Recording of Otto Laske's Structure VII

Recording of John Edward Cousins's Anna. This piece is based on recordings made in 1974 at the ISME Research Seminar which took place at the Department of Music of the University of Canterbury. The subject of the seminar was Music and the Preschool-aged Child. Among the invited speakers were two specialists in the field of Musical Therapeutics. As an example of the power of musical sounds on an extremely retarded child, their article defends all therapeutic positive aspects inherent in musical nature. The composer tried to capture, by means of sound, the feeling of both joy and pain that the experience of music gives to a person, disabled or not.

Recording of Denis Lorrain's Générique (R),one of three piece for two-track tape which can be presented independently or in an arbitrary order. The three pieces form a family bound by relationships of inclusion: (R) included in (S) included in (I). Each piece presents different aspects of the same materials. They were realized at the Institute for Sonology of Utrecht University in 1973-1974.

Recording of Charles Bestor's Variations

Recording of Gerardo Gandini's Los Proverbios. It contains the sounds of human voices only in a fairly simple and straightforward structure. The piece was the composer's first purely electroacoustic composition.

Recording of Stephen Montague's A Presto Patch. This piece was originally composed to help solve the chronic problem of changing from one live-electronic set-up to another without the frantic void that often accompanies these situations. Its purpose was to serve as a king of interlude-quasi theatre piece.

Recording of Paul Berg's Six loaves to feed a family of five for a week

Recording of Bohdan Mazurek's Moment musical

Recording of Lars-Gunnar Bodin's Visions

Recording of Stefan Beyst's Aguiro for tape.

Recording of Wolfgang Danzmayr's Monolith

Recording of Michel Longtin's Requiem pour St Charles Borromei.

Recording of Gregory Kramer's Rôle.

Recording of Jukka Ruohomäki's Adjö. Sound material is all electronic sounds from the animation picture "Electric Bird Garden" (1974, manuscript by Marja Vesterinen, directed by Antti Kari). The piece was premiered at Young Nordic Music Festival (UNM) in the Temppelinaukio Church in Helsinki on 28 February 1975.

Recording of Peter Kolman's E 15.

Recording of Teresa Rampazzi's Breath. Four fragments of Bach, Mozart, Stravinsky, and Webern were decoded. The similar (spiral) structures of these fragments and the various combinations of velocity and dynamic space velocity have been put together without, however, altering the melodic design and rhythm. Originally the work was conceived for four channels.

Recording of Léo Kupper's Innominé.

Recording of Svend Christiansen's Urvaerk.

Recording of Maurice Wright's Electronic Music Composition.

Recording of Ross Harris's Horizons. The original version of this work was commissioned by a New Zealander painter, Michael Smither, for the opening of a mural painting exhibition based on a series of skylines that employs varying degrees of abstraction on the theme of painting the horizon. Although commissioned for this occasion, "Horizons" reflects the simplicity and extent with which many New Zealand painters captured the landscape and this piece is simply a series of images slowly evolving into sound.

General view of S and E sides

keywords: plaza ; Overall view NW from the terrace of the Duomo

keywords: plaza ; Overall view S w. the N transept façade

keywords: waterfront development ; View fr. Ponte della Paglia of Piazzetta and Santa Maria delle Salute