Recording Session

Symphonic Band concert performed at the UNT College of Music Winspear Hall.

Faculty recital presented at the UNT College of Music Voertman Hall.

Guest Artist Chao-Hwa Lin performed at the UNT College of Music Voertman Hall.

A senior recital performed at the UNT College of Music Winspear Hall.

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Master of Music (MM) degree.

Jazz faculty recital presented at the UNT College of Music Kenton Hall.

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Master of Music (MM) degree.

Faculty recital presented at the UNT College of Music Voertman Hall.

Commemoration of Black History in Music was performed in the UNT College of Music Voertman Hall.

A jazz faculty and guest artist recital performed at the UNT College of Music Kenton Hall.

A faculty jazz recital preformed at the UNT College of Music Keaton Hall.

A masters recital performed at the UNT College of Music Voertman Hall.

Captain John R. Hughes, Lone Star Ranger is the first full and complete modern biography of a man who served as a Texas Ranger from 1887 until early 1915. He came to the attention of the Rangers after doggedly trailing horse thieves for nearly a year and recovering his stolen stock. After helping Ranger Ira Aten track down another fugitive from justice, Hughes then joined Company D of the Texas Rangers on Aten’s recommendation, intending to stay for only a few months; he remained in the service for nearly thirty years. When Sgt. Charles Fusselman was killed by bandits, Hughes took his place. When Captain Frank Jones was killed by bandits in 1893, Hughes was named captain of Company D. As captain, Hughes and his men searched the border and identified every bandit involved in the killing of Jones. They all received justice. Toward the end of his career Hughes became a senior captain based in Austin, and in 1915, having served as a captain and ranger longer than any other man, he retired from the force. His later years were happy ones, with traveling and visiting friends and relatives. He became a Texas icon and national celebrity, receiving more …

Randolph B. “Mike” Campbell has spent the better part of the last five decades helping Texans rediscover their history, producing a stream of definitive works on the social, political, and economic structures of the Texas past. Through meticulous research and terrific prose, Campbell’s collective work has fundamentally remade how historians understand Texan identity and the state’s southern heritage, as well as our understanding of such contentious issues as slavery, westward expansion, and Reconstruction. Campbell’s pioneering work in local and county records has defined the model for grassroots research and community studies in the field. More than any other scholar, Campbell has shaped our modern understanding of Texas. In this collection of seventeen original essays, Campbell’s colleagues, friends, and students offer a capacious examination of Texas’s history—ranging from the Spanish era through the 1960s War on Poverty—to honor Campbell’s deep influence on the field. Focusing on themes and methods that Campbell pioneered, the essays debate Texas identity, the creation of nineteenth-century Texas, the legacies of the Civil War and Reconstruction, and the remaking of the Lone Star State during the twentieth century. Featuring some of the most well-known names in the field—as well as rising stars—the volume offers the latest scholarship …

The isolated Canadian River in the Texas Panhandle stretched before John Erickson and Bill Ellzey as they began a journey through time and what the locals call “the valley.” They went on horseback, as they might have traveled it a century before. Everywhere they went they talked, worked, and swapped stories with the people of the valley, piecing together a picture of what life has been like there for a hundred years. Through Time and the Valley is their story of the river—its history, its lore, its colorful characters, the comedies and tragedies that valley people have spun yarns about for generations. Outlaws, frontier wives, Indian warriors, cowboys, craftsmen, dance-hall girls, moonshiners, inventors, ranchers—all are part of the Canadian River country heritage that gives this book its vitality. “Through Time and the Valley is the finest non-scholarly account of the history, culture, and people of this region. . . . What I did notice was humor, pathos, strong characterization, crisp dialogue, and such a sense of place as to bring a lump to my throat.” — Roundup Magazine

Recording Session performed at the UNT College of Voertman Kenton Hall.

A student and guest artist recital performed at the UNT College of Music Voertman Hall.

An ensemble recital performed at the UNT College of Music Voertman Hall.

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Master’s of Music degree.

A junior recital performed at the UNT College of Music Voertman Hall.

A faculty recital performed at the UNT College of Music Voertman Hall.

Transcript of speech on India's Feminist Writing and Binodini giving at the 2nd M. K. Binodini Devi Memorial Lecture in Imphal, Manipur, India on February 6, 2014

Transcript of Samik Bandyopadhyaya's Lecture on Indian Regional Cinema and Binodini at the 1st M. K. Binodini Devi Memorial Lecture in Imphal, Manipur, India.