Main view of the first loom used for weaving stockings.

Over the past sixty-five years, the Allied invasion of Northwestern France in June 1944, known as D-Day, has come to stand as something more than a major battle. The assault itself formed a vital component of Allied victory in the Second World War. D-Day developed into a sign and symbol; as a word it carries with it a series of ideas and associations that have come to symbolize different things to different people and nations. As such, the commemorative activities linked to the battle offer a window for viewing the various belligerents in their postwar years. This book examines the commonalities and differences in national collective memories of D-Day. Chapters cover the main forces on the day of battle, including the United States, Great Britain, Canada, France and Germany. In addition, a chapter on Russian memory of the invasion explores other views of the battle. The overall thrust of the book shows that memories of the past vary over time, link to present-day needs, and also still have a clear national and cultural specificity. These memories arise in a multitude of locations such as film, books, monuments, anniversary celebrations, and news media representations.

This is a decorative oliphant made with Ivory, Bone and Shells. The curvilinear design of the oliphant is wide from one point and narrow from the other. There are two black straps on the piece. There are many carved engravings done in repeated pattern. There are horizontal lines running along the silhouette of the carved piece. There is a chain passing through the black straps to hold the piece.

The sculpted creature acts as a gargoyle on the cathedral.

The gargoyle is situated on the exterior of the cathedral. The sculpted creature leans on the railing and overlooks the city.

The exterior of the arena consists of two arched tiers. The stone is a light color and the theater is open-air.

This is a round silver metalwork dish. There is face of a man displayed in the center of the dish. Torso of the man is also visible. This sculpture like figure is surrounded by a ring that gives the bust of the man a confined vicinity. Other than the textures on the male figure the entire dish as been given a clean , smooth and glazed finish.

Interview with William H. Haugh, a Army WWII veteran from Wrightsville, Pennsylvania. Haugh discusses growing up in Wrightsville, getting his own farm, the wartime economy, being drafted into the Army, becoming a machine gunner in the 35th Infantry Division, arrival in Metz and advancing to the Battle of the Bulge, artillery, experiences in combat, the Rhineland Campaign, the Ruhr Valley, being wounded, the German surrender and the Army of Occupation, reflections on combat, and returning to civilian life.

Interview with Harold Salfen, a Army Air Force WWII veteran from O'Fallon, Missouri. Salfen discusses his hometown and family background, his childhood and education, working in St. Louis, attending the University of Missouri, joining the Army Air Force and training, operating a ground radar in the European Theater, liberating Buchenwald Concentration Camp, the end of the war, and returning home. In appendix is a biography/resumé of Salfen's.

Interview with Army veteran Archie Gantt. The interview includes Gantt's personal experiences about the European Theater during World War II, boyhood in central Texas, basic training, shipping to England, combat on the Siegfried Line, and the Battle of the Bulge. Additionally, Gantt talks about leadership problems, combat living conditions, Officer Candidate School and commissioning, and his postwar war service in Europe.

Interview with engineer and Army veteran Mansfield Millington Bascom. The interview includes Bascom's personal experiences about the European Theater during World War II, basic training, action on the Siegfried Line, the Battle of Aachen, individual episodes of close ground combat, German tank concentrations immediately prior to the Ardennes Offensive, being wounded and evacuating from the front, recuperation, and returning to the states.

Interview with homemaker Janet Blair. The interview includes Blair's personal experiences about being a Red Cross volunteer in the European Theater during World War II, education in Europe, working with "Bundles for Britain," various assignments, rationing and air raids in England, D-Day, and serving troops during the Battle of the Bulge. Additionally, Blair talks about her patriotic motivation, her decision to join the Red Cross, her selection as a clubmobiler, the formation of a lifelong friendship with Diana Marvin and Peggy Bell, the use of Greenliners, relationships between Red Cross women and U.S. military personnel, leave time in Paris, living conditions of France, looting, and the end of the war and her return to the States.

Interview with accountant and Army veteran Frederick R. Freeman. The interview includes Freeman's personal experiences about the European Theater during the World War II, basic training, advanced infantry training, initial combat on the front lines in France, survival techniques under combat conditions, the Ardennes Offensive, and the Battle of the Bulge. Freeman also talks about the effects of combat losses and acclimation of individual replacements, his bout with combat exhaustion and reassignment to a replacement depot as a clerk, his participation in the Army of Occupation, and postwar adjustments to civilian life.

Principal view from the West

SE Corner detail with sculpture

General view of S and E sides

Front entrance of the Church of Saint-Maclou.

Architecture

Architecture

Architecture

Architecture

Architecture

Architecture

Architecture