Recording of Manuel Rocha Iturbide's Cantos Rituales. The main idea behind this work was to search for different kinds of field sound recordings based in prayers and ritual singing from all around the world. These recordings were then processed through a computer and combined in order to make this composition. The composer describes this piece as a hymn dedicated to all humankind, where they are seeking a spiritual unity common to all, regardless of their culture and beliefs.

Recording of Robert Normandeau's Eden. This work is based on the music composed for the play "L'Éden cinéma" by Marguerite Duras. The stage and concert music were composed in parallel as part of the same fiction but corresponding to different purposes. Given Duras' music, which was filled with instruction, the composer of this work responded to this by playing continuous music in the room. In the concert version sound elements are added to represent different facets of Duras' life.

Recording of Dirk Stromberg's Gilgamesh. This work was commissioned by Musik Gavleborg. This piece was inspired by the story of Gilgamesh which was written four thousand years ago. The story is considered a heroic epic and includes many adventures and battles. It ends with him finding the fountain of wisdom and asking timeless, philosophical questions.

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Concert presented at Winspear Hall at the Murchison Performing Arts Center

Concert presented at Winspear Hall at the Murchison Performing Art Center.

Concert presented at Winspear Hall at the Murchison Performing Art Center.

Ensemble concert presented at the UNT College of Music Recital Hall.

An international Heated Crevice Seminar, sponsored by the Division of Engineering Technology, Office of Nuclear Regulatory Research, U.S. Nuclear Regulatory Commission, Argonne National Laboratory, and the Electric Power Research Institute, was held at Argonne National Laboratory on October 7-11, 2002. The objective of the seminar was to provide a working forum for the exchange of information by contributing experts on current issues related to corrosion in heated crevices, particularly as it relates to the integrity of PWR steam generator tubes. Forty-five persons from six countries attended the seminar, including representatives from government agencies, private industry and consultants, government research laboratories, nuclear vendors, and electrical utilities. The seminar opened with keynote talks on secondary-side crevice environments associated with IGA and IGSCC of mill-annealed Alloy 600 steam generator tubes and the submodes of corrosion in heat transfer crevices. This was followed by technical sessions on (1) Corrosion in Crevice Geometries, (2) Experimental Methods, (3) Results from Experimental Studies, and (4) Modeling. The seminar concluded with a panel discussion on the present understanding of corrosive processes in heated crevices and future research needs.

Concert presented at the UNT College of Music Concert Hall.

Concert presented at the UNT College of Music Winspear Performance Hall.