010) was an artist, first and foremost. He earned his BFA and MFA degrees from the Kansas City Art Institute. His studies were followed by a Fulbright Fellowship that allowed him a year’s stay in Italy. Returning to the USA, he held teaching positions at the Ringling Museum, the University of Illinois, Detroit Mercy, and the University of Utah before moving to Houston in 1967 to teach at Rice’s new art department. He was active in Houston during the late 1960s through the 1980s, collaborating with Earl Staley and Joe Tate on many projects, including “happenings” on the beach in Galveston. His career led him to creative undertakings all over the world. Throughout his lifetime he constantly experimented with various art media. He remained open to new ideas and new techniques until his death in Louisiana in 2010. Camblin was a central figure in the period of artistic fermentation in Houston that is now beginning to receive increasing critical attention. He chose Rowland to be his historian while still at Rice, and her insights into him are based on many personal letters and conversations. In addition, she is a trained art historian and …

This anthology collects the winners of the 2019 Best American Newspaper Narrative Writing Contest at UNT’s Mayborn Literary Nonfiction Conference. First place winner: Eli Saslow, “It Was My Job, and I Didn’t Find Him” (The Washington Post), narrates the life of a former officer at the Parkland high school shooting. Second place: Elizabeth Bruenig, “What Do We Owe Her Now?” (The Washington Post), is the story of a high school rape victim who received no justice. Third place: Hannah Dreier, “The Disappeared” (ProPublica), follows a mother who lost her teenage son to gang violence. Runners-up include Jamie Thompson, “Standoff” (The Dallas Morning News); Lane DeGregory, “Lincoln’s Shot” (Tampa Bay Times); Jenna Russell, “The World, the Stage, the Way Ahead” (The Boston Globe); Evan Allen, “Under a Dark Sky, a Baby is Born” (The Boston Globe); Lisa Gartner, “She’s Taught at the Parkland High School for 14 Years. Can She Go Back?” (Tampa Bay Times); Claire McNeill, “So You Remember the Student Who Was Shot at FSU? He’s Pretty Sure We’ve All Moved On” (Tampa Bay Times); and Bethany Barnes, “Targeted” (The Oregonian).

Book is a history of the Industrial Areas Foundation branch in Texas. The Industrial Areas Foundation was founded by Saul Alinsky in Chicago in 1940 and is currently an international advocacy group. The Texas branch has many affiliates throughout the state. This book describes the evolution of those affiliates and their cooperative activities with other advocacy groups.

U.S. Marine George Burlage was part of the largest surrender in American history at Bataan and Corregidor in the spring of 1942, where the Japanese captured more than 85,000 troops. More than forty percent would not survive World War II. His prisoner-of-war ordeal began at Cabanatuan near Manila, where the death rate in the early months of World War II was fifty men a day. Sensing that Cabanatuan was a death trap, he managed to get transferred to the isolated island of Palawan to help build an airfield for his captors. Malaria and other tropical diseases caused him to be sent to Manila for treatment in 1943 (a year later, 139 of his fellow POWs were massacred on Palawan). After another year of building airfields, Burlage survived a 38-day voyage in the hull of a Japanese hell ship and ended the war as a miner for Mitsubishi in northern Japan. By sheer luck, strength, and a bit of sabotage, he survived and was freed in September 1945 after the Japanese surrendered. He had endured starvation and torture and lost half of his prewar weight, but no one had killed him. After the war Burlage became a journalist and wrote about …

On a hot summer’s day in Montana, a daring frontier cavalry officer, Powhatan Henry Clarke, died at the height of his promising career. A member of the U.S. Military Academy’s Class of 1884, Clarke graduated dead last, and while short on academic application, he was long on charm and bravado. Clarke obtained a commission with the black troops of the Tenth Cavalry, earning his spurs with these “Buffalo Soldiers.” He evolved into a fearless field commander at the troop level, gaining glory and first-hand knowledge of what it took to campaign in the West. During his brief, action-packed career, Clarke saved a black trooper’s life while under Apache fire and was awarded the Medal of Honor. A chance meeting brought Clarke together with artist Frederic Remington, who brought national attention to Clarke when he illustrated the exploit for an 1886 Harper’s Weekly. The officer and artist became friends, and Clarke served as a model and consultant for future artwork by Remington. Remington’s many depictions of Clarke added greatly to the cavalryman’s luster. In turn, the artist gained fame and fortune in part from drawing on Clarke as his muse. The story of these two unlikely comrades tells much about the …

The nine stories in Mike Alberti’s debut collection shine a sharp light on small-town American life —not the Arcadian small towns of yesteryear, but the old mill towns hanging on after the mill has stopped running, the deserted agricultural communities in the middle of vast industrial farms, places where bad luck has become part of the weather. But even in these blighted, neglected landscapes, the possibility of renewal always presents itself: there is hope for these places and the characters who inhabit them. In these fresh, innovative stories, some people let you down, but some people don’t.

TB Chorale concert performed at the UNT College of Music Winspear Hall.

A Capella concert performed at the UNT College of Music Winspear Hall.

Choral concert performed at the UNT College of Music Winspear Hall.

Band concert performed at the UNT College of Music Winspear Hall.

Nova concert performed at the UNT College of Music Voertman Hall.

Ensemble concert performed at the UNT College of Music Lab West.

SA Chorale concert performed at the UNT College of Music Winspear Hall.

Opera concert performed at the UNT College of Music Winspear Hall.

Recording of the November 8 performance of the opera "Lucia di Lammermoor " at the UNT College of Music Lyric Theater.