Silent film of the Intercontinental Football League's (IFL's) 1976 European tour to promote American football as a leisure activity. It includes footage of players on buses and in cars, football games, spectators, cheerleaders, European scenery and promotional activities. Many stills of promotional brochures, newspaper articles, and photographs are included.

Photograph of Roy Eldridge with pianist Oscar Peterson, in performance at the Salle Pleyel in Paris. Drummer Louie Bellson is partially visible in the background.

Photograph of Roy Eldridge in performance at the second concert at Salle Pleyel in Paris on April 17, 1972. The Tom Lord discography indicates this performance was with the Count Basie band. Al Grey is visible in the background, holding a trombone. Writing on the back of the photo indicates the date, location, and event.

The purpose of this thesis is to examine the letters of Diderot to Sophie Volland for the year 1759 as they are a source of important autobiographical, social, and psychological elements that shed light on Diderot's private and public life. In fact a turning point in the sentimental relationship between Diderot and Sophie Volland, the death of his father, the difficulties experienced in publishing the Encyclop6'die and consequently the coolness in his friendship with D'Alembert make 1759 a crucial year in Diderot's life. The conclusion reached is that the stylistically beautiful and modern letters to Sophie Volland of this year are self-revelatory for they show that the events of 1759 made a great psychological impact upon Diderot and started a process of maturity in his character. These letters can undoubtedly be considered a major part of Diderot's work and they can certainly contribute to a deeper understanding of this genius.

Letter from Gabriel Loire to Peter Stewart discussing a visit with Philip Johnson and his plans for a future trip to visit New York. Loire says a meeting he had planned with Philip Johnson in France did not take place. He mentions a trip he plans to take to New York to study a project he is working on for Stewart and thanks him for offering to pay for his return trip. He also asks if his visit to New York could be postponed until after the holidays because he has a busy schedule and discusses his availability for June and July in case Stewart wants to see him sooner.

Letter from Gabriel Loire to Peter Stewart discussing his recent trip to Dallas. Loire mentions that he would like some photographs of a certain Thanks-Giving Square project they are working on and says he had a good meeting with Philip Johnson.

Man's necktie of brown silk. Tipped in white silk jacquard with "Christian Dior" pattern.

Man's necktie of turquoise blue silk. Tipped in white silk jacquard with "Christian Dior" pattern.

History of the Arnold de Kruth family including narrative family tree listings based on compiled genealogical information, with some biographical anecdotes and supplementary documentation.

The thesis states that women characters in the works of Ramuz have much more depth, life and variety than first meets the eye. In order to demonstrate this, it was decided to show women characters, main, secondary and in groups, and to look at their presentation in the novels recognized generally as the most important.

Stéphane Mallarmé, 1842-1897, was driven by a yearning for the ideal, and felt an immense despair when his human attempts to reach up to it, through his poetry, fell far too short. The void (le Néant) into which he fell is the subject of the present study. Sources used were the writer's poetry, as well as all critical works which seemed pertinent to the study of this poet whose symbolism is so wonderfully and yet frighteningly deep and meaningful.

Fourteen papers were presented; each has been abstracted and indexed individually for ERA/EDB. (JGB)

Four themes dominate Balzae's Pere Goriot: Paris, ambition, money, superman. Paris is described physically, socially and morally all strata of society are cruel and corrupt. The contrast between poverty and luxury arouses the ambition of young provincial Rastignae. While his ambition is mainly social, most of the characters of the novel have financial ambitions; money is their only valued Vautrin would kill and Goriot's daughters would reduce their father to pauperism for profit. Beth Vautrin and Goriot are presented as supermen, but while the former is a strong-willed ruthless ex-convict, the latter is a monomaniac, utterly blinded by paternal love. The four themes reflect contemporary society as well as Ralzac's own life and character. They recur throughout the Comdie Humalne but are skilfully condensed in Le Pere Goriot.

Volume of "a collection of essays by contemporary folklorists who are writing about the customs and traditions and the songs and the stories that are going on now" (inside the front cover). It includes information about the folklore of cowboys, rodeos, chain letters and marijuana, as well as information about country, swing and gospel music. Index begins on page 301.

Woman's two-piece evening ensemble of black velvet. A) Jacket of black velvet with black woven band trim at center front opening, neckline, and hem. Styled with "V"-shaped front neckline and center front closure of three circular, slightly domed, faceted black buttons with loops. Dropped shoulder seams with gathers. Padded shoulders. Long full sleeves with gathered caps. Straight cut bodice with slits at sides. Belt loops- no belt. Lined with black fabric. Designer's label: Saint Laurent / rive gauche / Made in / France / Paris Retailer's label at inside back neck: Neiman-Marcus Size label: 36 C) Camisole top. Thin shoulder straps with straight upper edge at front and back, with front slightly higher. Straight hemline. Closure at left side by metal zipper. Lined with black satin weave fabric. Designer's label: Saint Laurent / rive gauche / Made in / France / Paris Size label: 40 Evidence of removed label.

Dress of olive brown, green, orange, and black plaid wool challis. Trimmed with brown yarn fringe at collar, yoke and hem. Standing collar; gathered to yoke front and back. Knee length. Center front placket closure with seven buttons; long shirt sleeves with button cuff. Side slit pockets. Unlined. Designer label: Saint Laurent / rive gauche / Made in France / Paris Evidence of label removed below designer label.

Dress of grey jersey knit wool; boat neck; long sleeve; lower-calf length; low waistband; tucks front and back, top and bottom; pockets at side; 9 gold tone buttons CF; red cotton jersey knit trim; raglan sleeves; shoulder pads. Designer's label at cb neckline: "Chanel / Boutique"

Jacket of black, green, red, pink, and yellow flannel in a large painterly plaid pattern. Round neckline; center front zipper closure. Diagonal slit pockets at hips with zipper closure; all three zipper tabs have a gold metal rose charm. Long sleeves with three coiled snake non-functional buttons of gold metal at each vented wrist. Shoulder pads; fully lined in black satin synthetic. Designer's label: Ungaro / Parallele / Paris

A) Evening dress styled in ruffled layers of black silk organza with black Chantilly lace trim. Satin straps; faille facing; silk crepe underskirt. Designer's label at center back: "Couture / Emanuel Ungaro / Paris"

Girl’s turtleneck top of red cotton/Lycra blend. Long sleeves; black "P S" logo appliqué at left shoulder. Label: "Catherine I / pour / Philippe Salvet"

Peasant-style blouse of cotton in beige, orange, and brown plaid. Square neckline; long sleeves with elastic at wrist. Center front button-down placket closure. Designer Label: Saint Laurent / rive gauche

Peasant style blouse of green, white and red cotton calico print in small floral motif. Rounded, yoked neckline with center front placket closure. Long sleeves with elastic at wrists. Designer Label: Saint Laurent / rive gauche

Peasant-style blouse of aqua, navy, and yellow stripped calico. Square neckline. Long sleeves with elastic at wrist. Designer Label: Saint Laurent / rive gauche

Letter from Gabriel Loire to Peter Stewart discussing photos he received of the stained glass windows of the Chapel of Thanksgiving. He thanks Stewart for the photographs and says he hopes to see photos of the completed chapel soon.