Recording of Rubén Hinojosa Chapel and Bérengère de Tarlé's Camello. This work tells an imaginary story by taking elements from real life including the sounds of public transportation in Havana. It is a soundscape of a part of the daily life in Havana. The composer points to the importance of the words in the piece from people speaking and public announcements as it holds symbolism for the Cuban people. This work premiered at the "XIII Festival de La Habana de Música Contemporánea".

Recording of Félipe Santiago Neiro Vega's Nubia. The composer separates this work into three movements that revolve around the psychology of interpersonal relationships. The beginning revolves around the home and uses samples from an active household. The first movement involves the family and the start of a new life while the second showcases marriage. The final movement is friendship and embodies the idea of self-acceptance.

Recording of Jorge Rodrigo Sigal's Babel. This work is part of a larger CD project called "Manifesto". The piece is meant for flute, tape, and optional live electronics. The sound materials were recorded in Spain, France, and Mexico City. The composer dedicates this work to Stefano Scarani and it was premiered by Mr. Harrie Starreveld.

Recording of Bérangère Maximin's Le rituel des poupées cassées.

Recording of Juan Manuel Marrero's Come la voce della coscienza.

Recording of José R. Sosaya Wekselman's Evocations I. This work is made up of various acoustical sounds all attributed to the environment of the composer when creating this piece. This includes family voices, airports, domestic sounds, etc. The composer has meant for these sounds to create their own evolutionary musical structure rather than be heavily manipulated. He thanks the Spanish Ministry of Culture for their grant which helped this piece come to fruition.

NOVA concert performed at the UNT University Union Lyceum.

Recording of Fernando D. Polonuer's Breve reseña sobre los sueños, el vacío y la enfermedad. This composition is described as a program category work. It represents three steps in a painful and unconscious way to self-destruction. The dreams: the perception of loneliness and memories. The emptiness: the wake up, the light, the reflection, the comprehension. The illness: self-destruction, the fight for survival, pain and defeat. This work includes voices which have been recorded in different years. There is a voice singing fragments of a Tango called "Sus ojos se cerraron" and spoken words with thoughts about linguistic texts. Included texts and quoted material are listed by the composer, in English, as follows: "Today, my heart is lonely..." / "This silence is so cruel, is hurting me so..." / (Spoken) " Promises: can't they be true or false? When you say 'I promise!' that is already a promise - even though it might be a lie. Eh, I don't like that one bit!" / (Spoken) "Unreal conditions, I swear..." / "Intertwined tears refuse to come out..." / (Spoken) "The amount of indirect sense that is usually implied is an immediate problem..." / (Spoken) "She says there is a distance between superficial …

Jazz concert performed at the UNT College of Music Kenton Hall.

Ensemble concert performed at the UNT College of Music Concert Hall.

Concert presented at the UNT College of Music Recital Hall.

Ensemble performance at the UNT College of Music Kenton Hall.

Recording of Adolfo Nunez's Toda la humanidad habla de troya. This recording is the soundtrack of a video that premiered at the Tabarca Island in the Festival of Contemporary Music of Alicante. It was part of a multimedia show and based on texts by Euripides. The sound materials come from recordings of said text being recited by various actors and philosophers as well as their personal thoughts on it.