View of the top of a skyscraper at 190 South La Salle Street in Chicago, Illinois.

Multiple wall size paintings of gray, peach and black striated vertical lines rendered on top of night or city landscape.

Stainless steel statue of a rabbit holding a carrot.

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Jazz Lecture Series presentation by Dave Weckl on February 25, 1986 at 2:00PM at the UNT College of Music. Includes lecture and performance by Dave Weckl, drums, interspersed with questions from the audience.

Jazz Lecture Series presentation by Bob Berg on March 4, 1986 at 2:00PM at the UNT College of Music. Includes lecture and performance by Bob Berg, saxophone, interspersed with questions from the audience.

Jazz Lecture Series presentation by Dave Holland on March 11, 1986 at 9:30AM at the UNT College of Music. Includes lecture and performance by Dave Holland, bass, interspersed with questions from the audience.

Jazz Lecture Series presentation by Hal Galper on April 1, 1986 at 9:30AM at the UNT College of Music. Includes lecture and performance by Hal Galper, piano, interspersed with questions from the audience.

Jazz Lecture Series presentation by Hal Galper on April 1, 1986 at 2:00PM at the UNT College of Music. Includes lecture and performance by Hal Galper, piano, interspersed with questions from the audience.

Jazz Lecture Series presentation by Jim Hall on April 29, 1986 at 9:30AM at the UNT College of Music. Includes lecture and performance by Jim Hall, guitar, interspersed with questions from the audience.

Jazz Lecture Series presentation by Jim Hall on April 29, 1986 at 2:00PM at the UNT College of Music. Includes lecture and performance by Jim Hall, guitar, interspersed with questions from the audience.

Jazz Lecture Series presentation by George Simon on February 18, 1986 at 9:30AM at the UNT College of Music. Includes lecture by George Simon, interspersed with questions from the audience.

Jazz Lecture Series presentation by Dave Holland on March 11, 1986 at 2:00PM at the UNT College of Music. Includes lecture and performance by Dave Holland, bass, interspersed with questions from the audience.

Jazz Lecture Series presentation by Jon Faddis on March 25, 1986 at 2:00PM at the UNT College of Music. Includes lecture and performance by Jon Faddis, trumpet, interspersed with questions from the audience.

Jazz Lecture Series presentation by John Patitucci on March 22, 1988 at 2:00PM at the UNT College of Music. Includes lecture and performance by John Patitucci, bass, interspersed with questions from the audience.

Jazz Lecture Series presentation by George Simon on February 18, 1986 at 2:00PM at the UNT College of Music. Includes lecture by George Simon, interspersed with questions from the audience.

Jazz Lecture Series presentation by Dave Weckl on February 25, 1986 at 9:30AM at the UNT College of Music. Includes lecture and performance by Dave Weckl, drums, interspersed with questions from the audience.

Jazz Lecture Series presentation by Bob Berg on March 4, 1986 at 9:30AM at the UNT College of Music. Includes lecture and performance by Bob Berg, saxophone, interspersed with questions from the audience.

Jazz Lecture Series presentation by Jon Faddis on March 25, 1986 at 9:30AM at the UNT College of Music. Includes lecture and performance by Jon Faddis, trumpet, interspersed with questions from the audience.

Jazz Lecture Series presentation by Eddie Daniels on April 8, 1986 at 9:30AM at the UNT College of Music. Includes lecture and performance by Eddie Daniels, clarinet, interspersed with questions from the audience.

Jazz Lecture Series presentation by John Patitucci on March 22, 1988 at 9:30AM at the UNT College of Music. Includes lecture and performance by John Patitucci, bass, interspersed with questions from the audience.

Jazz Lecture Series presentation by Eddie Daniels on April 8, 1986 at 2:00PM at the UNT College of Music. Includes lecture and performance by Eddie Daniels, clarinet, interspersed with questions from the audience.

The InteLex electronic edition of The Collected Letters of W. B. Yeats contains, complete, the three volumes of The Collected Letters which have appeared in print. In addition, the collection includes all of the letters from the remaining eleven (unpublished) volumes, with dating information (so far as this is known), but lacking the full annotation for which the printed volumes are justly famous. Scholars will therefore have immediate access to the primary texts of the complete edition even while the final editing and annotation for the greater part of it remains in progress. A total of 7,378 new letters are featured in the database. Of these, 88 are newly discovered letters belonging to the 1865-1904 period covered by the three published volumes. The remaining 7,290 letters belong to the 1905-1939 period which will be published in print and with full annotation in future volumes of the edition. Particular note should be made of the fact that the unannotated letters have not received final vetting (which will occur only as they are annotated prior to print publication) and are therefore published here in beta form. Some errors of transcription and of dating may therefore remain within this beta group of letters …

The artwork is a large industrial type sculpture with moving parts and a piano at the front.