Recording of Costin Cazaban's Naturalia for piano and tape. Circular games on the harmonic sounds of the totally linear solo piano part. The direction of the music shows the process of disintegration on the environment. The idea for the work was aroused by the myth of the Sister of Albert Camus.

Article addressing, from a historical perspective, Newton's sums of like powers of natural numbers.

This note extends a certain combinatorics problem of I. Tomescu.

The '5 lei coin' problem of Titeica is generalized to circles of arbitrary radii.

Article discussing studies of the relationship between the Stieltjes sums and the elementary symmetric sums.

Article presenting a direct elementary proof to a classical result regarding the structure of finite abelian groups as products of descending cyclic groups.

Article generalizing a certain geometric locus problem due to A. Dafina.

This article investigates an efficient way of evaluating sums and series, based on a result of Abel applied to associated power series.

Article proposing a new direct proof of the fact that L^1 verifies the strong maximum principle, i.e., any analytic map from the complex unit disk into L^1, constant in norm, must be constant.

Postcard of uniformed Romanian firemen aboard a horse-drawn fire engine. On the left, there is a man in an officer's uniform, playing a bugle.

Postcard of a uniformed and helmeted Romanian fireman standing in front of a brick building. The fireman is holding an axe with its head on the ground.

Recording of Katharine Norman's Five minute wonders. This work consists of 4 movements: 1. Anything from the minibar?, 2. Oranges and Lemons, 3. Something quite atrocious, and 4. You need a cab?. The composer describes this work as midway between music and documentary that celebrates the "wonder" of a particular time and place.

Recording of Nicolae Brânduș's Kitsch_N. It is an instrumental theatre subscribed to the preoccupation of the author with controlling randomness in a musical action where the sound, attitude and stage gestures are structurally corroborated widening the domain of the performance. It is the second piece of a cycle named Vagues where the author develops similar stochastic principles of composition.

This article discusses mixed Grassmann manifolds. Abstract: Se construieşte varietea grassmanniană modelată intr-un spaţiu Banach mixt, situaţie ce generalizează simultan conceptele grassmanniene real şi complex.

Recording of Nicolae Brânduș's Match - Monody I & Polyphony IV. It is a version dedicated to the Ensemble "Ars Nova" from Cluj, Romania and based on collages of traditional folk dances from Romania's northern area of Maramures and ancestral laments from the regions of Banat and Oltenia. The final tape was re-positioned in the frame of the performers' controlled improvisation live which follows the same principles of composition. It becames a sort of an ancestral memento to the momentary performing act. The music on the tape evolves from the natural sound of the folkloric sources, quoted as such, to its multiple subsequent electronic transformations,coming back to the same folkloric quotes in their natural sound at the end. All the process of transformations represent the pulsing and not pulsing metric type of musical activity (tempo strie and tempo lisse so as described by Pierre Boulez).

Postcard of

Recording of Elizabeth Anderson's Mimoyecques. The piece consists of two sets of recordings and electronics. One set of recordings would be made in and around the fortress and would serve as the base where the imprisonment, death, and transfiguration themes would be built. The second recording is in the languages of the 18 nationalities of the laborers. The central section of the work illustrates the idea of terror freedom is suddenly, inexplicably removed. The final section explores the concept of the departure of the souls of the victims.

SA Chorale concert performed at the UNT College of Music Winspear Hall.

Choir concert performed at the UNT College of Music Winspear Hall.