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2,254 Matching Results
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[Annotated Business Card for Pierre De Calan]
Annotated business card of Pierre De Calan, deputy vice president of the general union of the French cotton industry.
Date:
1963~
Creator:
L'industrie cotonnière française
Object Type:
Text
System:
The Portal to Texas History
[Annoted Business Card from Lanvin]
Business card from Monsieur J. Rosseau, tailor at Lanvin fashion house in Paris. On the reverse side of the card are handwritten notes about a suit fitting and suit repair, along with a record of payments made.
Date:
195X
Creator:
Lanvin
Object Type:
Text
System:
The Portal to Texas History
Armide
Armide, which premiered at the Paris Opéra February 15, 1686, was the last tragédie lyrique on which Jean-Baptiste Lully collaborated with his favorite librettist, Philippe Quinault. Quinault retired from the stage after Armide, and Lully died a year later on March 22, 1687. From its first performance, Armide was considered their masterpiece. Armide is unusual among Lully and Quinault's tragédies lyriques in that it concentrates on the psychological development of a single character; the reflective style of this late work may be regarded as an early presentiment of trends toward individualism in art.
Date:
1686~
Creator:
Lully, Jean Baptiste, 1632-1687 & Quinault, Philippe, 1635-1688
Object Type:
Musical Score/Notation
System:
The UNT Digital Library
Armide: drame héroïque
Armide was premiered at the Paris Opéra on September 23, 1777, recalling the earlier success of Lully’s opera of the same name, which premiered nearly a century earlier on February 15, 1686. After collaborating on several reform operas with Calzabigi, Gluck revived the older dramatic tradition of Quinault (Lully's librettist) by setting the older text in the modern musical style. The seventeenth-century five act model requires more continuous music, with few distinct arias, as well as divertissements and spectacular effects. Gluck also respects the tragic conclusion endemic to the model, avoiding the modern practice of the lieto fine ("happy ending") in which misfortunes are reversed at the last possible moment.
Date:
1811
Creator:
Gluck, Christoph Willibald, Ritter von, 1714-1787 & Quinault, Philippe, 1635-1688
Object Type:
Musical Score/Notation
System:
The UNT Digital Library
Armide: Drame héroique, mis en musique
Armide was premiered at the Paris Opéra on September 23, 1777, recalling the earlier success of Lully’s opera of the same name, which premiered nearly a century earlier on February 15, 1686. After collaborating on several reform operas with Calzabigi, Gluck revived the older dramatic tradition of Quinault (Lully's librettist) by setting the older text in the modern musical style. The seventeenth-century five act model requires more continuous music, with few distinct arias, as well as divertissements and spectacular effects. Gluck also respects the tragic conclusion endemic to the model, avoiding the modern practice of the lieto fine ("happy ending") in which misfortunes are reversed at the last possible moment.
Date:
1783
Creator:
Gluck, Christoph Willibald, Ritter von, 1714-1787
Object Type:
Musical Score/Notation
System:
The UNT Digital Library
Armide: Drame héroique, mis en musique
Armide was premiered at the Paris Opéra on September 23, 1777, recalling the earlier success of Lully’s opera of the same name, which premiered nearly a century earlier on February 15, 1686. After collaborating on several reform operas with Calzabigi, Gluck revived the older dramatic tradition of Quinault (Lully's librettist) by setting the older text in the modern musical style. The seventeenth-century five act model requires more continuous music, with few distinct arias, as well as divertissements and spectacular effects. Gluck also respects the tragic conclusion endemic to the model, avoiding the modern practice of the lieto fine ("happy ending") in which misfortunes are reversed at the last possible moment.
Date:
1783
Creator:
Gluck, Christoph Willibald, Ritter von, 1714-1787
Object Type:
Musical Score/Notation
System:
The UNT Digital Library
Armide : tragedie mise en musique
Armide, which premiered at the Paris Opéra February 15, 1686, was the last tragédie lyrique on which Jean-Baptiste Lully collaborated with his favorite librettist, Philippe Quinault. Quinault retired from the stage after Armide, and Lully died a year later on March 22, 1687. From its first performance, Armide was considered their masterpiece. Armide is unusual among Lully and Quinault's tragédies lyriques in that it concentrates on the psychological development of a single character; the reflective style of this late work may be regarded as an early presentiment of trends toward individualism in art.
Date:
1686
Creator:
Lully, Jean Baptiste, 1632-1687 & Quinault, Philippe, 1635-1688
Object Type:
Musical Score/Notation
System:
The UNT Digital Library
Astrée
Libretto of the 1691 opera "Astrée" by Jean de la Fontaine. Pascal Collasse composed the music of the opera which premiered under the title "Astrée et Céladon" on November 25, 1692.
Date:
1691
Creator:
La Fontaine, Jean de, 1621-1695
Object Type:
Book
System:
The UNT Digital Library
Atlas Delamarche: Géographie moderne L'Océanie.
Map shows some cities and settlements on the islands of the South Pacific, Australia, and islands between Asia and Australia. Insets: "Archipel Taiti" [Taiti Archipelago] and "Archipel des Marquises" [Des Marquises Archipeligo]. Relief shown by hachures. Scale [ca. 1:40,000,000].
Date:
1864
Creator:
Delamarche, Alexandre, 1815-1884
Object Type:
Map
System:
The Portal to Texas History
Atys : tragedie
Atys, which premiered on 10 January 1676, is the first of the tragédies lyriques of Jean-Baptiste Lully and Philippe Quinault to conclude with a tragic ending. Joyce Newman, in Jean-Baptiste de Lully and his Tragédie Lyriques, summarizes the message of the story in this way: In [Atys], Quinault shows how actions which are not in accord with the noble ideal will bring defeat and punishment. Not only is love in opposition to glory in this opera, but also it is shown that if love is placed more highly than honor, it will bring unhappiness even to one of the immortals.
Date:
1708
Creator:
Lully, Jean Baptiste, 1632-1687
Object Type:
Musical Score/Notation
System:
The UNT Digital Library
Atys : tragédie lyrique en trois actes
The story of Atys was first known operatically through Lully’s opera that premiered in 1676 at the court of St Germain-en-Laye. Marmontel adapted Quinault’s libretto and modified it by removing the prologue and divertissements. He also altered the plot; in lieu of Ovid’s metamorphic ending (to which Quinault had adhered), Atys commits suicide.
Date:
1780
Creator:
Piccinni, Niccolò, 1728-1800; Quinault, Philippe, 1635-1688 & Marmontel, Jean François, 1723-1799
Object Type:
Musical Score/Notation
System:
The UNT Digital Library
Atys : tragédie lyrique en trois actes
The story of Atys was first known operatically through Lully’s opera that premiered in 1676 at the court of St Germain-en-Laye. Marmontel adapted Quinault’s libretto and modified it by removing the prologue and divertissements. He also altered the plot; in lieu of Ovid’s metamorphic ending (to which Quinault had adhered), Atys commits suicide.
Date:
1781
Creator:
Piccinni, Niccolò, 1728-1800; Quinault, Philippe, 1635-1688 & Marmontel, Jean François, 1723-1799
Object Type:
Musical Score/Notation
System:
The UNT Digital Library
Atys : tragedie mise en musique
Atys, which premiered on 10 January 1676, is the first of the tragédies lyriques of Jean-Baptiste Lully and Philippe Quinault to have a tragic ending. As the Prologue indicates, the tragedie itself is a divertissement to ease the king's mind of his impending duties. Joyce Newman, in Jean-Baptiste de Lully and his Tragédie Lyriques, summarizes the message of the story in this way: "In [Atys], Quinault shows how actions which are not in accord with the noble ideal will bring defeat and punishment. Not only is love in opposition to glory in this opera, but also it is shown that if love is place more highly than honor, it will bring unhappiness even to one of the immortals."
Date:
1720
Creator:
Lully, Jean Baptiste, 1632-1687 & Quinault, Philippe, 1635-1688
Object Type:
Musical Score/Notation
System:
The UNT Digital Library
Atys; tragedie mise en musique
Atys, which premiered on 10 January 1676, is the first of the tragédies lyriques of Jean-Baptiste Lully and Philippe Quinault to have a tragic ending. As the Prologue indicates, the tragedie itself is a divertissement to ease the king's mind of his impending duties. Joyce Newman, in Jean-Baptiste de Lully and his Tragédie Lyriques, summarizes the message of the story in this way: "In [Atys], Quinault shows how actions which are not in accord with the noble ideal will bring defeat and punishment. Not only is love in opposition to glory in this opera, but also it is shown that if love is place more highly than honor, it will bring unhappiness even to one of the immortals."
Date:
1709
Creator:
Lully, Jean Baptiste, 1632-1687 & Quinault, Philippe, 1635-1688
Object Type:
Musical Score/Notation
System:
The UNT Digital Library
Audience de Mexico
Map of Mexico and surrounding areas. Relief shown pictorially. Prime meridian: Ferro.
Date:
1657
Creator:
Sanson, Nicolas, 1600-1667
Object Type:
Map
System:
The Portal to Texas History
[Babolsar Palace Hotel Luggage Decal]
Rectangular luggage tag from the Babolsar Palace in Iran. The luggage decal has an illustration of the Royal Palace, with the text below saying "The Queen Of The Caspian Beaches" in French.
Date:
[1967,1968]
Creator:
unknown
Object Type:
Physical Object
System:
The UNT Digital Library
Il bacio (d'Arditi). Valse de Salon. Op. 97
Copyright W.F. Shaw. Publisher number 184 9.
Date:
1884
Creator:
Ketterer, Eugène, 1831-1870
Object Type:
Musical Score/Notation
System:
The UNT Digital Library
Bajazeth
Musical score containing the piano part for "Bajazeth: air national [sic] des turques pour le piano forte" by Leopold von Meyer.
Date:
184X
Creator:
Meyer, Leopold von, 1816-1883
Object Type:
Musical Score/Notation
System:
The UNT Digital Library
[Balance sheet for financial transactions related to Castroville, 1843-1844]
Balance sheet for financial transactions related to the colonists' expenses at [Castroville].
Date:
1843/1844
Creator:
Huth, Louis
Object Type:
Text
System:
The Portal to Texas History
[Balance sheet for financial transactions relating to Castroville, March 30, 1844 to June 9, 1844]
Balance sheet for financial transactions relating to [Castroville] during March, April, and June 1844.
Date:
1844
Creator:
Huth, Louis
Object Type:
Text
System:
The Portal to Texas History
[Balance sheet listing payments and other financial transactions, June and July 1844]
Balance sheet showing various financial transactions, including money paid to colonists and purchases of supplies.
Date:
1844
Creator:
Huth, Louis
Object Type:
Text
System:
The Portal to Texas History
[Balance sheet listing payments and other financial transactions, May 1844]
Balance sheet listing payments received from various passengers for passage between Galveston and Port la Vacca (Port Lavaca) and (on the reverse side) other various financial transactions from May 1844. Parts of the original page are missing.
Date:
1844
Creator:
Huth, Louis
Object Type:
Text
System:
The Portal to Texas History
[Balance sheet showing financial transactions, 1840-1843]
Balance sheet showing financial transactions.
Date:
October 8, 1843
Creator:
Huth, Louis
Object Type:
Text
System:
The Portal to Texas History
[Balance sheet showing financial transactions, 1843-1844]
Balance sheet showing financial transactions.
Date:
1843/1844
Creator:
Huth, Louis
Object Type:
Text
System:
The Portal to Texas History