Quarterly publication discussing various topics in environmental ethics, including features, discussion papers, book reviews, editorial commentaries, and other text related to environmental philosophies. Some issues also include announcements and other news related to the environmental studies community.

Quarterly publication discussing various topics in environmental ethics, including features, discussion papers, book reviews, editorial commentaries, and other text related to environmental philosophies. Some issues also include announcements and other news related to the environmental studies community.

Quarterly publication discussing various topics in environmental ethics, including features, discussion papers, book reviews, editorial commentaries, and other text related to environmental philosophies. Some issues also include announcements and other news related to the environmental studies community.

A guest artist recital performed at the UNT College of Music Recital Hall.

A memorial concert performed at the UNT College of Music Concert Hall.

A guest artist recital performed at the UNT College of Music Recital Hall.

Faculty recital performed at the UNT College of Music Recital Hall.

A faculty recital performed at the UNT College of Music Recital Hall.

A guest artist recital performed at the UNT College of Music Recital Hall.

A guest artist recital performed at the UNT College of Music Concert Hall.

Quarterly publication discussing various topics in environmental ethics, including features, discussion papers, book reviews, editorial commentaries, and other text related to environmental philosophies. Some issues also include announcements and other news related to the environmental studies community.

Recording of Roger Doyle's KBBL - The morning show. This is an imaginary radio station broadcasting from the 25th floor of a mile-high futuristic tower of Babel. The composer has collaborated with D.J.D, singers and actors and in his private studio has re-created a parallel universe tower city where people of many cultures live together. The composer played all instruments and engineered and produced the whole thing.

Jazz Lecture Series presentation by Don Grolnick on March 07, 1989 at 9:30AM at the UNT College of Music. It includes a lecture and performance by Don Grolnick, piano, interspersed with questions from the audience.

Jazz Lecture Series presentation by Jamey Aebersold on April 25, 1989 at 2:00PM at the UNT College of Music. It includes a lecture and performance by Jamey Aebersold, saxophone, interspersed with questions from the audience.

Recording of Yves Daoust's Ouverture. This is a work for electronics.

Ensemble concert performed at UNT School of Music Concert Hall.

Ensemble concert performed at UNT School of Music Concert Hall.

Recording of Ipke Starke's Flurstück. The composer denotes "Flurstück" as meaning a piece of countryside, a rural landscape (Flur), which is private property; this is important to a central theme of ownership and its interactions with natural environments vs more "technical" atmospheres. It is described as such: The background of the piece is the dismemberment of the landscape, the subdivided land. From this are born the images. Fields, travel, property, appropriation and expropriation, the battle, fields of march in songs of the consequences. The beautiful atmosphere is disturbed. The notion of ownership must appear in the title: we listen differently when we think of ownership. The composer's interest is in particular in the different silences that were recorded in the countryside in specific favorite places. Added to this are "technical" atmospheres, incidences and "hinges" which oppose natural environments, and which are a reflection and documentation of their confrontation, of the division of the earth. The very precise measurement of the landscape is transmitted to the structuring of the piece by precisely measured durations, unequal, rhythmic, but not insertable into a frame. After the journey through these images of boundaries and fences, and faced with this frustrating experience, the composer notes …

Recording of Marcelle Deschenes' Nous. Electroacoustic composition utilizing various voices (including human and robotic variations of deeper- and higher-pitched voices) in both English and French alongside percussion, electronic noises, and ambient environmental sounds.

Jazz Lecture Series presentation by Slide Hampton on February 21, 1989 at 9:30AM at the UNT College of Music. Includes lecture and performance by Slide Hampton, trombone, interspersed with questions from the audience.

Jazz Lecture Series presentation by Adam Nussbaum on February 28, 1989 at 9:30AM at the UNT College of Music. It includes a lecture and performance by Adam Nussbaum, drums, interspersed with questions from the audience.

Jazz Lecture Series presentation by Lew Soloff on March 21, 1989 at 2:00PM at the UNT College of Music. It includes a lecture and performance by Lew Soloff, trumpet, interspersed with questions from the audience.

Jazz Lecture Series presentation by Pat La Barbara on March 28, 1989 at 9:30AM at the UNT College of Music. It includes a lecture and performance by Pat La Barbara, saxophone, interspersed with questions from the audience.

Jazz Lecture Series presentation by Steve Kahn on April 4, 1989 at 2:00PM at the UNT College of Music. It includes a lecture and performance by Steve Khan, guitar, interspersed with questions from the audience.