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MISAME
178
Civilian Conservation Corps History Oral History Project
33
Ensemble Concerts
15
Faculty Recitals
15
Women in the Texas Republican Party Oral History Project
10
Guest Artist Recitals
6
Texas Community History Oral History Project
6
World War II Pacific Theater (Island Hopping) Oral History Project
6
Business History Oral History Project
4
World War II Pacific Theater Oral History Project
3
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346 Matching Results
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4 in 1
Access:
Use of this item is restricted to the UNT Community
Recording of Herbert Mitschke's 4 in 1. This piece uses traditional electro-acoustic technique to alter recording sounds and explore musical possibilities.
Date:
1993
Creator:
Mitschke, Herbert A., 1954-
Object Type:
Sound
System:
The UNT Digital Library
About Howard Johnson/Affirmative
Access:
Use of this item is restricted to the UNT Community
Recording of Joshua Fried's About Howard Johnson/Affirmative. This work uses MIDI in unusual ways. Sound modules become a silent controller of analog gates, and continuous controllers manipulate digital processors in real time. When channel gates are triggered at an even rate, one obtains the well-known strobe effect of slowing down, stopping or even reversing the apparent motion of a rotating object. As trigger cycle and loop cycle move out of phase, bits of sound seem to wander from speaker to speaker through the space. This work also functions as a study for live performances that will process found sound with a combination of selectable algorithms and performer control.
Date:
1993
Creator:
Fried, Joshua
Object Type:
Sound
System:
The UNT Digital Library
Abrazos
Access:
Use of this item is restricted to the UNT Community
Recording of Daniel Almada Abrazos. For cello, double bass, and electronics.
Date:
1993
Creator:
Almada, Daniel Alejandro, 1964
Object Type:
Sound
System:
The UNT Digital Library
Aeolian confluence
Access:
Use of this item is restricted to the UNT Community
Recording of Maggi Payne's Aeolian Confluence. In this work, distortion is utilized in many technical ways. This piece is a soundscape, which results from using electro-acoustic technique such as: real time mixing on the Ling seismographic filter, intermodulation distortion, heterodyning, and time delay.
Date:
1993
Creator:
Payne, Maggi
Object Type:
Sound
System:
The UNT Digital Library
Affranchi
Access:
Use of this item is restricted to the UNT Community
Recording of Alain Basso's Affranchi. This piece involves discourse between two sets of sounds, all of which are from sound recordings. The first set of sounds is comprised of aggressive tool and machine sounds, while the second set of sounds comes from soundscapes with more peaceful elements. As the composition progresses, the two sets of sounds mingle in a violent unison, while gradually a third element comes to weaken this turbulence: human breathing, calm and deep, described as a reminder of the essential in the middle of the agitation.
Date:
1993
Creator:
Basso, Alain
Object Type:
Sound
System:
The UNT Digital Library
After Goodbye, An Aids Story
Access:
Use of this item is restricted to the UNT Community
"After Goodbye, An Aids Story," a production of KERA video from The Dallas Gay and Lesbian Community. The video footage contains interviews, personal stories, archival news clips pertaining to the history of the LGBTQ+ community in Dallas from the late 1970s through the 1990s as the community dealt with the AIDs crisis and the death of loves ones as a result.
Date:
1993
Creator:
KERA
Object Type:
Video
System:
The UNT Digital Library
Ajikan
Access:
Use of this item is restricted to the UNT Community
Recording of Atsushi Yamaji's Ajikan. This piece is music for a funeral. Its ceremonial landscape is on a method for deep meditation in native religion and for harmonizing with universal nature. Therefore, it is a requiem for a soul after death and a periodic divine providence of nature.
Date:
1993
Creator:
Yamaji, Atsushi, 1968-
Object Type:
Sound
System:
The UNT Digital Library
All
Access:
Use of this item is restricted to the UNT Community
Recording of Elsa Justel's All. This work is for double Bass and interactive electronic system. We don't see everything we see, nor do we hear everything we listen to. The piece was composed as part of the Experimental Workshops "Mixture" in Paris. The aim of the workshops was to research and develop the possibilities of interactive systems. The research aimed to put the SDA system, into operation for the first time. The mechanism of this system allows the performer to trigger samples stored in the hard drive through a MIDI system.
Date:
1993
Creator:
Justel, Elsa
Object Type:
Sound
System:
The UNT Digital Library
Alma de las orquestras
Access:
Use of this item is restricted to the UNT Community
Recording of Pablo di Liscia's Alma de las orquestras. This work uses computer generated sounds. The timbral development of this work is based on exploration of the diverse degrees in affinity arisen from the mixing of digital transformed acoustical sounds, and synthetic clones of them by the other. Decomposition of digital recordings is used (orchestras playing compositions by Schoenberg, Mahler and Debussy) mainly through band-pass filters, and the further spectral reconstruction. The materials generated were mixed and spatialized to produce several layers of considerable complexity.
Date:
1993
Creator:
Liscia, Pablo di, 1955-
Object Type:
Sound
System:
The UNT Digital Library
Alturas, Fuego, Granizo…
Access:
Use of this item is restricted to the UNT Community
Recording of José Sosaya Wekselman's Alturas, Fuego, Granizo… This work has many sine tones creating harmonies, voice giving dialogue, along with electronically created sounds which add texture and gesture.
Date:
1993
Creator:
Sosaya Wekselman, José
Object Type:
Sound
System:
The UNT Digital Library
Les amants tragiques de Sarajevo
Access:
Use of this item is restricted to the UNT Community
Recording of Jean-Louis Poliart's Les amants tragiques de Sarajevo. The composer was tragically inspired by the war in Sarajevo, specifically the banality in the news coverage of the "tragic lovers of Sarajevo". The composer describes this work as programmatic music with death creeping into the soundtrack along with warrior sounds and moments of sweetness, meditation, and ending with a funeral march.
Date:
1993
Creator:
Poliart, Jean-Louis
Object Type:
Sound
System:
The UNT Digital Library
Après les grands tours
Access:
Use of this item is restricted to the UNT Community
Recording of Johannes Goebel's Après les grands tours. This piece is a reference to tours that have crossed the Alps with the use of walking sounds and spoken word taken from "Germania" by P. Cornelius Tacitus.
Date:
1993
Creator:
Goebel, Johannes, 1949-
Object Type:
Sound
System:
The UNT Digital Library
Aspettando Nmesis (en attendant Nemesis)
Access:
Use of this item is restricted to the UNT Community
Recording of Elio Martusciello's Aspettando Nmesis (en attendant Nemesis). This piece uses the sounds of some old toy instruments, ambient bells, clocks and other objects which are processed though computers or samplers. In addition, the use of an old tape on which first compositional attempts where created and reproduced into small fragments that are embedded into the structure of this piece.
Date:
1993
Creator:
Martusciello, Elio
Object Type:
Sound
System:
The UNT Digital Library
L'autel de la perte et de la transformation
Access:
Use of this item is restricted to the UNT Community
Recording of Brigitte Robindore's L'autel de la perte et de la transformation. This work illustrates an archetypal event in the evolution of the inner life where man has to face loss. It is not just an ordinary loss, as distressing as it may be, but the voluntary sacrifice of something very dear. The UPIC system does not reveal all its possibilities during the first approach. With time the sounds begin to be electronically processed and revealing the possibilities of electro-acoustic technique.
Date:
1993/1994
Creator:
Robindoré, Brigitte, 1962-
Object Type:
Sound
System:
The UNT Digital Library
Ball sincretismo 4
Access:
Use of this item is restricted to the UNT Community
Recording of Jose Halac's Ball sincretismo 4. For trombone and computer. The composer says this about his work: "It reveals the direction of your searching's in order to define your music: "to compose with the attitude of an improviser and to improvise with the attitude of a composer". It is not clear here what is composed and what is improvised, but this is precisely what makes this work charming. I find, more important, a taste for sound; and, more important yet, a taste for form."
Date:
1993
Creator:
Halac, José
Object Type:
Sound
System:
The UNT Digital Library
Le bass de auf a bourges du dat
Access:
Use of this item is restricted to the UNT Community
Recording of Jürgen Bräuninger and Ulrich Süsse's Le bass de auf a bourges du dat. It is a work for saxophone, bass clarinet, and electronics. There are speech snippets which are accompanied by free improv from the saxophone and clarinet, while processed and manipulated recording of these instruments play in the background.
Date:
1993
Creator:
Bräuninger, Jürgen & Süsse, Ulrich
Object Type:
Sound
System:
The UNT Digital Library
Beyond the bridge
Access:
Use of this item is restricted to the UNT Community
Recording of John Palmer's Beyond the bridge. This work is built from a system of grandiose and multi-dimensional forms: the large triadic structure is translated through fantastic combinations between the three main sections giving three independent spatial layers, which are the cello, cassette N+1, and cassette N+2. The single note, D, is emphasized by the notes creating independent harmony. The cello symbolizes a journey that begins in a very distant place (cassette N¡2 located outside the room), and gradually gets closer to finally return to its initial place.
Date:
1993/1994
Creator:
Palmer, John
Object Type:
Sound
System:
The UNT Digital Library
The black museum
Access:
Use of this item is restricted to the UNT Community
Recording of Randall Smith's The black museum. This piece emphasizes a strong dynamic structure which brings together the use of such elements as the ephemeral, the fleeting, and the use of rushes and sudden outbursts. Overall, the piece is full of unexpected encounters where sound illuminates the eye through the ear. There are 9 movements: Entrance, Exhibit 1, Exhibit 2, Exhibit 3, Exhibit 4, Exhibit 5, Exhibit 6, Exhibit 7, and Exit.
Date:
1993
Creator:
Smith, Randall
Object Type:
Sound
System:
The UNT Digital Library
The blistering price of power
Access:
Use of this item is restricted to the UNT Community
Recording of Eric Lyon's The blistering price of power. It is for flute and electronics. This piece samples outside sources and changes the sound construction to accompany the flute. There is times when the electronics provide a percussive effect and guidance for musical transitions. The flute uses the full range of the instrument, contemporary technique, and explores different musical styles.
Date:
1993
Creator:
Lyon, Eric, 1962-
Object Type:
Sound
System:
The UNT Digital Library
Buccharelli's Lamento
Access:
Use of this item is restricted to the UNT Community
Recording of Jonas Broberg's Buccharelli's Lamento. The piece was composed in December '92 and January '93 at E.M.S. in Stockholm. The sound material was generated on a Serge Modular analogue synthesizer. The work is based upon the idea of stopping for a moment in the bustle of everyday life, taking a break to find space for contemplation. Soon, however, distractions and shifting impressions from the opening of the composition reappear. Although the material was generated electronically, the spirit of the piece is closer to Musique Concréte. "Buccharelli's Lamento" was premiered at a concert of Swedish Electroacoustic music at Florida International University in February 1993.
Date:
1993
Creator:
Broberg, Jonas, 1962-
Object Type:
Sound
System:
The UNT Digital Library
Burj al Arab Hotel
Access:
Use of this item is restricted to the UNT Community
The distant view if of the southwest façade from the Arabian Gulf. The hotel was built on triangular man-made island 280 meters off shore.
Date:
1993/1999
Creator:
Wright, Tom
Object Type:
Physical Object
System:
The UNT Digital Library
Burj al Arab Hotel
Access:
Use of this item is restricted to the UNT Community
View of the southeast facade is shown.
Date:
1993/1999
Creator:
Wright, Tom
Object Type:
Physical Object
System:
The UNT Digital Library
Burj al Arab Hotel
Access:
Use of this item is restricted to the UNT Community
Panels of screen wall in their horizontal positions are visible in this raking view skyward.
Date:
1993/1999
Creator:
Wright, Tom
Object Type:
Physical Object
System:
The UNT Digital Library
Burj al Arab Hotel
Access:
Use of this item is restricted to the UNT Community
A close view of the top of the hotel and the structural details are shown. The helipad and the sky view restaurant are also visible.
Date:
1993/1999
Creator:
Wright, Tom
Object Type:
Physical Object
System:
The UNT Digital Library