A woman in an elaborately decorated kimono is seated in the foreground. A seascape with a fisherman is seen behind the woman. On the right side of the artwork are several insets with Japanese text.

An grounded airplane is depicted in the monochromatic postcard.

The monochromatic postcard includes a depiction of an airplane in the air. There is some Japanese text along the bottom edge.

Recording of Anna-Elizabeth Hinkle-Turner's American Made. It is an electroacoustic piece using various English and Japanese sound fragments to recreate the sound of a motorcycle's exhaust.

Recording of Boyko Stoyanov's C.A.S. Stoyanov was inspired by the interpretation of Chopin's Op. 30, no. 1 by the Japanese pianist Rikako Akatsu, performed at the Chopin Piano Competition in Warsaw. In this work, the composer wanted to create a unique form, the basis of which provided by the electroacoustic music.

Recording of Takehisa Kosugi's Catchwave 71.

The vertically oriented postcard depicts in a monochromatic palette some soldiers fighting with one down, partially seen. There is some Japanese script in the upper portion in a heavy black font.

The vertically oriented postcard depicts a tree in the foreground and a red pagoda style building in the background. Some Japanese text in black ink is in the lower portion of the postcard.

A roundel in the center features a woman in a highly patterned kimono holding two pieces of a vegetable. A lotus blossom is featured on the roundel. In the uppermost portion of the piece is a rectangular inset with Japanese text and double row of cloud formations. A large leaf extends below and from underneath the roundel on the lower right side. A narrow band on the right side of the artwork graduates from yellow to blue and also includes Japanese text.

A stylized sun rises in the background to shine upon flowers, doves, and a hammer.

The vertically oriented postcard depicts an aerial view of a boat and its team of rowers. Inside a depiction of a life saver ring and along the lower edge is some Japanese text.

The vertically oriented postcard features a soldier on horseback carrying a flag in the foreground and the background insert includes a line of soldiers in outline and a portrait of a man and a woman in oval monochromatic insets.

Recording of Michel Karsky's Contr'gris. This work was created for the Autumn Music Festival in Moscow and includes spoken Japanese and French text. The word "grisaille" is repeated several times and this composition plays on the notion of "grisaille". The title was recommended to the composer by a Russian musicologist who emphasized the importance of an accent when speaking it.

A large tree trunk figures prominently in the composition and a couple behind the tree are underneath an umbrella. The colors of the postcard are muted and along the left hand edge is some Japanese text.

A woman is prominent in the foreground. She wears a red patterned kimono and a white loose head scarf. Insets with Japanese text are on both sides of the artwork. Behind her is a seascape and landscape with two men.

Recording of John Gibson's Detour. This work uses recorded sounds of the subways in Tokyo and Kyoto, including machine sounds and platform announcements. The electronic sounds are meant to sharpen the qualities of the soundscape recordings which the composer created on a trip they made to Japan. The sounds of this piece are meant to suggest the feeling of disorientation and dislocation that come with traveling in an unfamiliar, fast-paced city.

Recording of Pierre Mariétan's Les dits de nobuyo. The composer states: "The "reality show" is that of the sound, of its own story implemented here in the relationship of the voices to each other with the noises captured, all of this inscribed in the silence of the composition. What these sounds, the voices, the story say, is to be interpreted by the listener according to his feelings, the awareness of what he perceives. The reality show does not want to be, like on television, the alibi of a unique and bygone reality. Its conclusion is that of the listener, discovering through the acoustic image that comes to him, not a visual representation of the sound (whatever one does one will never see a sound), but a formal configuration , dimensioned, resulting from the alliance of sound and space."

Ensemble performance at the UNT College of Music Recital Hall

Concert presented at the UNT College of Music Concert Hall.

Concert presented at Winspear Hall at the Murchison Performing Arts Center.

Choir concert presented at the UNT College of Music Winspear Performance Hall.

Benefit concert performed at the UNT College of Music Murchison Performing Arts Center.

Concert presented at Winspear Hall at the Murchison Performing Arts Center.

Faculty recital presented at the UNT College of Music Recital Hall.