Recording of Elżbieta Sikora's The waste land, for fixed media. The piece is a journey through time and spaces. The present is mixed with the past, the ordinary with the extraordinary, dream with reality. The work was commissioned by the Experimental Studio of Polish Radio and was realized in October 1979. The text comes from T. Elliot's poem "The Waste Land."

Recording of Taras Bujewski's Striking up a tune. This work contains fragments of Russian choral songs from the provinces of Belgorod and Bryansk. The elements of this music are compared to urban noises and the contradictory nature of these two sound worlds are explored.

Recording of Aleksandr Volodin's The music of my memory. This work consists of 3 parts: "Old photos", "Deep", and "monologue". The composer describes this work as being "small pieces of my small world" and used sound materials that were recorded in Kolomna City in 2002.

Recording of Miguel Azguime's Comunicacones. The sound materials in this piece come from concrete sounds from a Lisbon port, communication satellites, and texts in more than 30 different languages, as well as synthetic and instrumental sounds. This work was commissioned by the Lisbon World Fair Expo'98 and the concert version premiered at the "Musica em Novembro" festival in Lisbon.

Recording of Julia Dmitrioukova's Y-Planet. The composer intends for this piece to encapsulate the idea of Earth transforming from a simple life planet to "point X" in galactic space during the 20th century.

Recording of Taras Bujewski's The line of death.

Recording of Elizabeth Anderson's Mimoyecques. The piece consists of two sets of recordings and electronics. One set of recordings would be made in and around the fortress and would serve as the base where the imprisonment, death, and transfiguration themes would be built. The second recording is in the languages of the 18 nationalities of the laborers. The central section of the work illustrates the idea of terror freedom is suddenly, inexplicably removed. The final section explores the concept of the departure of the souls of the victims.