This caravel pendant is made of metal and gems. It resembles a ship with sail. The base of the caravel consists of a transparent emerald of deep green colour. The sail and cross are also made of emeralds. There is a chain attached to the pendant leading to the cross with metal rods attached on all four sides. Sail is white in color with circular motifs. At the back of the ship there is a vertical strip with curvilinear patterns of swirls.

Interview with Vladislava Alaytseva, Uzbekistani-born immigrant to Dallas, Texas, for the DFW Metroplex Immigrants Oral History Project. The interview includes Alaytseva's personal experiences of childhood in Uzbekistan, moving to the U.S., transitioning to the American school system, her first impressions the U.S., and the culture shock in America. Additionally, Alaytseva talks about the transition of Uzbekistan from a Soviet satellite to an independent Muslim nation, her mother's family in Russia, the differentiation between being ethnically Russian or Uzbekistani, the definition of "culture," the comparison of life in Uzbekistan and the U.S., and the elements of Uzbekistani culture brought to America.

Memoir of Sharon Hudgins and her husband, Tom, describing their time in Siberia, Russia, with extensive recipes that relate to their anecdotes. It includes a bibliography (p. 345), a recipe index (p. 349) and a subject index (p. 363).

Interview with Lieutenant Colonel Richard Salter, an Army Air Corps veteran, concerning his experiences during internment in the Soviet Union after the downing of his bomber by Japanese planes (1943-1944). Salter also discusses Alaskan operations and his postwar career in the Air Force.

Interview with Inga Czerner (née Israelski), a German-Jewish expatriate from Frankfurt-am-Main. Czerner discusses Hitler's rise to power and the initial effect of Nazi power on Jews, her father's departure for Russia, growing up in Frankfurt, growing antisemitism, the Gestapo, her schooling, the Kristallnacht, hiding, fleeing Germany to England without her mother, loss of her family members to the Holocaust, learning her father survived the war, moving to the US and marrying her husband Albert, and reflections on the Holocaust and Jewishness.

Interview with Pola Bekker, a Holocaust survivor from Warsaw. Bekker discusses her family, the Jewish District in Warsaw, life in the city before the war, antisemitism in Warsaw, the invasion of Poland and bombing of the city, fleeing to Russia, life in Orsk, moving to Voroshilovgrad, returning to Poland at the end of the war, and moving to Israel.

Interview with Jacob Bekker, a Holocaust survivor from Warsaw, Poland. Bekker discusses his upbringing, life for Jews in Warsaw before the war, antisemitism in Warsaw and discrimination, the invasion of Poland, Germans and Poles identifying Jews and singling them out for labor, fleeing to Russia and working there, returning to Poland after the war, and leaving for Israel.

The musical career of Alexander Tumanov extends from Stalinist and Soviet Russia through contemporary Canada, and as such provides an inspiring portrait of one person’s devotion to his art under trying circumstances. Tumanov was a founding member of Moscow’s Madrigal Ensemble of early music, which introduced Renaissance and Baroque music to the Soviet Union. The Ensemble enjoyed tremendous popularity in the 1960s and 1970s, despite occasional official disapproval by the Soviet bureaucracy. At times the compositions of the group’s founder, Andrei Volkonsky, were banned. Volkonsky eventually emigrated to escape the oppressive conditions, followed soon after, in 1974, by Tumanov, and the Madrigal Ensemble continued in a changed form under new leaders. The story of the author's subsequent life and career in Canada provides a poignant point of contrast with his Soviet period — at the musical, academic, and political levels. This book is a valuable resource for those interested in the history of music and intellectual life in Russia, Ukraine, and the Soviet Union in the twentieth century and is the first published book on the Madrigal Ensemble.

Rimsky-Korsakov’s Harmonic Theory is the first comprehensive study of his concept of harmony that also traces the history of tonal relationships. Larisa P. Jackson describes and examines Rimsky-Korsakov’s distinctive harmonic theory using his Practical Manual of Harmony as a basis, and places it in historical context of nineteenth-century music theory. She explores in great detail a concept of tonal relationships, fundamental to Rimsky-Korsakov’s view of harmony, and relates this to ideas by German theorists of the period and the Russian theoretical tradition. Jackson examines the concept of modulation and of the relationship of keys and presents a model of his tonal space/map extrapolated from his harmonic system. She identifies specific treatises that help to trace ties between German theoretical ideas and Rimsky-Korsakov’s work.

Transcript of an interview with Admiral Jerry (Gerald) Miller, a Navy veteran, concerning his experiences in the Pacific Theater during World War II. Miller discusses his assignment to the USS Richmond, Komandorski Island action, the Aleutians Campaign, and his post-World War II naval career.

Transcript of an interview with Thomas Riggleman, an engineer and Navy veteran, concerning his experiences while aboard the destroyer USS McGowan during World War II in the Pacific Theater. Riggleman discusses everyday life aboard ship, Iwo Jima, Okinawa and kamikazes, and the operations off northern Japan in 1945. Appendix includes a photocopy of Thomas Riggleman's pre-interview information for the University of North Texas.