Ensemble performance at the UNT College of Music Winspear Hall.

Ensemble concert performed at the UNT College of Music Concert Hall.

Ensemble performance at the UNT College of Music Concert Hall.

Ensemble performance at the UNT College of Music Concert Hall.

An African percussion concert performed at the UNT College of Music WInspear Hall.

Concert presented at the UNT College of Music.

Concert presented at the UNT College of Music Voertman Hall.

An ensemble concert performed at the UNT College of Music Voertman Hall.

Concert presented at the UNT College of Music Voertman Hall.

Concert presented at Winspear Hall at the Murchison Performing Arts Center

Ensemble concert performed at the UNT College of Music Voertman Hall.

World ensembles concert performed at the UNT College of Music Voertman Hall.

World ensembles concert performed at the UNT College of Music Voertman Hall.

Ensemble concert performed at the UNT College of Music Voertman Hall.

Concert presented at the UNT College of Music Concert Hall.

A guest artist recital performed at the UNT College of Music Recital Hall.

Recital presented at the UNT College of Music Voertman Hall in partial fulfillment of the Bachelor of Music (BM) degree.

An African music festival performed at the UNT College of Music Winspear Hall.

Concert performed at the UNT College of Music Concert Hall.

15th Annual African Cultural Festival concert performed at the UNT College of Music Voertman Hall.

African Cultural Festival performed at the UNT College of Music Voertman Hall.

Recording of Miguel Azguime's Comunicacones. The sound materials in this piece come from concrete sounds from a Lisbon port, communication satellites, and texts in more than 30 different languages, as well as synthetic and instrumental sounds. This work was commissioned by the Lisbon World Fair Expo'98 and the concert version premiered at the "Musica em Novembro" festival in Lisbon.

Recording of Natasha Barrett's Angels and devils. This piece is one of two shorter acousmatic works underlying a theatre creation called "Agora". This recording is meant to explore the psychology of good versus evil and includes fragments from an old Norse poem: Volundkvadet.

Recording of Carl Bergstrøm-Nielsen's "11 september." The text is from a document called "What is MIR?" which was sent out illegally in Chile in 1974 and from the appeal of MIR two years after the taking over by the junta, on September 11, 1975. A left-wing party, MIR stayed in Chile in order to contribute as efficiently as possible to the building of the opposition. Other sound material also includes sounds from a typewriter and a demonstration at Bastad, Sweden in September 1975 at a tennis match between Sweden and Chile with more than 4,000 participants. The text is taken in small excerpts from the document in Spanish, English, Swedish, Danish, French, Dutch, and Icelandic. The piece consists of three sections overlapping each other gradually, which shows the relationship between the spoken words and the immediate danger connected with that text. The first section "as a spontaneous statement," deals with the document at its direct background: the silence is broken, in spite of the danger connected with the writing, manifolding papers that criticize the politics and methods of the junta and discuss the strategy of the opposition. The second section deals with the document as a medium of discussion. At …