Photographs of "Counter-Attack: And Other Poems" by Siegfried Sassoon, held by UNT Special Collections. The book is worn and brown, with the title printed in brown ink on a label, the wording framed by brown lines. Image 2, with page 20 titled "How To Die" on the left and page 21 on the right titled "The Effect." This copy of Siegfried Sassoon’s collection of poems, Counter-Attack and Other Poems, is a 1919 reprinting of the original 1918 edition, published by E.P. Dutton and Company in New York. The binding is made of brown paper over boards, parts of which have begun to chip away. As a decorated officer known for his heroic, often perilous, actions on the battlefield, Sassoon wrote poems that vividly depict his experience in the trenches. Counter-Attack and The Old Huntsman (Sassoon’s first published collection of war poetry, referenced on the title page) mark the transition from his earlier, highly romanticized poetry, and would go on to solidify him as one of the era’s most influential poets. A thorough description of this transition in Sassoon’s work is given in the introduction by fellow soldier-poet and friend, Robert Nichols. The poems in this collection give the reader an …

Photograph of Boycott Grapes and Viva La Mujer buttons, held by UNT Special Collections. The Boycott Grapes button is black with an orange circle in the middle and a black bird graphic. The Viva La Mujer button has a white symbol for women on it, a black bird graphic inside it. Another Boycott Grapes Button is red with a black bird graphic in the middle. Dr. Gloria Contreras (1947-) was recruited to work at the University of North Texas in 1987 because of her strong background in multicultural and social studies education. Her passion was teaching social studies with a global perspective, and furthering the place of women and minorities in education, teaching and scholarship. In 1989, she was appointed the first Director of the Office of Minority Affairs (now the Office of Multicultural Affairs), where she was tasked to create a plan to recruit and retain minority students and faculty. Contreras co-authored some of the leading K-6 social studies textbooks published by Macmillan/McGraw-Hill, served as the Executive Editor of The Social Science, a national journal for educators, and was elected Director of the American Association of Colleges for Teacher Education. In 2002, Contreras was honored as a Latina Living …

Photograph of Moon Goddess by Victoria Lisi, held by UNT Special Collections. The illustration is of a blond wavy haired woman in the middle of stars in the sky, a moon at the bottom of the page. The illustration is in a frame. Victoria (Poyser) Lisi (1949-) is a prolific artist and illustrator for science fiction and fantasy publications. After receiving her BFA from Evergreen State College, she began submitting art to sci-fi magazines for publication, and eventually won two Hugo Awards for Best Fan Artist in 1981 and 1982. Her first published artworks appeared in issues of the sci-fi magazines Galaxy and Weirdbook in 1978, while her first book cover was for Piers Anthony’s Double Exposure published in 1982. After marrying artist Julius Lisi in 1987, she began working more on collaborations with him, and changed her focus from cover art to illustrating children’s books and creating fine art.

Photograph of original artwork for the cover of "Shadowkeep" by Alan Dean Foster, held by UNT Special Collections. The illustration is of a man with blonde hair and a red cape running up the stair in a corridor while holding a sword, turning to look back behind him. Victoria (Poyser) Lisi (1949-) is a prolific artist and illustrator for science fiction and fantasy publications. After receiving her BFA from Evergreen State College, she began submitting art to sci-fi magazines for publication, and eventually won two Hugo Awards for Best Fan Artist in 1981 and 1982. Her first published artworks appeared in issues of the sci-fi magazines Galaxy and Weirdbook in 1978, while her first book cover was for Piers Anthony’s Double Exposure published in 1982. After marrying artist Julius Lisi in 1987, she began working more on collaborations with him, and changed her focus from cover art to illustrating children’s books and creating fine art.