Recording of Alexander Gabrys' Eco-Ethno-Polish-Mountains-Music-Spheroid. This work is composed of four parts on acoustic material borrowed from recordings of authentic Polish mountain folklore. Despite a very advanced technical and sound transformation, the nature of folklore is highlighting its dynamic character. The sound developed from: "gajdy" (bagpipes), "krzapoki" (goat bells), shepherd's horn, Polish violin, and by a pseudo instrument composed of a kind of whip used to flagellate horses.

Recording of Eugeniusz Rudnik's Pourquoi Cocteau – epitafium na smierc Wielkiego Aktora. For electronics and pre-recorded sound with vocal and instrumental sound.

Documentary broadcast on Poland's TVP2, from Conover's final visit to Poland in 1995. The program includes comments from Andrzej Jaroszewski, Paweł Brodowski, Jan Ptaszyn Wróblewski, Andrzej Trzaskowski, and photos from Marek Karewicz. The program is followed by a musical interlude, and the news program Panorama, and additional programming.

Recording of Daniel Park's Piatek. This work uses voice in different languages and styles, which are interrupted by fragments of electronics. The synthesized sound are very still and have many harmonies. The segments of speech are either processed and put through effects or kept as is containing little to no digital processing.

Recording of Jan Oleszkowicz's Métamorphoses de la petite pluie.