Recording of alcides lanza's Voo. The lyrics of this composition are primarily in Portuguese, but the composer specifically chose to play with the source material, basing lyrics on poems which appear in NO OUVIDO DO TEMPO/NO OLVIDO DO TEMPO, a remarkable book of poetry by the Brazilian poet and composer Gil Nuno Vaz. Special acknowledgement is given to the Brazilian poet Raul de Leoni (1895-1926), since Gil Nuno Vaz integrated into his own poems some lines from an unpublished book by de Leoni, No Ouvido do Tempo. As a result, the Portuguese blends into Spanish and Italian intentionally, acting as a catalyst joining the notions of Columbus, Italian explorer, departing from Spain to explore the unknown sea; Columbus, whose writings in Spanish showed strong traces of Portuguese and Italian; and the fact that Portuguese and Spanish are the prevalent languages from Mexico to Tierra del Fuego. In addition, by looking at the text in a kaleidoscopic way, "other" words and sentences, in existing or imaginary languages could be encountered. With all these elements, the composer "tells" the story of the opening up of a new world - struggles and religion as icons on the way to modern civilization. Voo is …

New Music concert performed at the UNT College of Music.

Recording of Roberto Valera's Palmas (Palms). This work is for voice and electronics. This work contains spoken word, electronics, field recordings, and pre-recorded sound. The work has a more mysterious sound environment and differing electronics sounds complementing the speech.

Recording of Pablo Cetta's ...que me hiciste mal... This piece refers to the fragmentation of 33 famous tangos, which are utilized in the piece. There is a brief dialog between two characters, played by popular tango singers. When these tango are electronically processed they take on a new significance.