Photograph of a mannequin showing an 1880s white dress with a cuirass bodice and holding a fan, with fashion plates mounted to a grey wall in the background.

Photograph of an 1890s white dress with light pink silk flowers and tiered lace sleeves, on a mannequin in front of a text panel and a mounted fashion plate, in a dark grey gallery space.

Photograph of an 1895 evening gown, two-piece of cream brocaded silk with bustled train, shown on a mannequin with a variety of historic garments on mannequins in the background.

Photograph of the bust of a 1897 Edwardian lace gown mounted on a white mannequin, with a dark blue evening dress on a mannequin in the background of a dark grey gallery space.

Photograph of TFC director Annette Becker with friend Whitney Rogers standing by the sign introducing the exhibition. Photograph from the exhibition "Night Fever: Fashions from Funk to Disco," curated by Ken Weber, hosted by the Galleria Dallas, and with loaned artifacts from the UNT Texas Fashion Collections.

Photograph of two mannequins featuring a boy's four-piece velvet Lord Fauntleroy suit; and 1890s dress of white silk with black embellishments, shown in a dark grey gallery space.

Photograph of contemporary sportswear designs from the TFC, including an ensemble by Yohji Yamamoto for Y-3, a dress by A$AP Rocky for Guess, and a set of coordinated separates by Riccardo Tisci for Nike. The exhibition "Sportswear to Athleisure: The Creation of Comfortable Clothing," drawn from the holdings of the UNT College of Visual Arts and Design Texas Fashion Collection, curated by TFC director Annette Becker, and with exhibition design by contractor Larry Leathers.

Photograph of garments by Mary Katrantzou for Adidas, Charles Smith II, Yohji Yamamoto for Y-3, and A$AP Rocky for Guess. The exhibition "Sportswear to Athleisure: The Creation of Comfortable Clothing," drawn from the holdings of the UNT College of Visual Arts and Design Texas Fashion Collection, curated by TFC director Annette Becker, and with exhibition design by contractor Larry Leathers.

Photograph of historic garments designed by Claire McCardell, Tom Brigance, Carolyn Schnurer, an unknown designer, and Tina Leser, all drawn from the TFC's holdings. The exhibition "Sportswear to Athleisure: The Creation of Comfortable Clothing," drawn from the holdings of the UNT College of Visual Arts and Design Texas Fashion Collection, curated by TFC director Annette Becker, and with exhibition design by contractor Larry Leathers.

Photograph from the "Flights of Fancy," exhibition at the gallery Fashion on Main, housed in the UNT System building or Universities Center in downtown Dallas. On display are two white mannequins, one sporting a pink dress with two tiers of pink feathers on the skirt and a white evening dress with a feathered bodice, both in the dark gallery space.

Photograph of the front of the exhibition featuring an ensemble by Wippette Sportswear. The exhibition "Sportswear to Athleisure: The Creation of Comfortable Clothing," drawn from the holdings of the UNT College of Visual Arts and Design Texas Fashion Collection, curated by TFC director Annette Becker, and with exhibition design by contractor Larry Leathers.

Photograph of the front of the exhibition featuring an ensemble by Wippette Sportswear. The exhibition "Sportswear to Athleisure: The Creation of Comfortable Clothing," drawn from the holdings of the UNT College of Visual Arts and Design Texas Fashion Collection, curated by TFC director Annette Becker, and with exhibition design by contractor Larry Leathers.

Photograph from the "Flights of Fancy," exhibition at the gallery Fashion on Main, housed in the UNT System building or Universities Center in downtown Dallas. On display, a Roberto Cavalli design in the center of the gallery and low platforms supporting white mannequins featuring evening designs creating a U around the center platform.

Photograph of an exhibition intro panel with garments by Yohji Yamamoto for Y-3, A$AP Rocky for Guess, and Riccardo Tisci for Nike. The exhibition "Sportswear to Athleisure: The Creation of Comfortable Clothing," drawn from the holdings of the UNT College of Visual Arts and Design Texas Fashion Collection, curated by TFC director Annette Becker, and with exhibition design by contractor Larry Leathers.

Photograph of a flier from the "Flights of Fancy," exhibition at the gallery Fashion on Main, housed in the UNT System building or Universities Center in downtown Dallas.

Photograph from the "Flights of Fancy," exhibition at the gallery Fashion on Main, housed in the UNT System building or Universities Center in downtown Dallas. On display are four evening designs including a Ferdinando Sarm 1963 evening dress of orange and yellow print chiffon in multiple layers with a bodice of bronze coque feathers; a pants ensemble; an Oscar de la Renta 1995 evening pantsuit of coral silk satin blouse and matching pants with jacket of coral ostrich feathers; and a late 1960s evening dress of multi-colored organza in a floral motif, trimmed with yellow ostrich feathers retailed by Lillie Rubin; all shown in a dark gallery space on low platforms.

Photograph from the "Flights of Fancy," exhibition at the gallery Fashion on Main, housed in the UNT System building or Universities Center in downtown Dallas. On display are four white mannequins featuring four evening dresses with feathers, including pieces by Pauline Trigere and Hubert de Givenchy, shown in a dark gallery space.

Photograph of four high fashion dresses from the nineteenth century mounted on expressive mannequins, two in the foreground, one in the midground, and one in the background, all in a dark gallery space.

Photograph of historic garments designed by Claire McCardell, Tom Brigance, Carolyn Schnurer, an unknown designer, and Tina Leser, on display for the exhibition "Sportswear to Athleisure: The Creation of Comfortable Clothing," drawn from the holdings of the UNT College of Visual Arts and Design Texas Fashion Collection, curated by TFC director Annette Becker, and with exhibition design by contractor Larry Leathers.

Photograph from the "Flights of Fancy," exhibition at the gallery Fashion on Main, housed in the UNT System building or Universities Center in downtown Dallas. On display, a Jane Ventura evening ensemble of brown French organza and fake fur fabric with striped chinchilla feathers consisting of a sleeveless dress and matching feather cape, which the designer wore to the Pre-Opening Ball for the opening of the DFW Airport in 1973; and a Jane Ventura man’s formal dinner jacket of brown pheasant feathers with a brown satin lapel; fully lined in brown silk. Jane tailored this jacket for her husband, Sam Ventura, to match one of her own ensembles, which they wore to the Opera Ball in 1968.

Photograph of a dress by A$AP Rocky for Guess, a tunic dress by Mary Katrantzou for Adidas, a set of floral separates by Riccardo Tisci for Nike, and a dress by Charles Smith II. The exhibition "Sportswear to Athleisure: The Creation of Comfortable Clothing," drawn from the holdings of the UNT College of Visual Arts and Design Texas Fashion Collection, curated by TFC director Annette Becker, and with exhibition design by contractor Larry Leathers.

Photograph of a poster from the "Flights of Fancy," exhibition at the gallery Fashion on Main, housed in the UNT System building or Universities Center in downtown Dallas.

Photograph from the "Flights of Fancy," exhibition at the gallery Fashion on Main, housed in the UNT System building or Universities Center in downtown Dallas. The exhibition features a Roberto Cavalli evening dress of a blush pink body suit covered in Swarovski crystals with a sweeping train of pink ostrich feathers tipped in black; Angie Barrett wore this evening dress to the 2004 Crystal Charity Ball in Dallas.

Photograph from the "Flights of Fancy," exhibition at the gallery Fashion on Main, housed in the UNT System building or Universities Center in downtown Dallas. On display a white mannequin showcasing a Roberto Cavalli evening dress with a long feather train and several mannequins in the background in a dark gallery space.