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Mnemothèque Internationale des Arts Electroacoustiques
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Bolids & Contemplation
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Recording of Iancu Dumitrescu's Bolids & Contemplation. This is a work for electronics that the composer considers a numerical composition, starting from some proportions and numerical series, which gives it structure. The rhythmic aspect of the instruments' performing must interact with the numerical relations in the pre-registered computer-assisted musical part.
Date:
2001/2002
Creator:
Dumitrescu, Iancu, 1944-
Object Type:
Sound
System:
The UNT Digital Library
Intersezione 01
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Recording of Giuseppe Di Giugno's Intersezione 01. This is a work for electronics that includes sounds of robotic voices. The composer of this work is known for his work as both an inventor and physicist. During the early 1970's he turned his focus away from particle physics and began working on electroacoustics and digital sound.
Date:
2001
Creator:
Di Giugno, Giuseppe
Object Type:
Sound
System:
The UNT Digital Library
Nell'aria o sulla terra?
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Recording of Laura Bianchini's Nell'aria o sulla terra?. This is a work for sound pipe, flute, and live electronics. It is based on the dialectic of alternation of two elements: earth and air, matter and spirit, breath and sound. The transformation of the coarse sound of the pipes to the well tuned sound of the flute is the result of a process obtained with electronic devices controlled by the performer and pre-recorded electronic sound sequences.
Date:
2001/2003
Creator:
Bianchini, Laura, 1954-
Object Type:
Sound
System:
The UNT Digital Library
Cadaveres exquisitos
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Recording of Jésus Jara's Cadaveres exquisitos. This work is for electronics that includes tuba sound samples. It was performed at the Alicante International Contemporary Music Festival which fell under the theme of "The View of the World".
Date:
2001
Creator:
Jara, Jesús, 1977-
Object Type:
Sound
System:
The UNT Digital Library
D.E.A.T.H.
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Recording of Claus-Steffen Mahnkopf's D.E.A.T.H.. This work is part of a cycle of pieces dedicated to the American writer, Thomas Pynchon, that combines ensemble music, a solo piece for cello, music for tape, as well as live-electronics. All sound materials used in this piece are electronically treated oboe-multiphonics.
Date:
2001
Creator:
Mahnkopf, Claus-Steffen
Object Type:
Sound
System:
The UNT Digital Library
A punta de coccion
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Recording of Rodrigo Restrepo's A punta de coccion. This work was inspired by the washing of dishes and was elaborated using the sounds generated by the manipulation of kitchen tools. This is the first electroacoustic piece created by the composer.
Date:
2001/2004
Creator:
Restrepo, Rodrigo, 1977-
Object Type:
Sound
System:
The UNT Digital Library
Leccion de retorica
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Recording of José Iges' Leccion de retorica. This work revolves around the composer's interest in the problem of rhetoric which includes the works of musical Romanticism and those of the piano. To explore this idea, the composer used samples from a recording of Brahms' “Variations on a Theme of R. Schumann, Op.23”. The composer followed the example of the works Amici della Musica di Cagliari and Ricercare.
Date:
2001
Creator:
Iges, José
Object Type:
Sound
System:
The UNT Digital Library
Abstract n° X
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Recording of Peter De Moncey-Conegliano's Abstract n° X. The composer describes this work as an abstract mindscape based on a distantly experienced reality. The basic materials are sounds the composer recorded in China.
Date:
2001/2003
Creator:
De Moncey-Conegliano, Peter, 1948-
Object Type:
Sound
System:
The UNT Digital Library
Trilogy
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Recording of Otto Laske's Trilogy. This work was conceived in the spirit of a symphonic work in three movements (Erwachen, Echo des Himmels, and Ganymed) and spans the range from epic, to dramatic, to lyrical. All three movements take their semantic cue from the German poet Hoelderlin. The composer states that this work is a "kind of Summa" of their compositional life. They would like to see this piece used by a choreographer in order to behold the movement of their life rather than be enmeshed in living it.
Date:
2001
Creator:
Laske, Otto E. (Otto Ernst), 1936-
Object Type:
Sound
System:
The UNT Digital Library
...hasta el aire se rompe
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Recording of Guillermo Senn's ...hasta el aire se rompe. This piece was created for the dance work by the same name by the Gristenia group. It premiered at the "1st Contemporary Dance Festival" (2001) under the direction of Natalia Arrascaeta. The choreography tries to represent the relationships of human beings in a world full of conflicts.
Date:
2001
Creator:
Senn, Guillermo
Object Type:
Sound
System:
The UNT Digital Library
La dispersion d'un corps au crépuscule part 1-3
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Recording of Eric La Casa's La dispersion d'un corps au crépuscule part 1-3. This work is based on recordings created by Joël Leick while in his workshop on Rue Norvins. The composer describes this composition as being that of a live canvas. We can follow Joël Leick in the creation of a work, from preparation to completion.
Date:
2001/2002
Creator:
La Casa, Eric
Object Type:
Sound
System:
The UNT Digital Library
La violence (mix2)
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Recording of Roald Baudoux's La violence (mix2). This short piece was composed for the Phonurgia Nova 2001 competition the rules of which stated that at least one extract of a radio library provided by the organizers had to be included in the composition. The record that grabbed the composer's attention was one that included words by French writer, Jean-Paul Sartre: "La violence est la seule chose qui reste, quel que soit le système". The composer used this question of violence to inspire the rest of the piece.
Date:
2001/2002
Creator:
Baudoux, Roald
Object Type:
Sound
System:
The UNT Digital Library
Helmet & sling
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Recording of Michèl G. Koenders' Helmet & sling. This is a work for trumpet and computer that has been composed for 4 tracks. This is the last piece in the composer's work "Armamentscycle" which includes three pieces for solo instrument and computer. It was commissioned by Theater Kikker for their reopening in September 2001. The composer describes this piece as a so-called "Algorithmic composition" in which complex calculations are used to form the basis of the pitch, dynamics, and duration of the notes while keeping much of the sound manipulation in the hands of the performer.
Date:
2001/2002
Creator:
Koenders, Michèl, 1961-
Object Type:
Sound
System:
The UNT Digital Library
Landmine
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Recording of Anna Rubin's Landmine. This is a work for amplified flute, live electronics, and digital audio. This audio contains spoken text interwoven with other musical material that dictate the experiences of David Levi Strauss in regards to landmines and demining in Cambodia. Other material is also drawn from the Human Rights Watch Report on Landmines. The work premiered at Bowling Green State University with flautist, Fiona Wilkinson.
Date:
2001
Creator:
Rubin, Anna, 1946-
Object Type:
Sound
System:
The UNT Digital Library
Retrocoagulant Vox
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Recording of Bret Battey's Retrocoagulant Vox. This work was created for bass trombone and computer-realized sound. It was commissioned by trombonist, Chad Kirby, whose extended trombone techniques presented both a unique opportunity and a distinct challenge. The composer's method was to develop the computer part and the trombone part in parallel in a multi-track sound editor.
Date:
2001
Creator:
Battey, Bret, 1967-
Object Type:
Sound
System:
The UNT Digital Library
Barbarismes
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Recording of Pierre Jodlowski's Barbarismes. This work was created for an instrumental ensemble and electroacoustics and was commissioned by l'Ensemble Intercontemporain. The inspiration for this work is the meaning behind the term "barbaric", specifically throughout the Middle Ages. The composer states that this work is divided into three main parts: the Knight, the Fool, and the King.
Date:
2001
Creator:
Jodlowski, Pierre, 1971-
Object Type:
Sound
System:
The UNT Digital Library
Aboji
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Recording of Tae Hong Park's Aboji. This work is a companion piece to "Omoni", both works being composed originally for two channel playback and subsequently for eight channels. The sound samples used in this composition are mostly speech, environmental, synthesized, and processed sounds that were a result of numerous interviews with various individuals.
Date:
2001
Creator:
Park, Tae Hong, 1969-
Object Type:
Sound
System:
The UNT Digital Library
Auto portrait
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Recording of Pierre Alexandre Tremblay's Auto portrait. This work was commissioned by the Rien à voir festival to mark its tenth anniversary and premiered during the Rien à voir concert series presented by Réseaux at Espace GO in Montréal. Like the title suggests, this piece is meant to act as a means for reflection, introspection, and renewed consciousness.
Date:
2001
Creator:
Tremblay, Pierre Alexandre
Object Type:
Sound
System:
The UNT Digital Library
Derrière son double
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Recording of Miguel Azguime's Derrière son double. The idea for this piece revolves around traveling between the two sound worlds of acoustics and electronics. The sound material from the computer is doing real time FFT analysis in order to interact with the acoustic instruments for sound processing. This work was composed for the Ensemble Recherche from Freiburg where it also premiered and was commissioned by "Casa da Música".
Date:
2001
Creator:
Azguime, Miguel
Object Type:
Sound
System:
The UNT Digital Library
Small things
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Recording of Kari Besharse's Small things. This work acts as a sound metaphor for the impact that small events have on our lives. The sound materials included in this piece consist of nature sounds, including the native frogs and insects of Austin, Texas.
Date:
2001
Creator:
Besharse, Kari
Object Type:
Sound
System:
The UNT Digital Library
Crazy Water
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Recording of Stanislav Kreitchy's Crazy Water. This piece is dedicated to the lives that were lost in the flood during the summer of 2002 in Europe. The composer used recordings of human breathing, water streams, ANS synthesizer, and "Ovaloid".
Date:
2001
Creator:
Kreitchy, Stanislav
Object Type:
Sound
System:
The UNT Digital Library
Quadra
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Recording of Per Samuelsson's Quadra. This work is based on synthetic and concrete sounds which have been processed to sound like the synthetic ones. The composer meant for this piece to explore how material and organisms from two different worlds can exist in harmony with each other.
Date:
2001
Creator:
Samuelsson, Per, 1971-
Object Type:
Sound
System:
The UNT Digital Library
O ar do texto opera a forma do som interior
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Recording of Miguel Azguime's O ar do texto opera a forma do som interior. The composer describes this as a sound poetry stage work for a speaker/actor. This piece is made of 4 sections that follow each other without interruption and have the following subtitles: "Ar do Texto" (the Air in the Text), "Formant-Melodies", "Sem Recurso" (Without Resources), and "O Som Interior" (the Inner Sound). Although there are some spoken words in Portuguese, most of the text is meaningless and was written as sound compositions.
Date:
2001/2002
Creator:
Azguime, Miguel
Object Type:
Sound
System:
The UNT Digital Library
Drawn from a Reality
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Recording of Jonas Broberg's Drawn from a Reality. This work was commissioned by The Swedish Radio Broadcasting Corporation of Stockholm, Sweden. The main sound material used in this work was derived from an automobile being pushed forward along a floor. This sound was then processed and used together with purely synthetic sounds. The title has to do with different meanings of the word "draw" as in "to take from" and to "compose a picture".
Date:
2001
Creator:
Broberg, Jonas, 1962-
Object Type:
Sound
System:
The UNT Digital Library