Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Master of Music (MM) degree.

Guest artist recital performed at the UNT College of Music Concert Hall.

Ensemble performance at the UNT College of Music Winspear Hall.

Concert presented at the UNT College of Music Winspear Performance Hall.

Choir concert presented at the UNT College of Music Winspear Performance Hall.

A Cappella concert performed at the UNT College of Music Winspear Hall.

A Cappella Choir concert performed at the UNT College of Music Winspear Hall.

Choral concert performed at the UNT College of Music Winspear Hall.

Recording of Jean-Louis Belmonte's Odissey. This work was part of the "Synthese" Festival in Bourges.

Senior Recital presented at the UNT College of Music Voertman Hall.

Concert performed at the UNT College of Music Recital Hall.

Recording of Sung-Ho Hwang's Hyungsan. This work is based off of Jue Eui Sik's poem (sizo), "Bakok from Mount Hyungsan". This piece presents strong timbral features and characteristics of traditional Korean vocal music. Images that represent the dismantled poetic wordings were created using electronic sound and computer processing.

Recording of Pierre Mariétan's Les dits de nobuyo. The composer states: "The "reality show" is that of the sound, of its own story implemented here in the relationship of the voices to each other with the noises captured, all of this inscribed in the silence of the composition. What these sounds, the voices, the story say, is to be interpreted by the listener according to his feelings, the awareness of what he perceives. The reality show does not want to be, like on television, the alibi of a unique and bygone reality. Its conclusion is that of the listener, discovering through the acoustic image that comes to him, not a visual representation of the sound (whatever one does one will never see a sound), but a formal configuration , dimensioned, resulting from the alliance of sound and space."

Recording of Suk-Jun Kim's Gaesim. This work was commissioned through the 2001 ASCAP/SEAMUS Student Commission Award and is dedicated to the composer's wife, Sungeun Kim. The title of this work is the name of a Korean Buddhist temple and it means "opening the heart".