Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

A faculty recital performed at the UNT College of Music Voertman Hall.

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Master’s of Music degree.

A chamber music recital performed at the UNT College of Music Recital Hall.

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Master of Music (MM) degree.

A junior recital presented at the UNT College of Music Voertman Hall.

Recital presented at the UNT College of Music Concert Hall in partial fulfillment of the Master of Music (MM) degree.

Master's recital presented at the UNT College of Music Voertman Hall in partial fulfillment for the Master of Music (MM) degree.

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Master of Music (MM) degree.

A faculty recital performed at the UNT College of Music Recital Hall.

Anthology of the previously-published newspaper articles by the eleven winners of the 2018 Best American Newspaper Narrative Writing Contest at the Mayborn Literary Nonfiction Conference. The pieces are published in order of places awarded: Williams, “The Loneliest Polar Bear” (1st place); Callahan, “Doomed by Delay” (2nd place); Goffard, “Dirty John” (3rd place); and runners-up: Cox, “Twelve Seconds of Gunfire”; Hallman “His Heart, Her Hands”; Russell, “The Last Refugee”; Gartner and Sampson, “Wrong Way”; Parks, “About a Boy”; Emily, “Hope for the Rest of Us”; Babb, “There’s Nowhere to Run”; and DeGregory, “The House on the Corner.”

The musical career of Alexander Tumanov extends from Stalinist and Soviet Russia through contemporary Canada, and as such provides an inspiring portrait of one person’s devotion to his art under trying circumstances. Tumanov was a founding member of Moscow’s Madrigal Ensemble of early music, which introduced Renaissance and Baroque music to the Soviet Union. The Ensemble enjoyed tremendous popularity in the 1960s and 1970s, despite occasional official disapproval by the Soviet bureaucracy. At times the compositions of the group’s founder, Andrei Volkonsky, were banned. Volkonsky eventually emigrated to escape the oppressive conditions, followed soon after, in 1974, by Tumanov, and the Madrigal Ensemble continued in a changed form under new leaders. The story of the author's subsequent life and career in Canada provides a poignant point of contrast with his Soviet period — at the musical, academic, and political levels. This book is a valuable resource for those interested in the history of music and intellectual life in Russia, Ukraine, and the Soviet Union in the twentieth century and is the first published book on the Madrigal Ensemble.

The musical career of Alexander Tumanov extends from Stalinist and Soviet Russia through contemporary Canada, and as such provides an inspiring portrait of one person’s devotion to his art under trying circumstances. Tumanov was a founding member of Moscow’s Madrigal Ensemble of early music, which introduced Renaissance and Baroque music to the Soviet Union. The Ensemble enjoyed tremendous popularity in the 1960s and 1970s, despite occasional official disapproval by the Soviet bureaucracy. At times the compositions of the group’s founder, Andrei Volkonsky, were banned. Volkonsky eventually emigrated to escape the oppressive conditions, followed soon after, in 1974, by Tumanov, and the Madrigal Ensemble continued in a changed form under new leaders. The story of the author's subsequent life and career in Canada provides a poignant point of contrast with his Soviet period — at the musical, academic, and political levels. These 7 sound files are located in different pages of the book: 1. p. 169: after “an explosion of applause” Title of piece: О страстях (Bicinium De Passione) Performers: Karina Lisitsian (contralto) and Ruzanna Lisitsian (soprano) Composer: Erhard Bodenschatz Year: 1968 LP title (translation from Russian): Thousand Years of Music (Vol. 3): Madrigal – Germany. Renaissance and Early Baroque. LP …

This report presents English-translated abstracts of important Russian-language literature concerning general circulation models as they relate to climate change. Into addition to the bibliographic citations and abstracts translated into English, this report presents the original citations and abstracts in Russian. Author and title indexes are included to assist the reader in locating abstracts of particular interest.

Poor quality photocopies of property found at the two residences of Lee Harvey Oswald. Documents include handwritten notes, driver's license applications, and letters.

Poor quality photocopies of property found at the two residences of Lee Harvey Oswald. Documents include passports, birth certificates, and photographs.

Poor quality photocopies of property found at the two residences of Lee Harvey Oswald. Documents include immunization records and certificates.

Letter written to Marina Oswald in August of 1963. The letter, which is from an individual at the Embassy of the Union of Soviet Socialist Republics, is written in Russian.

Poor quality photocopy of property found at the two residences of Lee Harvey Oswald. Text on the page reads: "U. S. A. 7313 Davenport St., Fort Worth, Texas. Mr. Lee Oswald and Mrs. Marina Oswald." The rest of the page is written in Russian.

Evidence photograph of a letter found in Oswald's home. The letter is addressed to Ruth Paine and is written in Russian.

Evidence photograph of a passport found in Oswald's home. The passport identifies Marina Oswald and is written in Russian.