Choir concert performed at the UNT College of Music Winspear Hall.

A faculty and guest artist recital performed at the UNT College of Music Voertman Hall.

Letter from Edward Drew discussing military aviation.

Letter from Captain Edward Drew to Mickey McLernon apologizing for not responding, discussing how busy his life in New York has been, a recent trip to Boston to visit friends and family, another trip to Morristown, New Jersey to visit another friend, aviation, and how he got his job.

Journal documenting the trip several Women Airforce Service Pilots of World War II took to Moscow, Russia in 1990 to meet with a group of Russian Night Witches who also served in the war. The book includes a biography section of each WASP that made the trip, letters from the WASP to Presidents Bush and Gorbachev, and a letter from the Soviets. Two loose leaflets included with the book are a bibliography of books about the WASP and a flyer from Texas A&M Press about a new book on WASP training at Avenger Field to be released.

Concert performed at the UNT College of Music Winspear Hall, as well as recitals presented in partial fulfillment of the Doctor of Musical Arts (DMA) degree for both Charlotte Botha (conducting the UNT Women's Chorus) and Gideon Burrows (conducting the UNT Men's Chorus).

This report presents abstracts (translated into English) of important Russian-language literature concerning the surface energy budget as it relates to climate change. In addition to the bibliographic citations and abstracts translated into English, this report presents the original citations and abstracts in Russian. Author and title indexes are included, to assist the reader in locating abstracts of particular interest.

This report presents abstracts (translated into English) of important Russian-language literature concerning clouds as they relate to climate change. In addition to the bibliographic citations and abstracts translated into English, this report presents the original citations and abstracts in Russian. Author and title indexes are included to assist the reader in locating abstracts of particular interest.

Ensemble concert presented at the UNT College of Music Winspear Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree for both Joshua R. Brown -- conducting the UNT Men's Chorus -- and Charlotte Botha, conducting the UNT Women's Chorus.

Anthology of the previously-published newspaper articles by the eleven winners of the 2018 Best American Newspaper Narrative Writing Contest at the Mayborn Literary Nonfiction Conference. The pieces are published in order of places awarded: Williams, “The Loneliest Polar Bear” (1st place); Callahan, “Doomed by Delay” (2nd place); Goffard, “Dirty John” (3rd place); and runners-up: Cox, “Twelve Seconds of Gunfire”; Hallman “His Heart, Her Hands”; Russell, “The Last Refugee”; Gartner and Sampson, “Wrong Way”; Parks, “About a Boy”; Emily, “Hope for the Rest of Us”; Babb, “There’s Nowhere to Run”; and DeGregory, “The House on the Corner.”

The musical career of Alexander Tumanov extends from Stalinist and Soviet Russia through contemporary Canada, and as such provides an inspiring portrait of one person’s devotion to his art under trying circumstances. Tumanov was a founding member of Moscow’s Madrigal Ensemble of early music, which introduced Renaissance and Baroque music to the Soviet Union. The Ensemble enjoyed tremendous popularity in the 1960s and 1970s, despite occasional official disapproval by the Soviet bureaucracy. At times the compositions of the group’s founder, Andrei Volkonsky, were banned. Volkonsky eventually emigrated to escape the oppressive conditions, followed soon after, in 1974, by Tumanov, and the Madrigal Ensemble continued in a changed form under new leaders. The story of the author's subsequent life and career in Canada provides a poignant point of contrast with his Soviet period — at the musical, academic, and political levels. This book is a valuable resource for those interested in the history of music and intellectual life in Russia, Ukraine, and the Soviet Union in the twentieth century and is the first published book on the Madrigal Ensemble.

The musical career of Alexander Tumanov extends from Stalinist and Soviet Russia through contemporary Canada, and as such provides an inspiring portrait of one person’s devotion to his art under trying circumstances. Tumanov was a founding member of Moscow’s Madrigal Ensemble of early music, which introduced Renaissance and Baroque music to the Soviet Union. The Ensemble enjoyed tremendous popularity in the 1960s and 1970s, despite occasional official disapproval by the Soviet bureaucracy. At times the compositions of the group’s founder, Andrei Volkonsky, were banned. Volkonsky eventually emigrated to escape the oppressive conditions, followed soon after, in 1974, by Tumanov, and the Madrigal Ensemble continued in a changed form under new leaders. The story of the author's subsequent life and career in Canada provides a poignant point of contrast with his Soviet period — at the musical, academic, and political levels. These 7 sound files are located in different pages of the book: 1. p. 169: after “an explosion of applause” Title of piece: О страстях (Bicinium De Passione) Performers: Karina Lisitsian (contralto) and Ruzanna Lisitsian (soprano) Composer: Erhard Bodenschatz Year: 1968 LP title (translation from Russian): Thousand Years of Music (Vol. 3): Madrigal – Germany. Renaissance and Early Baroque. LP …

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Faculty recital presented at the UNT College of Music Voertman Hall.

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Master of Music (MM) degree.

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Doctor of Musical Arts (DMA) degree.

Map of the University of Havana issued by the International Circle of Students. The map is in Spanish, Russian, English, and French and "Havana, Cuba 1978" is written in the upper right corner of the first page.

Recital presented at the UNT College of Music Recital Hall in partial fulfillment of the Master of Music (MM) degree.

Senior recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Bachelor of Music (BM) in Performance degree.

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Master of Music (MM) degree.

A capella concert performed at the UNT College of Music Winspear Hall.

Photograph of the inside of a New York City subway train cabin that contains orange and yellow chairs and silver metal hand rails. A yellow poster with a black outline of a cartoon person wearing a faces mask is hanging on the subway cabin's interior wall and reads "Stop the spread. Wear a mask." on the bottom of the poster, as well as "Wear a mask" on the cartoon's face mask with the same phrase but translated in Spanish, Chinese, Russian, Korean, Haitian Creole, and Bengali. Similar images of the black outline cartoon people wearing face masks are also included on the top border of the cabin walls on a yellow background.

Video footage from the WBAP-TV station in Fort Worth, Texas to accompany a news story about a delegation of Russian Baptist leaders visiting the Southwestern Baptist Theological Seminary in Fort Worth as part of a 30-day visit of the United States.

Recital presented in Shenzhen, China in partial fulfillment of the Doctor of Musical Arts (DMA) degree.