Recital presented in Shenzhen, China in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Photograph of the inside of a New York City subway train cabin that contains orange and yellow chairs and silver metal hand rails. A yellow poster with a black outline of a cartoon person wearing a faces mask is hanging on the subway cabin's interior wall and reads "Stop the spread. Wear a mask." on the bottom of the poster, as well as "Wear a mask" on the cartoon's face mask with the same phrase but translated in Spanish, Chinese, Russian, Korean, Haitian Creole, and Bengali. Similar images of the black outline cartoon people wearing face masks are also included on the top border of the cabin walls on a yellow background.

A capella concert performed at the UNT College of Music Winspear Hall.

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Master of Music (MM) degree.

Senior recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Bachelor of Music (BM) in Performance degree.

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Master of Music (MM) degree.

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Annual journal containing essays, studies, book reviews, and other articles related to the history of Western Music Theory, methods of analysis, and analytical discussions of musical compositions. The appendix includes information about contributors to the current volume, and an index of content in previously-issued volumes.

Anthology of the previously-published newspaper articles by the eleven winners of the 2018 Best American Newspaper Narrative Writing Contest at the Mayborn Literary Nonfiction Conference. The pieces are published in order of places awarded: Williams, “The Loneliest Polar Bear” (1st place); Callahan, “Doomed by Delay” (2nd place); Goffard, “Dirty John” (3rd place); and runners-up: Cox, “Twelve Seconds of Gunfire”; Hallman “His Heart, Her Hands”; Russell, “The Last Refugee”; Gartner and Sampson, “Wrong Way”; Parks, “About a Boy”; Emily, “Hope for the Rest of Us”; Babb, “There’s Nowhere to Run”; and DeGregory, “The House on the Corner.”

The musical career of Alexander Tumanov extends from Stalinist and Soviet Russia through contemporary Canada, and as such provides an inspiring portrait of one person’s devotion to his art under trying circumstances. Tumanov was a founding member of Moscow’s Madrigal Ensemble of early music, which introduced Renaissance and Baroque music to the Soviet Union. The Ensemble enjoyed tremendous popularity in the 1960s and 1970s, despite occasional official disapproval by the Soviet bureaucracy. At times the compositions of the group’s founder, Andrei Volkonsky, were banned. Volkonsky eventually emigrated to escape the oppressive conditions, followed soon after, in 1974, by Tumanov, and the Madrigal Ensemble continued in a changed form under new leaders. The story of the author's subsequent life and career in Canada provides a poignant point of contrast with his Soviet period — at the musical, academic, and political levels. This book is a valuable resource for those interested in the history of music and intellectual life in Russia, Ukraine, and the Soviet Union in the twentieth century and is the first published book on the Madrigal Ensemble.

The musical career of Alexander Tumanov extends from Stalinist and Soviet Russia through contemporary Canada, and as such provides an inspiring portrait of one person’s devotion to his art under trying circumstances. Tumanov was a founding member of Moscow’s Madrigal Ensemble of early music, which introduced Renaissance and Baroque music to the Soviet Union. The Ensemble enjoyed tremendous popularity in the 1960s and 1970s, despite occasional official disapproval by the Soviet bureaucracy. At times the compositions of the group’s founder, Andrei Volkonsky, were banned. Volkonsky eventually emigrated to escape the oppressive conditions, followed soon after, in 1974, by Tumanov, and the Madrigal Ensemble continued in a changed form under new leaders. The story of the author's subsequent life and career in Canada provides a poignant point of contrast with his Soviet period — at the musical, academic, and political levels. These 7 sound files are located in different pages of the book: 1. p. 169: after “an explosion of applause” Title of piece: О страстях (Bicinium De Passione) Performers: Karina Lisitsian (contralto) and Ruzanna Lisitsian (soprano) Composer: Erhard Bodenschatz Year: 1968 LP title (translation from Russian): Thousand Years of Music (Vol. 3): Madrigal – Germany. Renaissance and Early Baroque. LP …

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Work of art of Mixed media on paper by artist Laura Vasyutynska, as part of a 2020 MFA Exhibition, entitled "Fractured Terrains".

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Men's Chorus and Women's Chorus concert performed at the UNT College of Music Winspear Hall and recital presented at the UNT College of Music Winspear Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Ensemble concert presented at the UNT College of Music Winspear Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree for both Joshua R. Brown -- conducting the UNT Men's Chorus -- and Charlotte Botha, conducting the UNT Women's Chorus.

Concert performed at the UNT College of Music Winspear Hall, as well as recitals presented in partial fulfillment of the Doctor of Musical Arts (DMA) degree for both Charlotte Botha (conducting the UNT Women's Chorus) and Gideon Burrows (conducting the UNT Men's Chorus).

A faculty and guest artist recital performed at the UNT College of Music Voertman Hall.

Faculty recital performed at the UNT College of Music Voertman Hall.

Faculty recital performed at the UNT College of Music Voertman Hall.

Choral music concert performed at the UNT College of Music Winspear Hall.

Senior recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Bachelor of Music (BM) in Performance degree.

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Master of Music (MM) degree.

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Master of Music (MM) degree.