A La Prensa San Diego article titled "A Ballad of An Unsung Hero." The name of the newspaper has been rotated and printed near the right edge of the newspaper while the title of the article has been printed above a large photograph of Pedro Gonzalez on the left side of the paper. The content of the article sits between the photo and the newspaper's name in a single column of text.

A Heraldo article titled "Por TV-15 la dramática Vida de Pedro González." The name of the article is printed above smaller text, including the newspaper's date, below which the headline of the paper is printed. A photograph of Pedro Gonzalez and two columns of text sit under the headline.

A San Diego Weekly article titled "Revolutionary Times." "Reader" with the first "R" flipped vertically is printed above a photograph of Pedro Gonzales in a unform, next to the page's left edge. To the right of "Reader" is the newspaper's name and date. Four columns of text fill the rest of the page's space.

Information Sheet for "Ballad of an Unsung Hero," in Spanish. A "TV15" icon is printed in the top right corner of the page while the title "information" occupies the top left corner. Below the title is a date, contact information for Paul Espinosa and Isaac Artenstein, and a written list of dates. Two lines of text followed by six paragraphs occupy the rest of the page.

Letter from Lorena M. Parlee and Isaac Artenstein to the Gonzalez family. "Cinewest" is printed across the top of the paper above an address, phone number, and date. The message of the letter involves offering an invitation to a screening of "Ballad of an Unsung Hero," background information on the intent and research relating to the film, and a man called Don Pedro. The letter ends with "Sincerely" followed by Parlee and Artenstein's names in printed text.

Invitation to the pre-broadcast screening of "Ballad of an Unsung Hero." The documentary's title is printed at the top of the page in stylized text while the contents of the invitation are printed across the rest of the page in a simpler font. The invitation's information is separated into a column of English text and a column of Spanish text, each of which includes the screening's date, location, contact information, and details about the documentary.

A Daily Aztec article titled "Singing Group Highlights Hispanic Heritage Week." The title of the article is printed above three columns of text and three grainy photographs. A fourth photograph appears to the right of the title and has text describing the image as showing Pedro Gonzalez leading "Los Madrugadores" in a 1981 concert. The article continues onto a second page, the text formatted into one column and printed near the left edge of the page. Multiple grainy photographs fill the rest of the page.

Letter from Pedro J. Gonzalez to Roberto Fierro Villalobos. On the page's front is a wide text column printed near the paper's right edge. The back of the page has multiple blocks of text printed and written on top of one another, filling the page with a collage of words.

Letter from Roberto Fierro Villalobos to Pedro J. Gonzalez. Two illustrations of men and a title are printed above two short lists of names and one long list, which extends towards the bottom of the page. The rest of the page is occupied by a wide column of paragraphed text positioned below an eagle icon and an address. Below the paragraphs is a signature.

"Mi Vida Revolucionaria" by Pedro J. Gonzalez. A single wide column of paragraphed text extends across two pages, ending above a stamped seal and a signature. Handwritten words appear to the left of and within the printed text column.

Letter to Guadalupe Garcia from Pedro J. Gonzalez. A long, curving title is printed above small lines of text that are positioned above and beside a bird icon, below which is a printed date. Below the date is a single wide column of text positioned to the right of a smaller text column, which has a stamped seal below it. The wide column of text continues onto the back of the letter and ends above a signature that has a second stamped seal to its right. An additional paragraph is printed further down the page and has a shorter signature marked below it.

Letter to Guadalupe Garcia from Pedro J. Gonzalez. A long, curving title is printed above small lines of text that are positioned above and beside a bird icon, below which is a printed date. Below the date is a wide column of text positioned to the right of a smaller text column and a stamped seal. The wider column of text continues onto the back side of the page, ending above a signature and a second seal. Two additional blocks of text and a smaller signature occupy the rest of the page.

Letter to Guadalupe Garcia from Pedro J. Gonzalez. A long, curving title is printed above small lines of text that are positioned above and beside a bird icon, below which is a printed date. Below the date is a single wide column of text positioned to the right of a smaller text column. The wide column of text continues onto the back of the letter and ends above a signature. A few lines of text further down the page include multiple names.

Letter to Guadalupe Garcia from Pedro J. Gonzalez. A long, curving title is printed above small lines of text that are positioned above and beside a bird icon, below which is a printed date. Below the date is a wide column of text positioned to the right of a smaller text column. The wider column of text continues onto the back side of the page, which has a stamped seal near its bottom edge.

Photograph of a grouping of bamboo plants in Popayán, Colombia. The bamboo can be seen next to a creek in the background. The brick wall possibly a part of a bridge is present in the foreground, along with the base of a lamp pole.

Photograph of the Bordones Waterfall (Salto de Bordones) which is located inside the Purace National Natural Park (Parque nacional natural Puracé) in Huila Department of Colombia. Some greenery can be seen in the foreground while the waterfall is visible in the background.

Photograph of burial sites at the San Agustín Archaeological Park (Parque Arqueológico de San Agustín) in Colombia. Two slab tombs can be seen which includes a dolmen-like structure of large vertical stone slabs supporting horizontal slabs above to form a corridor which contains the sarcophagus. In the background, a landscape of numerous hills and green land is visible.

Photograph of the Church of San Francisco (Iglesia de San Francisco) in Bogotá, Colombia. A large number of people can be seen standing near and walking past the church. A tall, modern building is visible behind the church.

Photograph of the Coin and bill Production Museum (Museo Casa de Moneda) courtyard area in Bogotá, Colombia. A small water fountain, flowering bushes, trees and more can be seen in the courtyard.

Photograph of a group of soldiers standing behind a military truck in Bogotá, Colombia. The soldiers are standing behind the parked vehicle in a street. City buildings are visible in the background.

Photograph of the Humilladero Bridge (Puente del Humilladero) in Popayán, Colombia. The Humilladero Bridge is visible on the right while another smaller bridge is present to the left. People can be seen walking across the bridge. On the opposite side of the bridge, are a large number of buildings.

Photograph of the Las Lajas Sanctuary (Santuario de Las Lajas) in Ipiales, Colombia. The neo-gothic style, basilica church is located in the canyon where the Guitara River flows which can be seen below the church. A bridge is connected to the church and stretches across the canyon. The church is also known as the National Shrine Basilica of Our Lady of Las Lajas (Basílica Santuario Nacional de Nuestra Señora de las Lajas).

Photograph of the Lavapatas Fountain (Fuente De Lavapatas) located in the Alto de Lavapatas site at the San Agustín Archaeological Park in Colombia.

Photograph of the Lavapatas Fountain (Fuente De Lavapatas) located in the Alto de Lavapatas site at the San Agustín Archaeological Park in Colombia.