Photographs of "Le Chaperon rouge" (The Red Riding Hood), held by UNT Special Collections. The cover of the book contains an illustration framed an intricate gold frame. The illustration is of a young girl with red cap and dress, holding a basket filled with goodies. In front of her is a wolf. They are standing in the woods, the title at the top. Image 2, illustration of the young girl in red, retracting with a scared look from the wolf wearing a night cap in front of her in the bedroom they're in. The page on the left of it contains text with a sketch of a wolf in the top left and a sketch of the girl and wolf on the bottom right.

Photographs of "Echoes of France" by Amy Robbins Ware, held by UNT Special Collections. The cover is dark blue with a rubricated title and illustration enclosed in a black-stamped frame. Image 2, inscription on inside of cover written in pencil. On the left page is a stamped design. This image in Echoes from France by Amy Robbins Ware, an American nurse in France during WWI, demonstrates the kind of tensions generated by the coexistence of photographs and text. Image 3, pages 40 and 41. The page on the left has a black and white photo of a woman in a dress and gas mask, the page on the right a poem titled "J'attends, C'est la Guerre." Although the book contains no photographs of abject gore, it does feature this photo of a woman with a gas mask as a haunting reminder of such horror and an effacement of the familiar, such that the woman now wears the large dark eyes and proboscis reminiscent of insect life. The text at the bottom works against the tone of estrangement by way of the domesticating rhetoric of “little tin derby” in the place of “helmet.” The diminutive qualifier is not supported by the …