Libretto for Charles-Simon Favart's 1754 opera L'amour au village. Charles-Simon Favart gained prominence for his parodies of extant operas during the middle of the eighteenth century. His L’amour au village (1754), a typical example of the genre, was based on Carolet’s L’amour paysan (1737). The parody technique consisted of setting new texts to existing melodies and writing new dialogue based on a familiar plot. L’amour au village includes a typical vaudeville finale. In the Virtual Rare Book Room’s volume, the melody is included along with the first verse’s text. Because vaudeville finales are strophic (with one repeated melody), the subsequent verses are numbered to indicate each time the melody should begin again.

Map shows cities and towns in the Mexican Empire. Published for La Harpe's "Abrege l'Histoire Generale des Voyages." Relief shown pictorially. Scale [ca. 1: 543,000].

Color map of Panama and surrounding areas. Some towns are marked as well as bodies of water and geographic features with relief shown pictorially. Prime meridian: Paris.

Map shows areas of Native American habitation, colonial boundaries, military outposts, and a transportation route extending from Lake Erie and along the Ohio and Mississippi Rivers. Relief shown pictorially. Scale [ca. 1:6,350,000].

In the mid-eighteenth century, comic opera librettos served a dual purpose, as evinced by the libretto to Vadé ’s Trompeur trompé (1754). Although the primary function of the publication was to allow audience members to follow along with the text of the opera, solo airs were printed in the back of the book. Not all the melodies are included, but those printed in the libretto enhance our understanding of an opera the music of which was never published as a comprehensive musical score.