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Department of Instrumental Studies
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Áskell Másson’s Solos for Snare Drum: Maximizing Musical Expression Through Varying Compositional Techniques and Experimentation in Timbre
Determining the Authenticity of the Concerto for Two Horns, Woo 19, Attributed to Ferdinand Ries
Form in Popular Song, 1990-2009
Hâfez and Betinis: a Conductor’s Approach to Ancient Persian Poetry As Voiced by a Twenty-first Century, Western Composer
Musical Borrowing in the Choral Music of Andrew Rindfleisch
A Practical Edition of the Twenty-four Caprices for Solo Violin by Sir William Herschel
The Practice of ‘Adoptive’ Transcription in Selected Works for Clarinet by Eugène Bozza
Professor Han Xianguang and His Contribution to the Horn World
Reimagining “The Art of Phrasing” by Jean Baptiste Arban: Teaching Musical Style to Modern Day Trumpet Players
Sensitivity, Inspiration, and Rational Aesthetics: Experiencing Music in the North German Enlightenment
A Teaching Guide for Debussy and Ravel: Technical and Stylistic Applications for Korean Piano Teachers
The Bass Clarinetist’s Pedagogical Guide to Excerpts From the Wind Band Literature
The Comparative Analysis of Slovakian Folk Elements From Béla Bartók’s for Children in Paul Schoenfield’s Slovakian Children’s Songs
A Guide to Arranging Late Eighteenth and Early Nineteenth Century Harmoniemusik in an Historical Style
Music for the Saxophone Duet Genre: an Annotated Bibliography of Selected Original Music
The Mystery of the “Althorn (Alto Horn) Sonata” (1943) by Paul Hindemith
Tubas on the Rise: the Tuba As a Signifier of 21st Century Mexican-American Music Culture in Southern California
Was There a Trumpet Sonata Before the Trumpet Sonata? an Investigation of Girolamo Fantini’s Trumpet Sonatas with Respect to Other Stile Moderno Solo Instrumental Sonatas
Evoking the Mystery: A Pedagogical Method to Enable an Advanced Violinist to Master George Crumb’s Four Nocturnes (Night Music II)
Modern Forms of an Ancient Art: A Selection of Contemporary Fanfares for Multiple Trumpets Demonstrating Evolutionary Processes in the Fanfare Form
The Modern Trombone in the African American Church: Shout Bands and the African American Preacher in the United House of Prayer
Breaking the Doubler Barrier: Using Sy Brandon’sDivertissement to Demonstrate a Practical Approach to Performing Multiple WoodwindWorks
Charles Wuorinen’s Flute Variations Ii: an Analysis and Performance Guide
The Pedagogy of Robert Dick
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