Map shows the extent of Spanish Florida with settlements encompassing majority of southeastern portion of the North American continent. Relief shown pictorially. Scale not given.

Volume of "a collection of essays by contemporary folklorists who are writing about the customs and traditions and the songs and the stories that are going on now" (inside the front cover). It includes information about the folklore of cowboys, rodeos, chain letters and marijuana, as well as information about country, swing and gospel music. Index begins on page 301.

Volume of "a collection of essays by contemporary folklorists who are writing about the customs and traditions and the songs and the stories that are going on now" (inside the front cover). It includes information about the folklore of cowboys, rodeos, chain letters and marijuana, as well as information about country, swing and gospel music. Index begins on page 301.

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Senior recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Bachelor of Music (BM) in Performance degree.

Recording of Carl Bergstrøm-Nielsen's "11 september." The text is from a document called "What is MIR?" which was sent out illegally in Chile in 1974 and from the appeal of MIR two years after the taking over by the junta, on September 11, 1975. A left-wing party, MIR stayed in Chile in order to contribute as efficiently as possible to the building of the opposition. Other sound material also includes sounds from a typewriter and a demonstration at Bastad, Sweden in September 1975 at a tennis match between Sweden and Chile with more than 4,000 participants. The text is taken in small excerpts from the document in Spanish, English, Swedish, Danish, French, Dutch, and Icelandic. The piece consists of three sections overlapping each other gradually, which shows the relationship between the spoken words and the immediate danger connected with that text. The first section "as a spontaneous statement," deals with the document at its direct background: the silence is broken, in spite of the danger connected with the writing, manifolding papers that criticize the politics and methods of the junta and discuss the strategy of the opposition. The second section deals with the document as a medium of discussion. At …

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Graduate Artist Certificate in Music Performance and the Doctor of Musical Arts (DMA) degree.

Senior recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Bachelor of Music (BM) in Performance degree.

Recital presented at the UNT College of Music Recital Hall.

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Master of Music (MM) degree.

Map shows cities, towns, and provinces of Peru and Brazil, and areas of Native American habitation. Includes illustrated title and French, Spanish, and Portuguese scales. Relief shown by hachures. Scale [ca. 1:20,000,000]

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Recital presented at the UNT College of Music Concert Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Collection of a miscellany of Texas and Mexican folklore, including folk stories about treasure hunters, cowboys, Native Americans, and razorback hogs, as well as myths, customs and other superstitions. The index of song material begins on page 192 and the general index begins on page 193.

Collection of a miscellany of Texas and Mexican folklore, including folk stories about treasure hunters, cowboys, Native Americans, and razorback hogs, as well as myths, customs and other superstitions. The index of song material begins on page 192 and the general index begins on page 193.

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Doctoral recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Master of Music (MM) degree.

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree