Map shows mid-eighteenth century West Indies and coast of North America. Relief shown pictorially. Scale not given.

Map shows the geography and coastal cities along the mid-seventeenth century Gulf of Mexico and Caribbean regions of the Western Hemisphere. Depths shown by soundings. Scale [ca. 1:10,000,000].

Nine maps depicting the travels of the author to accompany his journals. The first map shows routes through parts of the Middle East and Asia with references to the Orenburgh Expedition. The second map shows routes in Northern Europe and parts of Russia, including towns in Prussia, Germany, and the Netherlands. The third map shows various portions of the Volga River in four separate, overlapping insets with nearby towns noted. The fourth map shows an area around the Eastern Ocean including present-day Saudi Arabia and India; regions and towns are noted as well as geographic features (with relief shown pictorially). The fifth map shows land around the Caspian Sea including routes of the Russian Embassy, towns, and geographic features (with relief shown pictorially). The sixth map shows a portion of Russia depicting the Orenburgh Expedition as well as towns, landmarks, and geographic features which are marked pictorially. The seventh map shows the Caspian Sea with surrounding regions and geographic features (with relief marked pictorially). The eighth map shows Europe and some surrounding areas including routes taken by the Russia Company, cities, and geographic features. The final (ninth) map is of Siberia and bordering areas; regions and landmarks are noted as …

Map shows pictoral diagram of the formation of the English naval fleet and army units disembarking for the attack on Havana, Cuba in 1762. Includes names of six ships and ships captains. Scale not given.

This is a ca. 1762 copy of the libretto of "Ifigenia in Aulide," by Vittorio Amedeo Cigna-Santi, the principal librettist at the Teatro Regio in Turin. Cigna-Santi's libretto is an adaptation of Euripide's story of Ifigenia, the daughter of the king of Argos, Agamemnon. The goddess Diana decreed that Ifigenia had to be sacrificed in order to guarantee fair winds for the king's fleet on their journey to Troy. Achilles, rushed to save Ifigenia, his wedding bride, but Diana, moved by Ifigenia's obedience, spared her life before the priest killed her. Ferdinando Giuseppe Bertoni set this libretto to music for the 1762 carnival season in Turin. According to scholar George Hollis, the surviving arias of Ifigenia in Aulide are technically demanding and contain florid and lengthy passages in the tradition of opera seria. The library's copy of "Ifigenia in Aulide"is bound with the following librettos: "Catone in Utica," by Pietro Metastasio; "Sofonisba" by Mattia Verazi; "Arianne e Teseo" by Pietro Pariati; and "Le piacevoli poesie" by Gasparo Gozzi.

Map shows navigation through "Straights of Bahama" along the northern coast of the island of Cuba during the Seven Years War (1756 - 1763). Scale not given.

Map shows mid-eighteenth century geography, shoreline, and fortifications near Mantinico on the island of Hispaniola. Inset: "Port du Carenage." Relief shown by hachures. Depths shown by soundings. Scale [ca.1:85,000].

Map shows the fortifications, towns, and geography on the island of Grenada. Inset: "The isle of Grenada." Relief shown by hachures ; depths shown by soundings. Scale not given

This three-act opera was premiered at the Comédie Italien on 22 November 1762.

Map shows overview of coastline of the Gulf of Mexico and the Caribbean area; port towns of Portobelo, Havana, Veracruz, and Cartagena, illustrated profile of the approach to Havana harbor, the castle of San Juan de Ulúa, and Veracruz; roads, streets, buildings, and fortifications. Includes historical notes, legends, and one view, "A prospect of the Havana." Insets: [Map of] "A long sandy bay called St. John's Bay," [Map of the] "Bay of Honda or the deep bay in Cuba," "View of the town and its port by Capt. Pearson," and "View of the castle of San Juan de Ulúa from ye town by Capt. Pearson." Relief shown by hachures, pictorially and profile. Depths shown by soundings. No scale noted.

Communications concerning a marriage license for Joseph Antonio Losano and Maria Guadalupe Gimenes; Losano is a Mestizo, and Gimenes is a mulatta. In the following text Antonio Larralde mentions that Losano says that there are no obstacles with obtaining the license but there is no priest around to perform a wedding.

Communication between Antonio Larralde and Sr. Lic. Dn. Nicolás Gutierres concerning a marriage license for Joseph Antonio Lozano. Lozano says a wedding cannot be performed due to the absence of a priest; Larralde requests that says that Gutierres should perform the ceremony and record the license.